<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-7567910612662728693</id><updated>2012-02-16T20:48:10.109-08:00</updated><title type='text'>Drawing Fire</title><subtitle type='html'>HQ for Stomach Island Enterprises</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://stomachisland.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>58</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-2719775644770190602</id><published>2011-10-07T21:08:00.000-07:00</published><updated>2011-10-07T21:18:03.831-07:00</updated><title type='text'>i remembered a dream from a time about a year ago</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/-9nGWPQz3FWo/To_M4GGLm-I/AAAAAAAAATg/Lc-JqvH6lsA/s1600/prisoner.jpg"&gt;&lt;img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://1.bp.blogspot.com/-9nGWPQz3FWo/To_M4GGLm-I/AAAAAAAAATg/Lc-JqvH6lsA/s400/prisoner.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5660968520709282786" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;i felt bad up in the Mountain Hostel&lt;br /&gt;the Asian kid left out&lt;br /&gt;his english wasn't as good as he had hoped&lt;br /&gt;easy to imagine his attempts at acculturating&lt;br /&gt;feeble ultimately&lt;br /&gt;there wasn't really anywhere for him to go&lt;br /&gt;and peacefully not speak english&lt;br /&gt;He was trapped&lt;br /&gt;looking for hot water&lt;br /&gt;asking how to get to Murren&lt;br /&gt;or saying he not like that &lt;br /&gt;(the pasta we prepared in the commons)&lt;br /&gt;Sad that he is in this place and has to feel&lt;br /&gt;not only alone but a failure&lt;br /&gt;Surrounded he is by energetic verbose Anglos&lt;br /&gt;their own english sounds pretty convincing to him&lt;br /&gt;kids from four different countries &lt;br /&gt;and three different continents&lt;br /&gt;none of which were the one he knew&lt;br /&gt;and theres him&lt;br /&gt;yellow, tall and trying hard&lt;br /&gt;in their midst to scream into the shared darkness&lt;br /&gt;at Eiger, Monch and the Jung but it&lt;br /&gt;sounds strange, like he is faking screaming&lt;br /&gt;a guttural proclomation of horror, exhilaration&lt;br /&gt;that didn't make the trip&lt;br /&gt;and it makes him more alone&lt;br /&gt;and he begins maybe to sob its hard to tell&lt;br /&gt;All we have as testimony are stolen shots from the strobeflash&lt;br /&gt;of us drunk Anglos high up on the mountain&lt;br /&gt;bruised cracking wood of the overlook &lt;br /&gt;out of focus&lt;br /&gt;and Tall Asian looking strange in his profound and epic frustrations&lt;br /&gt;in the shadow of the Alps.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-2719775644770190602?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2719775644770190602'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2719775644770190602'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2011/10/i-felt-bad-up-in-mountain-hostel-asian.html' title='i remembered a dream from a time about a year ago'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/-9nGWPQz3FWo/To_M4GGLm-I/AAAAAAAAATg/Lc-JqvH6lsA/s72-c/prisoner.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-377202896078348252</id><published>2011-02-08T20:25:00.000-08:00</published><updated>2011-02-08T20:26:35.469-08:00</updated><title type='text'>2.9</title><content type='html'>Exists to explore understand greater perspectives on space and time, as with sound and image.&lt;br /&gt;&lt;br /&gt;Pioneer virgin&lt;br /&gt;&lt;br /&gt;To new mode of thought he stumbles thru toward revelation discovery.&lt;br /&gt;&lt;br /&gt;REALEST SPACE&lt;br /&gt;&lt;br /&gt;Realist edits no continuity time lapses freely between cuts. Sound here could be instructive and illustrative.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-377202896078348252?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/377202896078348252'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/377202896078348252'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2011/02/29.html' title='2.9'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-532903157297150328</id><published>2011-02-04T18:32:00.000-08:00</published><updated>2011-02-04T18:33:53.230-08:00</updated><title type='text'>late 2009</title><content type='html'>they watched tv through the first three quarters of the apocalyptic countdown&lt;br /&gt;arbitrary&lt;br /&gt;in his utter confusion one of them held his breath under the bed until he died....&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;tangle this whole thing with RESCUED LONELY HISTORY!!!!&lt;br /&gt;ultimate document&lt;br /&gt; &lt;br /&gt;the meaning of time&lt;br /&gt;always incorporating various disciplines (science history geology biology math) and their understandings of time&lt;br /&gt;until it comes out clean.....&lt;br /&gt;instances in which sobriety matters&lt;br /&gt; &lt;br /&gt;should i be drunk or not....&lt;br /&gt;sometimes its betterr....&lt;br /&gt;tv in its new configuration&lt;br /&gt;became a strangely addictive compulsory activity.....&lt;br /&gt;the curveball the internet presents&lt;br /&gt;wikipedia in particular&lt;br /&gt;proximity to information\\&lt;br /&gt;is a poison....&lt;br /&gt;suddenly the desire to withdraw all of their money....&lt;br /&gt; &lt;br /&gt;what was i worth back then?&lt;br /&gt;and now&lt;br /&gt;can we combine that????&lt;br /&gt;like southland tales&lt;br /&gt;without all the pageantry and the grandstanding&lt;br /&gt;just a portrait of where it is....not the world...&lt;br /&gt; &lt;br /&gt;but tempral media will crawl all over each other&lt;br /&gt;to expedite itself....&lt;br /&gt;sodomizing epochs&lt;br /&gt;breaking the freckle&lt;br /&gt; &lt;br /&gt;"none of my technologies work...."&lt;br /&gt;fuck&lt;br /&gt;what do i do?&lt;br /&gt; &lt;br /&gt;yer getting lost&lt;br /&gt;its natural&lt;br /&gt;its working&lt;br /&gt;one figurehead seems to materialize....&lt;br /&gt;one person whose Iphone still works...&lt;br /&gt;Phaaa...God?  Whosat?&lt;br /&gt; &lt;br /&gt;-overheard in confused timewarp melodrama&lt;br /&gt;measuring and then immediately negating their own development&lt;br /&gt;their maturity withers appropriately&lt;br /&gt;approximating that age...&lt;br /&gt; &lt;br /&gt;their context and perspective changed....&lt;br /&gt;they began to look at two years ago as the stone age&lt;br /&gt;mumblecore trappings....&lt;br /&gt;&lt;br /&gt;independent social excitement became automatic...&lt;br /&gt;parties and dancing were predictable...and robotic....&lt;br /&gt; &lt;br /&gt;whats happening to our REAL lives&lt;br /&gt;what REAL lives?&lt;br /&gt;&lt;br /&gt;web closed by inevitable forces of evil that exist&lt;br /&gt;just for the math of it to balance things&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;taking over the farm that one had kept merely for the (constantly crumbling) utopian aspects it presented&lt;br /&gt;the first party had gone to hell&lt;br /&gt; &lt;br /&gt;a third or forth party&lt;br /&gt;is the inevitably invading evil&lt;br /&gt;how do they know about this?  about us?&lt;br /&gt;&lt;br /&gt;the sense that they were seeing outtakes....&lt;br /&gt; &lt;br /&gt;out of the mainstream&lt;br /&gt;a taste for lies&lt;br /&gt;for scandalous rumors...&lt;br /&gt;alternative histories....&lt;br /&gt; &lt;br /&gt;they hungered for them....&lt;br /&gt; &lt;br /&gt;anything that on its facecontradicted refused the truth the maintstream nature of times life....&lt;br /&gt;they foudn their sense of time&lt;br /&gt;so skewed&lt;br /&gt;that tehy were intimately involved in films they watched as though tehy were the protagonists only on the wrong side of teh screen.....&lt;br /&gt;&lt;br /&gt;keys to success....&lt;br /&gt;a film or story of any kind&lt;br /&gt;in which&lt;br /&gt;you root for everyone&lt;br /&gt;or&lt;br /&gt;you root for no one&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;or (outside chance)&lt;br /&gt; &lt;br /&gt;you root for someone...&lt;br /&gt;&lt;br /&gt;a violent roadtrip&lt;br /&gt;not so hard to compose....&lt;br /&gt;quirky incidents at every turn&lt;br /&gt;to test love&lt;br /&gt;and measure the red and pink of blood and guts...&lt;br /&gt;&lt;br /&gt;yopu have to wake the poor bastard from sleep for this shit to wrok&lt;br /&gt;convince him that all his lifes travails were a bad dream&lt;br /&gt;is there an alternative?&lt;br /&gt;dreams are a cop out&lt;br /&gt;he wont believe&lt;br /&gt;he lived this shit...&lt;br /&gt;police detection techniques&lt;br /&gt; &lt;br /&gt;and the knowledge&lt;br /&gt;of them&lt;br /&gt;and how it plays into suburban melodaram&lt;br /&gt; &lt;br /&gt;lonely history&lt;br /&gt; &lt;br /&gt;working against presents times methods....&lt;br /&gt;Character pull sheets lose from foot of bed in anger&lt;br /&gt;challenged ability to make associations&lt;br /&gt;to create meaning&lt;br /&gt; &lt;br /&gt;he was already living halfway in the past...&lt;br /&gt;technological jumble&lt;br /&gt;you cant untract yourself&lt;br /&gt; &lt;br /&gt;creates extreme inarticulate fear and paranoia&lt;br /&gt;the drugs don't help&lt;br /&gt;&lt;br /&gt;how encyclopedic and comprehensive is the memory&lt;br /&gt; &lt;br /&gt;they would generally do the same things&lt;br /&gt;nothing remarkable could happen or hed know&lt;br /&gt; &lt;br /&gt;just spin things correctly and then reintroduce real time&lt;br /&gt;&lt;br /&gt;Maybe yr dreaming this&lt;br /&gt;&lt;br /&gt;Make it like a parable with realist interludes&lt;br /&gt;How quickly will someone begin to believe&lt;br /&gt;you'd know it by the flickering goings sound all over&lt;br /&gt;&lt;br /&gt;They would imagine versions of the night and the next morning over fruit they'd compare looking hopelessly for their rises and sold out old time&lt;br /&gt;&lt;br /&gt;Dog appeared on the room with a curious device in his mouth and around his paunch&lt;br /&gt;&lt;br /&gt;O would never exploit you like so many others.  I like you&lt;br /&gt;&lt;br /&gt;Device'd dog intersects I ilike you talk&lt;br /&gt;&lt;br /&gt;The art of the six packs going&lt;br /&gt;&lt;br /&gt;Filmd screen insanity with music a porthole. A frameline for the context of the past&lt;br /&gt;&lt;br /&gt;Through methods we can actually photograph the past. Monitor filming&lt;br /&gt;&lt;br /&gt;Drugs make you break dates with invisible concepts&lt;br /&gt;&lt;br /&gt;Inserts of 2 yrs Agos crazy moon. An orthodoxy by which they can understand and acknowledge time&lt;br /&gt;&lt;br /&gt;Where and how the supreme I forming idea gets lost traveling from station to station.  Where the insinuators?&lt;br /&gt;&lt;br /&gt;They often review recent video finding narrative hairpins. 5 minutes ago cam&lt;br /&gt;&lt;br /&gt;A movie u can't turn off or leave. By law&lt;br /&gt;&lt;br /&gt;Backwards thru photos. Backwards thru video.  Flickers of flash lateral. Taking us room to room....a way of traveling.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Cu texts being sent a keystroke at a time&lt;br /&gt;&lt;br /&gt;Faux time travel narrative a spring board for cinematic essAy stylistic references to graphic novels&lt;br /&gt;&lt;br /&gt;Future disgraced former senator - just friends - not talking was hard&lt;br /&gt;&lt;br /&gt;Cinematic morality - why doesn't dahmer show everything?&lt;br /&gt;&lt;br /&gt;Edwin Herbert Land (May 7, 1909 – March 1, 1991) was an American scientist and inventor. Among other things, he invented inexpensive filters for polarizing light, a practical system of in-camera instant photography, and his retinex theory of color vision.&lt;br /&gt;&lt;br /&gt;imagining an index of horrible injury&lt;br /&gt;&lt;br /&gt;spent three days confident&lt;br /&gt;they were willing the entertainments onto the screen&lt;br /&gt;what was on TV is what they demanded&lt;br /&gt;according to their whims&lt;br /&gt;&lt;br /&gt;sense of intimacy or even presence was absent&lt;br /&gt;it was broken&lt;br /&gt;he was warbled....bad....&lt;br /&gt; &lt;br /&gt;he could only force it&lt;br /&gt;&lt;br /&gt;what is three years from now like?&lt;br /&gt;decided they had to change now&lt;br /&gt;hed seen the future and it was horrible&lt;br /&gt;realized their objective was defining their efforts in a narcissitic fashion&lt;br /&gt;it was strange that they uh held time responsible for his present condition and not circumstance and chance and personal decision time was responsible&lt;br /&gt; &lt;br /&gt;a lot of the record of that period was contained in a fictional document composed by laszlo&lt;br /&gt; &lt;br /&gt;all sorts on unnatural forces pulled them apart  but ultimately it was he saw as selfishness&lt;br /&gt;a relationship that could not branch outward&lt;br /&gt;it was selfish and took them away from the pool&lt;br /&gt; &lt;br /&gt;they listened to music from the period watched movies read books&lt;br /&gt;thought it was strange they couldnt remember the climate of three years ago accurately&lt;br /&gt;looked through records and documents to determine exactly the tech social polit and emotional environment of that time so as to better replicate it&lt;br /&gt; &lt;br /&gt;that threw a perverseee sort of art they could reconstitute the past&lt;br /&gt;&lt;br /&gt;good scenes for love&lt;br /&gt; &lt;br /&gt;a cool late morning early afternoon shades drawn&lt;br /&gt;banana on the table, loose shirtson their permutations agreed upon&lt;br /&gt;they would touch and play that day&lt;br /&gt;it would express itself all fury and desire which cannot negotiate itself adequate&lt;br /&gt;both parties claw limp and desperate to find the right aspect&lt;br /&gt;am i at your asshole or are you kissing me on the face?&lt;br /&gt;&lt;br /&gt;good ideas that exceed one good moment  the space of ideagogy &lt;br /&gt;something not a wimpy wispy utterance that cannot build upon itself into an altar&lt;br /&gt;of imporatance where an entire civilization can read their narrative in your products...&lt;br /&gt;&lt;br /&gt;a good arrangement momentary coupled with an easy delivery of some platitude creates a warm insular art moment&lt;br /&gt;that needs to be speared and blood drawn total&lt;br /&gt; &lt;br /&gt;let all of today float and coast on the momentary shortsided wit of one item of nonsense.&lt;br /&gt; &lt;br /&gt;picnics blankets&lt;br /&gt;snacks....all for those words of not&lt;br /&gt;&lt;br /&gt;away from conceivable beasts we are safe in our refuge&lt;br /&gt;what refuge?&lt;br /&gt;car alarm goes off&lt;br /&gt;stranger inside the car....&lt;br /&gt;&lt;br /&gt;time and its impact can best be measured relative to looming fragrances which expand on ideas and give them their lordly dimension....&lt;br /&gt;&lt;br /&gt;they often tried in vain dimly to film what they were seeing&lt;br /&gt;ultimately it was a long string of infomercials or the last act of a dramatic film en espanol&lt;br /&gt;where no one could make heads or tails.&lt;br /&gt;but the record lasts&lt;br /&gt;&lt;br /&gt;wanted out of our social contract&lt;br /&gt;to find people who would hold him to higher standards&lt;br /&gt;someone to whom it would never occur to to tell anyone anything...&lt;br /&gt;disentangle the network,, distance it from itself....it can no longer function if those lines of communication are destroyed&lt;br /&gt;literally and figuratively....&lt;br /&gt;self immolation is all thats left for utopia.&lt;br /&gt;checking email all the way&lt;br /&gt;&lt;br /&gt;someone is blinding us....&lt;br /&gt; &lt;br /&gt;dont mention your whole time hangup to her&lt;br /&gt;just act like its today and things were left wherever the fuck you left them....and do your best&lt;br /&gt; &lt;br /&gt;successfully reconstitute the night where it fell apart, dog with contraption over reconciliation talks id never exploit you like so many others might but still the end happens the damage done an unshakable paranoia the byproduct of their timetravel noodlings cant believe in anything anymore past or present....&lt;br /&gt;&lt;br /&gt;real time events&lt;br /&gt;are made of extreme intolerable insufferable intimate takes&lt;br /&gt;heads rest on heads on shoulders bodies tangled...&lt;br /&gt;&lt;br /&gt;find a use for the wealth of audio recordings you have&lt;br /&gt;they possess a certain something....&lt;br /&gt; &lt;br /&gt;incorporate them....&lt;br /&gt; &lt;br /&gt;future disgraced former senator.....&lt;br /&gt;&lt;br /&gt;all films in general&lt;br /&gt;are portraits of labor&lt;br /&gt;of duty imposed for narrative gain&lt;br /&gt;their methods of organization&lt;br /&gt;their planners  HOW THEY ORGANIZE their objectives of time displacement along the various lines of critical objective theyd outlined...all the components of simulated reality they had to keep it all together or theyd all perish...in unknown time and space....&lt;br /&gt;their willing participants&lt;br /&gt;subjecting themselves to organization and whimsy&lt;br /&gt; &lt;br /&gt;its all much greater when its conducted within uncertain time and space....&lt;br /&gt;they had liitle geographical reference they were conducting these experimetns in white voids&lt;br /&gt;they were failing to see where they were or who they were&lt;br /&gt;too deep into character.&lt;br /&gt;time was gone.&lt;br /&gt;context annihilated.&lt;br /&gt;&lt;br /&gt;a camcorder that can be grabbed&lt;br /&gt;fully powered&lt;br /&gt;cued up&lt;br /&gt;free of its other functions of memory&lt;br /&gt;prepared to capture the present&lt;br /&gt;and file it away into that confused convoluted memorybank&lt;br /&gt;again&lt;br /&gt;one unit always ready at beckoned call to document NOW&lt;br /&gt; &lt;br /&gt;free of attachements&lt;br /&gt;no loyalties to the past a popular song could represent the running away of temporally displaced huiman activity  that they had to act NOW whenever that was...precedent it took....&lt;br /&gt;&lt;br /&gt;some of them began to expire with confused looks on their faces....&lt;br /&gt; &lt;br /&gt;no one was sure why&lt;br /&gt; &lt;br /&gt;but Laslo more or less remained unhappy...&lt;br /&gt; &lt;br /&gt;these magic grounds college capital towns provide are false&lt;br /&gt;and obscurant....&lt;br /&gt;but also lend specimens on unmitigated social overflow...&lt;br /&gt;how far they'd take it when no one asked anything more of them...&lt;br /&gt;AUSTIN&gt;&gt;&gt;&gt;&lt;br /&gt;&lt;br /&gt;confer responsibility on college babylons...&lt;br /&gt;effectively&lt;br /&gt;extract guilt from its citizens....&lt;br /&gt;they promogulate that culture which doesnt think&lt;br /&gt;and as it does it thinks which is harmful because the presence of thought&lt;br /&gt;they find in some way excuses their rot&lt;br /&gt; &lt;br /&gt;that such heinous trailblazing socialsexual is happening everywhere&lt;br /&gt;is evidence of the decay these institutiosn represent and embrace....&lt;br /&gt;&lt;br /&gt;why certain people are excluded from the retards masquerade.&lt;br /&gt;what they're accomplishing&lt;br /&gt;a certain eugenics....socially philosophically....&lt;br /&gt;not to be a member....&lt;br /&gt; &lt;br /&gt;to come out separate from all these tenuous momentary collectives&lt;br /&gt;is victory...&lt;br /&gt; &lt;br /&gt;to be forever banished is the ultimate accomplishment...&lt;br /&gt;&lt;br /&gt;take them off their elevated stages&lt;br /&gt;but only in course....&lt;br /&gt; &lt;br /&gt;the objectives of an elevated society&lt;br /&gt;found so many detours in its constantly diffuse splintered ideology&lt;br /&gt;that a universal goal is diffuse and confusd&lt;br /&gt;ultimately one must submit to the tide....&lt;br /&gt;but not without robbing it of its hallmarks and icons on the way out....&lt;br /&gt;iphoens fucked satellites shot out of sky...&lt;br /&gt;thats the end&lt;br /&gt;everybodys dead now&lt;br /&gt;but the sats are shot out of thesky&lt;br /&gt;&lt;br /&gt;first to DISCOVER THE system&lt;br /&gt;then to analyze and catalogue its components&lt;br /&gt;and destroy it piece by piece....&lt;br /&gt;it gets confused so they go to teh satellites....&lt;br /&gt; &lt;br /&gt;they decided austin was a rotten headquarters of timefucking,...&lt;br /&gt;&lt;br /&gt;never were they comfortable with an authoritative empirical&lt;br /&gt;collection of data or resources that could represent the BODY they were trying to disarm and assail&lt;br /&gt;their attacks were halfcocked and aggressive&lt;br /&gt;thinking if they could knock out enough satellites&lt;br /&gt;the HQ would collapse&lt;br /&gt;or at least would be left vulnerable so they could destroy it....&lt;br /&gt;&lt;br /&gt;colleges apocalyptic ruin has been adequately almost impressively presnted in mainstream hollywood college stories of shit&lt;br /&gt; &lt;br /&gt;the social spiritual affected tangle that it represents...but it doesnt go far enough&lt;br /&gt;and in that right it violates and strikes at the heart of the truth....&lt;br /&gt;so they are clues but its not real....&lt;br /&gt;&lt;br /&gt;insurgents v mainstream&lt;br /&gt; &lt;br /&gt;hollywood always ultimately sides with the mainstream&lt;br /&gt;or the insurgency....&lt;br /&gt; &lt;br /&gt;we can find insurgencies in our own time and place that would never own up to such designations..&lt;br /&gt;&lt;br /&gt;pissisng in the backyard by teh pool amid dog barks and distant sounds of distress chaos and violence&lt;br /&gt;fuck this....&lt;br /&gt; &lt;br /&gt;discoveries...&lt;br /&gt; &lt;br /&gt;opening beers&lt;br /&gt;opening cases of beers&lt;br /&gt;opening packages of bottled water....&lt;br /&gt; &lt;br /&gt;tiny corners where we make our scene...&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;the corners wherein our protags self identify....&lt;br /&gt;&lt;br /&gt;again i reiterate&lt;br /&gt;the allimportant scene between protag and his lost lady happens in realtime where reference to timetravel is leftout for fear of lunacy and is thus able to play out in both spheres ugly beautiful....&lt;br /&gt;its what it would ahve ever been but at least protag was courageous enough at this point to address it...&lt;br /&gt;he is convinced that she too can see into the future like he because she describes her social situation as it is in HIS present...so he assumes they are tandem voyagers against time...&lt;br /&gt;he convinces here without resorting to explicit mentions....&lt;br /&gt;love almost happens&lt;br /&gt;until they both choose the fuure...&lt;br /&gt;but everyone else chooses the past&lt;br /&gt;and time dies.&lt;br /&gt;and its the end....&lt;br /&gt;&lt;br /&gt;Can I borrow that for the thing Im working on presently wherein a group of people try to simulate the past for a wayward friend only to realize the media's  present" will catch up to them and the future will kill them through paranoia and confusion?&lt;br /&gt;&lt;br /&gt;He began singing pop songs aloud whenever he felt hed had a technological breakthrough&lt;br /&gt;like he was saving some semlance of tech space for he and his friends endeavor&lt;br /&gt;when he was beating or tricking the machine through emotion....&lt;br /&gt;&lt;br /&gt;on assignment&lt;br /&gt;how quickly they burn through resources&lt;br /&gt;they do HARD and Soft drugs&lt;br /&gt; &lt;br /&gt;they think its unnecessary to have to pee this often!&lt;br /&gt; &lt;br /&gt;everything is falling apart&lt;br /&gt; &lt;br /&gt;nothing feels like it used to.&lt;br /&gt;&lt;br /&gt;urban jungles&lt;br /&gt; &lt;br /&gt;kids mom dying&lt;br /&gt; &lt;br /&gt;oh yeah bbbbhhh gunshots....june 6th nineteen and fourty four....kill nazis...&lt;br /&gt;playing war about town wherever they can find trees and nature...&lt;br /&gt;&lt;br /&gt;Eyeline 2shots. In the gutters things happen&lt;br /&gt;&lt;br /&gt;In the sight of the painting. The paintings were watching&lt;br /&gt;&lt;br /&gt;Paul bley uses Stravinsky rite of spring&lt;br /&gt;&lt;br /&gt;they stumbled around drunkenly his squat--hot and cold--putting dimly pigment to recycled newscrap...talking periodically of revolution waiting stupid for the arrival of the emergence of the Grand THemes.&lt;br /&gt; &lt;br /&gt;at present shapeless.&lt;br /&gt;&lt;br /&gt;We all know it's of such infinite aspect&lt;br /&gt;&lt;br /&gt;He'd got paint all over the place&lt;br /&gt;&lt;br /&gt;He showed up for enlistment with an entire menagerie he hoped they'd fond him crazy&lt;br /&gt;&lt;br /&gt;index of deceased broken culture piled high in corners at the perimeter&lt;br /&gt;&lt;br /&gt;Insert picmovie of random people in random environments to illustrate a theme&lt;br /&gt;&lt;br /&gt;Varying measures - incoherent = bad!&lt;br /&gt;&lt;br /&gt;massaging a mattress in CU&lt;br /&gt;building a house&lt;br /&gt; &lt;br /&gt;AUDIO and TEXT&lt;br /&gt;recount pop culture political stories of the time&lt;br /&gt; &lt;br /&gt;Chris Brown beats Rihanna, apologizes&lt;br /&gt; &lt;br /&gt;Health Care for all burns up forever....&lt;br /&gt; &lt;br /&gt;etc.....&lt;br /&gt;&lt;br /&gt;multiple media played simultaneously&lt;br /&gt;a walking improvised film&lt;br /&gt;camera goes from media to media&lt;br /&gt;unified by audio&lt;br /&gt;creating a mobile theatre...&lt;br /&gt;see :Collage Film...&lt;br /&gt;&lt;br /&gt;Txtual picmovies -  different colors sizes and fonts dynamic. Rhetoric and narrative emerge.&lt;br /&gt;&lt;br /&gt;Story from the perspective of the GA detective in Friedgreentomatoes&lt;br /&gt;&lt;br /&gt;Streetview of alley - shocking encounter obscured&lt;br /&gt;&lt;br /&gt;Assisstant corps on their 3 laptops on wifi designing the future;&lt;br /&gt;&lt;br /&gt;filmed love&lt;br /&gt;complications&lt;br /&gt;&lt;br /&gt;narrative&lt;br /&gt;&lt;br /&gt;what exactly happens in the mentatemple - what its like in there and of there and beyond there&lt;br /&gt;&lt;br /&gt;chrisy mathewson picture - description, impact&lt;br /&gt;&lt;br /&gt;ahh....beachcombing&lt;br /&gt; &lt;br /&gt;like it was something he was trying to remember for later...&lt;br /&gt; &lt;br /&gt;a universe of texts&lt;br /&gt;related magically&lt;br /&gt;implicated&lt;br /&gt;&lt;br /&gt;evil ceo wins&lt;br /&gt;harsh smiling political quasi reality&lt;br /&gt; &lt;br /&gt;he is destroyed&lt;br /&gt;hopeful exciting motivating victory&lt;br /&gt; &lt;br /&gt;what do we need to see?  really?&lt;br /&gt; &lt;br /&gt;which is of greater value?&lt;br /&gt;&lt;br /&gt;Compassionate gangster mountain gun battle cop approaches door cut to gangster entering elsewhere&lt;br /&gt;&lt;br /&gt;using vertical shift in vegas&lt;br /&gt;a walking camera through constructed town of ideas and sensation&lt;br /&gt;&lt;br /&gt;Things exposed by flashlight in darkness&lt;br /&gt;&lt;br /&gt;A strange third party was present&lt;br /&gt;&lt;br /&gt;Wall cellars&lt;br /&gt;&lt;br /&gt;Experimental uses of the documentary mechanism - creating conflict - the best way to create perspective - point of view&lt;br /&gt;&lt;br /&gt;desertscape moab&lt;br /&gt;back and forth&lt;br /&gt;desert commerce&lt;br /&gt;bikeriding&lt;br /&gt; &lt;br /&gt;"I will never...never...I will never...let you go...."&lt;br /&gt; &lt;br /&gt;two figures appear from a side&lt;br /&gt;trash is thrown at them repeatedly&lt;br /&gt;it is gathered up after and quickly reconstituted into something beautiful....&lt;br /&gt;where is the camera what is its strategy....&lt;br /&gt; &lt;br /&gt;long lens&lt;br /&gt;actual physical location is dubious beween takes they are all over the place going through garbage&lt;br /&gt;telling a broken up story we hear bits and pieces....&lt;br /&gt;suddenly someone is mildly offended  they are [break] appeased and the light and social configuration has changed...difficulty with social proxemics&lt;br /&gt; &lt;br /&gt;inside sad bobby watches tv longing to travel in time...this time is no good.&lt;br /&gt;&lt;br /&gt;CUs of people in between thoughts and events&lt;br /&gt;watching video of moments ago spliced a tween&lt;br /&gt; &lt;br /&gt;this set up becomes like a perpetual motion machine&lt;br /&gt;social dynamic is regenerating itself it cant escape&lt;br /&gt;its a glitch&lt;br /&gt;and we break out of it as the preamble&lt;br /&gt;while bobby falls in love with the TV somemore inside.&lt;br /&gt;&lt;br /&gt;laid waste to formalist structuralist orthodoxy&lt;br /&gt; &lt;br /&gt;something for which it never could have been prepared....&lt;br /&gt; &lt;br /&gt;the dead bunny un-aged&lt;br /&gt;&lt;br /&gt;forgotten askew angle lovers peptalk&lt;br /&gt;whattya doing?   the smell of my fingers keeps changing...the fingers keep changing.&lt;br /&gt;what are we doing we should be out there...kisss....&lt;br /&gt;&lt;br /&gt;rolling past the camera&lt;br /&gt;someone carelessly hopelessly going through scraps of paper photographs fliers, pieces of fabric etc....&lt;br /&gt; &lt;br /&gt;Im not organized I need organization....&lt;br /&gt; &lt;br /&gt;long shot amazing collection of disorganized bullshit&lt;br /&gt;its being presented to us&lt;br /&gt;in an otherwise clean suburban space...&lt;br /&gt;we could we could go upstairs and whatever...&lt;br /&gt;but all this shit will be here with no idea of....totally confusing....spread oh too thin...&lt;br /&gt; &lt;br /&gt;we could go upstairs&lt;br /&gt;but i pity my things...&lt;br /&gt;&lt;br /&gt;colonics&lt;br /&gt;dryersheets in pockets of waiting attire&lt;br /&gt;strategies v methods&lt;br /&gt;preparation v organization...&lt;br /&gt;a day&lt;br /&gt;&lt;br /&gt;Experiments in digital degradation degeneration&lt;br /&gt;&lt;br /&gt;visualtext writers&lt;br /&gt; &lt;br /&gt;Emmett Williams, Henri Chopin, and Ian Hamilton Finlay&lt;br /&gt;&lt;br /&gt;iPhone distortion.   Check flickr and archives locate all memorable notes.  Cdrs.  Photoshop.  Saic.  Read.  Jog.&lt;br /&gt;&lt;br /&gt;dual tunes for experimental imagery&lt;br /&gt;a read passage&lt;br /&gt;and a rhythmic series of action whipping popping and clanking....&lt;br /&gt;belies process....&lt;br /&gt;&lt;br /&gt;foregrounds space between&lt;br /&gt;&lt;br /&gt;Static takes sped up&lt;br /&gt;&lt;br /&gt;Character discussed for a long time before finally appearing.    Action obscured by a mob. The mob recedes exposing a dead body from it's midst.&lt;br /&gt;&lt;br /&gt;John Harm.  The Harm Family.&lt;br /&gt;&lt;br /&gt;if you take 24 years which I have now and add i think 14 years you have 38 add another year and you have the 39 years he spent in the ground before i was ever born.&lt;br /&gt; &lt;br /&gt;characters from epic who missed each other in life by centuries years months days hours minutes seconds or didnt miss at all and lived together in time for awhile.  shared time.&lt;br /&gt;this was the one that they all wanted to see and to know about&lt;br /&gt; &lt;br /&gt;the harm family&lt;br /&gt;the missing twin died away&lt;br /&gt;the second twin replaced her in teh movie&lt;br /&gt;finding her dead sister in the ground and screaming...&lt;br /&gt;she thought...I found her.&lt;br /&gt;and they continued rolling.&lt;br /&gt; &lt;br /&gt;how TWBB gets the development of the machine wrong at the beginning and it spoils whats to come...&lt;br /&gt;perhaps not enough time was lavished...more time making us understand the architecture of the machine...&lt;br /&gt; &lt;br /&gt;bobby was sitting in his room with his legs outstretched to the ground from his bed looking left at annie, she looking right--right at him or so he thought....when would they talk?&lt;br /&gt; &lt;br /&gt;they cant happen in time and space gives too much of the temporal away...&lt;br /&gt;handheld documentary an enviable way to control the temporal collateral damge of the effort&lt;br /&gt; &lt;br /&gt;txts from literature stole off with hrs and hrs of early morning days which would have no doubt been invisible in some other way elsewehre&lt;br /&gt; &lt;br /&gt;big scenes - no connective tissue&lt;br /&gt;an addendum chapter an entire atlas of all the peripheral goings on which made the big scene possible&lt;br /&gt; &lt;br /&gt;taking the camera deeper inside the prerecorded image a perspectival second chance&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Tracking the instrument not it's product.&lt;br /&gt;&lt;br /&gt;THE NARRATIVE OF THE LIFE OF A SOVIET MOVIE CAMERA 1938-present&lt;br /&gt;&lt;br /&gt;muggers who wait in suburban cul de sacs for people who exit latenight to take out garbage or get mail or smoke an illegal cigarette and force entry into the home&lt;br /&gt; &lt;br /&gt;does the kid drop the mail...&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;weave this around a peripheral portrait of members of a community....&lt;br /&gt;&lt;br /&gt;reconciling the geographic narrative of a famous person&lt;br /&gt;crawfish&lt;br /&gt;red wine&lt;br /&gt;french fries&lt;br /&gt;crab&lt;br /&gt;steak&lt;br /&gt;scallops&lt;br /&gt;etc...&lt;br /&gt;a food tour through his confusion&lt;br /&gt;&lt;br /&gt;an idea that no doubt wouldve remained in tact had i gotten mine intimately just then&lt;br /&gt;but the rejection killed all positive impulse and im left here with a rod and no one physical or spiritual for it to play with&lt;br /&gt;just the tv  which can presently claim a goddamn miracle of a movie to its credit.&lt;br /&gt;&lt;br /&gt;scan all recent prints&lt;br /&gt; &lt;br /&gt;then&lt;br /&gt; &lt;br /&gt;make artshows of them...&lt;br /&gt;with glue and staples and crayons and paint all of which you bring with you from dad and elaines....&lt;br /&gt; &lt;br /&gt;"its something i need to do....fuck off!"&lt;br /&gt;&lt;br /&gt;the greiving female takes up mans arms&lt;br /&gt;for strike...&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;LBs set loose in suburban homess....&lt;br /&gt; &lt;br /&gt;slowly walking through town toward nowhere&lt;br /&gt;the last ones......&lt;br /&gt;no one else&lt;br /&gt;the best alternative&lt;br /&gt; &lt;br /&gt;two peripheral friends find that they are the only two left in town&lt;br /&gt;attempts at making something meaningful out of that&lt;br /&gt; &lt;br /&gt;or at least spending a ridiculous amount of time together so it can expire organically&lt;br /&gt;because its the end of an era with them&lt;br /&gt;measures of time they both find bogus....&lt;br /&gt;&lt;br /&gt;celebriteis would be easier to photograph if they were dead&lt;br /&gt;and admittedly&lt;br /&gt;the stories would be more interesting too.&lt;br /&gt;&lt;br /&gt;aojjbtcrf&lt;br /&gt;opens up an outer world&lt;br /&gt;higher context&lt;br /&gt;becomes valuable&lt;br /&gt;a comfortable alternative space for the viewer  - a world it endlessly questions and frames stupid and meaningless....&lt;br /&gt;as opposed&lt;br /&gt;to TWBB&lt;br /&gt;which wants you luxuriate languish?  in its singleminded vision of ones....their peripheries take center stage because there is no surplus storage room it all funnels into the one stream....&lt;br /&gt;&lt;br /&gt;enormous changes at the last minute&lt;br /&gt;in a journalistic venue....&lt;br /&gt;to alter the entire course of a text by changing a line which changes direction early on&lt;br /&gt;leaving whats been framed for months to fend for itself within new context....&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a few folks in a room that exists to frame a television&lt;br /&gt;camera roves around them picking up things&lt;br /&gt;a significant narrative en media res emerges&lt;br /&gt;sometimes we film premade art on the television&lt;br /&gt;handmade master take documentary also&lt;br /&gt;claustrophobia layers and layers....&lt;br /&gt; &lt;br /&gt;this process could be simulated by some image cleverness from the archives and finding words to have them say&lt;br /&gt;&lt;br /&gt;extreme geographical placement stations&lt;br /&gt;we are SO here&lt;br /&gt;that we could just sorta be anywhre else&lt;br /&gt;the fallout of such a freedom....&lt;br /&gt;changing contexts&lt;br /&gt;a big event of questionable direction&lt;br /&gt;rich man took them onto a plane flying out toward the coast&lt;br /&gt;let it play out there.&lt;br /&gt;&lt;br /&gt;ways of organizing information aesthetic narrative&lt;br /&gt;where do it appear how and why&lt;br /&gt;&lt;br /&gt;the process of making a promotional one-sheet&lt;br /&gt; &lt;br /&gt;what do we want to emphasize...it becomes a confusing pile of emphases which are incompatible with one another until it becomes a codesystem&lt;br /&gt;&lt;br /&gt;always on the look out for put ons and pranks&lt;br /&gt;paranoia&lt;br /&gt;&lt;br /&gt;the spatial concerns of the actual production&lt;br /&gt;that extra is unable to tell the starlet that her underwear is showing....she would have to yell&lt;br /&gt;and she would ruin the shot...&lt;br /&gt; &lt;br /&gt;everybody should be able to talk to one another&lt;br /&gt;or if not---that should be foregrounded....&lt;br /&gt;&lt;br /&gt;That we can play a film set up a camera taking in the space. And we.  Can.  Interact with the film.&lt;br /&gt;&lt;br /&gt;Fusing the same image from both cameras.  Filmed pictures.  Distorted.  Rephotograph DVD footage selectively.   Writing. Reading. Health. Stop.&lt;br /&gt;&lt;br /&gt;Because there was a camera on.  ALWAYS use cameras and then reconstitute.&lt;br /&gt;&lt;br /&gt;We fail to organize synthesize info towards meaning.&lt;br /&gt;&lt;br /&gt;The reviews were decent.  How?  How were they not appalled because they didn't understand or how were they not amazed because a sensual intellectual revolution had been opened in tgeurv eyes?&lt;br /&gt;&lt;br /&gt;Cultivate continue finish short stories. With eye toward camera.  Writing in the dark gimmick piece.  Girl in Vegas synesthesia.  Monster cars subculture.  Locked away in media room.  Time travel narrative.&lt;br /&gt;&lt;br /&gt;Jc shumate doesn't like mike figgis because he only watches movies once he says, He says.&lt;br /&gt;&lt;br /&gt;To become the traveled specter&lt;br /&gt;&lt;br /&gt;To become a traveled specter relates to time travel narrative.&lt;br /&gt;&lt;br /&gt;What was I talking about?  Jews. The eighteenth century. Oh. Throwing from third to first.&lt;br /&gt;&lt;br /&gt;synasthesia narrative&lt;br /&gt;features a long hurtling memory of the character in his own voice but never attributed a nightmarish journey that doesnt quite coalesce.&lt;br /&gt;&lt;br /&gt;is brakhage arbitrary&lt;br /&gt;as a candle flickering on a wall&lt;br /&gt; &lt;br /&gt;the synasthetic was a drug mule-- he killed someone, but the man who was to kill him took mercy, he got a ride with a lonely man on the run, was LEFT in vegas.&lt;br /&gt;&lt;br /&gt;looked at old photos of las vegas&lt;br /&gt; &lt;br /&gt;before mass communications people were trapped in their arrangements, safe from outside contact&lt;br /&gt;&lt;br /&gt;Imagined dumping them all into an endless mazegrid of streets.&lt;br /&gt;&lt;br /&gt;Dissolving photography&lt;br /&gt;&lt;br /&gt;Projections against filmed screen.&lt;br /&gt;A politics that looks with different eyes.  New context.  New perspective.&lt;br /&gt;&lt;br /&gt;Tense sequences require single take mobile camera.&lt;br /&gt;&lt;br /&gt;The iris is so intense he can't see her.&lt;br /&gt;&lt;br /&gt;Good meth run Renaissance early evening grapevine main. Dent know what we were doing.    1sy baptist church haunted by smittys.&lt;br /&gt;&lt;br /&gt;good meth run renaissance mainstreet grapevine&lt;br /&gt;early evening&lt;br /&gt;kicking right angles, drinking from two cups, two ladies exit the beauty salon in our midst...&lt;br /&gt;he doesnt know what he's doing....&lt;br /&gt;where were hanging out?&lt;br /&gt; &lt;br /&gt;I can't believe time....&lt;br /&gt;Scarface is still on...and alive....&lt;br /&gt;&lt;br /&gt;first baptist church labors toward MegaChurchDom but hits a pothole when the congregation becomes haunted by apparitions shaped like poor happy drunk people---this land was their landp---the land of Smittys....a good place v a god place... &lt;br /&gt;&lt;br /&gt;cobbled together video literary funny moments&lt;br /&gt; &lt;br /&gt;a girl in a room filled w newspaper clippings&lt;br /&gt;telling her mothers story thru newsprint - maniacal  going outside to swim&lt;br /&gt;she never swam there&lt;br /&gt; &lt;br /&gt;descriptions of drug addition&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Creating kinetic narrative outof static panorama&lt;br /&gt;&lt;br /&gt;Always the panorama&lt;br /&gt;&lt;br /&gt;A microfiction constructed out of images rapidly flipped through.  Single take documentary.&lt;br /&gt;&lt;br /&gt;Where should the camera be?&lt;br /&gt;&lt;br /&gt;he art of spontaneous imagery.  Journalism. Visceral.&lt;br /&gt;&lt;br /&gt;Foreground. Digitals contributions.&lt;br /&gt;&lt;br /&gt;The American boy in British school.  All the students had to write about their perspective and the circumstances and conditions which bred it.&lt;br /&gt;&lt;br /&gt;As one student labors toward puzzling out his perspective a girl enters.  Narrative shift.&lt;br /&gt;&lt;br /&gt;Watkins views of mass media.&lt;br /&gt;&lt;br /&gt;Intersections of notions. Assimilating them blurs boundaries.  The voice withers in confusion.  It's all very complicated.  A mountain of conditions with which we cannot tangle.&lt;br /&gt;&lt;br /&gt;Narrative strategies across media. Coherent but given to whimsy and detour.&lt;br /&gt;&lt;br /&gt;A camera that crawls freely along an environment up and down over and axceoss&lt;br /&gt;&lt;br /&gt;Impossible perspectives.   !!!!!!&lt;br /&gt;&lt;br /&gt;Architecture.  Creating the best possible natural light.  The intersection of social concerns with functional art.&lt;br /&gt;&lt;br /&gt;Reflection from computer screen on back of cd. Long weird upside down. XCU home movies great texture.&lt;br /&gt;&lt;br /&gt;Photoshop picturemovies.  Textureimages.  A wide master shot that only gradually do we understand is actually a pov shot.   Description of perspectives.&lt;br /&gt;&lt;br /&gt;He gave everything a chance to demonstrate it's value.&lt;br /&gt;&lt;br /&gt;intruders in old home movies&lt;br /&gt;modern figures waltz around the past&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;Title&lt;br /&gt; &lt;br /&gt;Price&lt;br /&gt; &lt;br /&gt;Desired&lt;br /&gt; &lt;br /&gt;Received&lt;br /&gt;1.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;21st-Century Modernism: The "New" Poetics (Blackwell Manifestos) by Marjorie Perloff (Author)&lt;br /&gt; &lt;br /&gt;$28.75&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;2.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;2666: A Novel by Roberto Bolano (Author), Natasha Wimmer (Translator)&lt;br /&gt; &lt;br /&gt;$19.80&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;3.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;500 Handmade Books: Inspiring Interpretations of a Timeless Form (500 Series) by Lark (Author)&lt;br /&gt; &lt;br /&gt;$16.47&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;4.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;66 Frames by Gordon Ball (Author)&lt;br /&gt; &lt;br /&gt;$15.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;5.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Childhood: The Biography of a Place by Harry E. Crews (Author), Michael McCurdy (Illustrator)&lt;br /&gt; &lt;br /&gt;$21.56&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;6.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Critique of Postcolonial Reason: Toward a History of the Vanishing Present by Gayatri Chakravorty Spivak (Author)&lt;br /&gt; &lt;br /&gt;$26.10&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;7.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Fierce Discontent: The Rise and Fall of the Progressive Movement in America, 1870-1920 by Michael McGerr (Author)&lt;br /&gt; &lt;br /&gt;$13.57&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;8.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Hero of Our Time (Penguin Classics) by Mikhail Lermontov (Author), Paul Foote (Translator)&lt;br /&gt; &lt;br /&gt;$12.60&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;9.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A History of Civilizations by Fernand Braudel (Author), Richard Mayne (Translator)&lt;br /&gt; &lt;br /&gt;$11.53&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;10.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A History of Experimental Film and Video by A.L. Rees (Author), A. L. Rees (Author)&lt;br /&gt; &lt;br /&gt;$22.58&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;11.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A History of Video Art: The Development of Form and Function by Chris Meigh-Andrews (Author)&lt;br /&gt; &lt;br /&gt;$23.36&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;12.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Jacques Barzun Reader: Selections from His Works (Perennial Classics) by Jacques Barzun (Author)&lt;br /&gt; &lt;br /&gt;$13.56&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;13.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Mencken Chrestomathy: His Own Selection of His Choicest Writing by H.L. Mencken (Author)&lt;br /&gt; &lt;br /&gt;$14.93&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;14.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A New Kind of History: From the Writings of Lucien Febvre by Lucien Paul Victor Febvre (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;15.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Poetics by Charles Bernstein (Author)&lt;br /&gt; &lt;br /&gt;$28.50&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;16.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Prayer for the Dying by Stewart O'Nan (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;17.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Road Trip Journal by Stephen Shore (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;18.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Study of History, Vol. 1: Abridgement of Volumes I-VI by Arnold J. Toynbee (Author)&lt;br /&gt; &lt;br /&gt;$22.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;19.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Table of Green Fields: Ten Stories by Guy Davenport (Author)&lt;br /&gt; &lt;br /&gt;$24.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;20.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Tomb for Boris Davidovich (Eastern European Literature Series) by Danilo Kis (Author), et al.&lt;br /&gt; &lt;br /&gt;$9.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;21.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Void (Verba Mundi) by Georges Perec (Author), Gilbert Adair (Translator)&lt;br /&gt; &lt;br /&gt;$12.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;22.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Voyage on the North Sea: Art in the Age of the Post-Medium Condition (Walter Neurath Memorial Lecture) by Rosalind E. Krauss (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;23.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;A Year from Monday: New Lectures and Writings by John Cage (Author)&lt;br /&gt; &lt;br /&gt;$10.89&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;24.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;About Looking by John Berger (Author)&lt;br /&gt; &lt;br /&gt;$10.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;25.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Acrylic Revolution: New Tricks and Techniques for Working with the World's Most Versatile Medium by Nancy Reyner (Author)&lt;br /&gt; &lt;br /&gt;$18.47&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;26.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Advanced Elvis Course by C. A. Conrad (Author)&lt;br /&gt; &lt;br /&gt;$11.01&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;27.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Aeschylus I: Oresteia: Agamemnon, The Libation Bearers, The Eumenides (The Complete Greek Tragedies) (Vol 1) by Aeschylus (Author), et al.&lt;br /&gt; &lt;br /&gt;$7.33&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;28.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Aesthetic Theory (Theory &amp; History of Literature) by Theodor W. Adorno (Author), Robert Hullot-Kentor (Editor)&lt;br /&gt; &lt;br /&gt;$24.75&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;29.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Against Nature (A Rebours) (Penguin Classics) by Joris-Karl Huysmans (Author), et al.&lt;br /&gt; &lt;br /&gt;$10.88&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;30.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Alan Moore's Writing For Comics Volume 1 by Alan Moore (Author), Jacen Burrows (Author)&lt;br /&gt; &lt;br /&gt;$5.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;31.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Alphabetical Africa (New Directions Book) by Walter Abish (Author)&lt;br /&gt; &lt;br /&gt;$11.99&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;32.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Always Astonished: Selected Prose by Fernando Pessoa (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;33.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;American Primitive Guitar by John Fahey (Author)&lt;br /&gt; &lt;br /&gt;$22.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;34.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;An Anthology of Graphic Fiction, Cartoons, and True Stories (Anthology of Graphic Fiction, Cartoons, &amp; True Stories, Volume 1) by Mr. Ivan Brunetti (Editor)&lt;br /&gt; &lt;br /&gt;$13.68&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;35.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;An Introduction to Visual Culture by Nicholas Mirzoeff (Author)&lt;br /&gt; &lt;br /&gt;$26.02&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;36.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Andreas Gursky by Beate Sontgen (Author), et al.&lt;br /&gt; &lt;br /&gt;$34.65&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;37.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Art Out of Time: Unknown Comics Visionaries 1900-1969 by Dan Nadel (Author)&lt;br /&gt; &lt;br /&gt;$26.40&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;38.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Arthur Rimbaud: Complete Works (P.S.) by Arthur Rimbaud (Author)&lt;br /&gt; &lt;br /&gt;$11.69&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;39.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;At Swim-Two-Birds (John F. Byrne Irish Literature Series) by Flann O'Brien (Author)&lt;br /&gt; &lt;br /&gt;$9.86&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;40.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Bare Bones Camera Course for Film and Video by Tom Schroeppel (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;41.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Bas Jan Ader: In Search of the Miraculous (One Work) by Jan Verwoert (Author)&lt;br /&gt; &lt;br /&gt;$12.48&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;42.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Basic Writings by Martin Heidegger (Author)&lt;br /&gt; &lt;br /&gt;$12.44&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;43.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Begin Again: Collected Poems by Grace Paley (Author)&lt;br /&gt; &lt;br /&gt;$11.90&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;44.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Begin Here: The Forgotten Conditions of Teaching and Learning by Jacques Barzun (Author)&lt;br /&gt; &lt;br /&gt;$24.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;45.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Being and Time by Martin Heidegger (Author)&lt;br /&gt; &lt;br /&gt;$14.39&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;46.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Beneath The Roses by Gregory Crewdson (Photographer), Russell Banks (Collaborator)&lt;br /&gt; &lt;br /&gt;$37.80&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;47.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Beneath the Underdog: His World as Composed by Mingus by Charles Mingus (Author)&lt;br /&gt; &lt;br /&gt;$10.88&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;48.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Between Past and Future (Penguin Classics) by Hannah Arendt (Author), Jerome Kohn (Author)&lt;br /&gt; &lt;br /&gt;$10.88&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;49.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Beyond Black Mountain: Irwin Kremen (1966 to 2006) by Sarah WalkerSchroth (Editor)&lt;br /&gt; &lt;br /&gt;$24.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;50.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Beyond Chutzpah: On the Misuse of Anti-Semitism and the Abuse of History by Norman G. Finkelstein (Author)&lt;br /&gt; &lt;br /&gt;$9.62&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;51.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Black Mass: Apocalyptic Religion and the Death of Utopia by John Gray (Author)&lt;br /&gt; &lt;br /&gt;$10.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;52.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Blending Genre, Altering Style : Writing Multigenre Papers by Tom Romano (Author)&lt;br /&gt; &lt;br /&gt;$22.04&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;53.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Blood and Guts in High School: A Novel (Acker, Kathy) by Kathy Acker (Author)&lt;br /&gt; &lt;br /&gt;$9.23&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;54.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Boredom (New York Review Books Classics) by Alberto Moravia (Author), et al.&lt;br /&gt; &lt;br /&gt;$11.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;55.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Brian Chippendale: Maggots by Brian Chippendale (Author)&lt;br /&gt; &lt;br /&gt;$14.93&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;56.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Buckminster Fuller's Universe: His Life and Work by Lloyd Sieden (Author), Lloyd Steven Sieden (Author)&lt;br /&gt; &lt;br /&gt;$23.35&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;57.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Buckminster Fuller: Anthology for the New Millennium by Thomas T. K. Zung (Editor)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;58.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Building a Shed: Siting and Planning a Shed, Building Shed Foundations, Adding Custom Details (Build Like a Pro Series) by Joseph Truini (Author)&lt;br /&gt; &lt;br /&gt;$13.57&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;59.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Camera Lucida: Reflections on Photography by Roland Barthes (Author), Richard Howard (Translator)&lt;br /&gt; &lt;br /&gt;$10.08&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;60.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Cane by Jean Toomer (Author)&lt;br /&gt; &lt;br /&gt;$9.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;61.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Canyon Cinema: The Life and Times of an Independent Film Distributor by Scott MacDonald (Author)&lt;br /&gt; &lt;br /&gt;$29.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;62.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Captain Blood (Penguin Classics) by Rafael Sabatini (Author), Gary Hoppenstand (Introduction)&lt;br /&gt; &lt;br /&gt;$11.70&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;63.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Chimera by John Barth (Author)&lt;br /&gt; &lt;br /&gt;$10.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;64.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Cinema 1: The Movement-Image by Gilles Deleuze (Author)&lt;br /&gt; &lt;br /&gt;$18.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;65.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Civilization and Its Discontents by Sigmund Freud (Author), et al.&lt;br /&gt; &lt;br /&gt;$9.32&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;66.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Classic Crews: A Harry Crews Reader by Harry Crews (Author)&lt;br /&gt; &lt;br /&gt;$12.48&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;67.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Cloudsplitter: A Novel by Russell Banks (Author)&lt;br /&gt; &lt;br /&gt;$13.25&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;68.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Cockfighter by Charles Willeford (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;69.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Collage Unleashed by Traci Bautista (Author)&lt;br /&gt; &lt;br /&gt;$15.63&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;70.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Collage, Assemblage, and Altered Art: Creating Unique Images and Objects by Diane Maurer-Mathison (Author)&lt;br /&gt; &lt;br /&gt;$14.96&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;71.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Collected Poems (New Directions Books) by Kenneth Patchen (Author)&lt;br /&gt; &lt;br /&gt;$25.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;72.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Collected Stories (Everyman's Library) by Roald Dahl (Author)&lt;br /&gt; &lt;br /&gt;$19.80&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;73.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Comics and Sequential Art: Principles and Practices from the Legendary Cartoonist (Will Eisner Instructional Books) by Will Eisner (Author)&lt;br /&gt; &lt;br /&gt;$15.61&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;74.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Conceptual Art (Themes and Movements) by Peter Osborne (Author)&lt;br /&gt; &lt;br /&gt;$47.25&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;75.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Consequences Of Pragmatism: Essays 1972-1980 by Richard Rorty (Author)&lt;br /&gt; &lt;br /&gt;$13.12&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;76.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Contempt (New York Review Books Classics) by Alberto Moravia (Author), et al.&lt;br /&gt; &lt;br /&gt;$11.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;77.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Creative Evolution by Henri Bergson (Author)&lt;br /&gt; &lt;br /&gt;$11.87&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;78.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Critical Path by R. Buckminster Fuller (Author)&lt;br /&gt; &lt;br /&gt;$14.93&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;79.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Critical Pedagogy Primer (Peter Lang Primer) by Joe L. Kincheloe (Author)&lt;br /&gt; &lt;br /&gt;$18.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;80.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Critical Pedagogy: Where Are We Now? (Counterpoints: Studies in the Postmodern Theory of Education) by Peter McLaren (Editor), Joe L. Kincheloe (Editor)&lt;br /&gt; &lt;br /&gt;$40.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;81.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Critique of Everyday Life (3-volume Set) by Henri Lefebvre (Author), et al.&lt;br /&gt; &lt;br /&gt;$54.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;82.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Crossroads: The Life and Afterlife of Blues Legend Robert Johnson by Tom Graves (Author), Steve LaVere (Foreword)&lt;br /&gt; &lt;br /&gt;$11.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;83.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Cultural Amnesia: Necessary Memories from History and the Arts (Reprint) by Clive James (Author)&lt;br /&gt; &lt;br /&gt;$11.11&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;84.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Cuts: Texts 1959-2004 (Writing Art) by Carl Andre (Author), James Meyer (Editor)&lt;br /&gt; &lt;br /&gt;$36.48&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;85.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Dada: Art and Anti-Art (World of Art) by Hans Richter (Author)&lt;br /&gt; &lt;br /&gt;$14.78&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;86.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Dalva (Contemporary Classics (Washington Square Press)) by Jim Harrison (Author)&lt;br /&gt; &lt;br /&gt;$12.60&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;87.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Dance Dance Dance by Haruki Murakami (Author), Alfred Birnbaum (Translator)&lt;br /&gt; &lt;br /&gt;$10.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;88.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Dancin' In The Streets!: Anarchists, IWWs, Surrealists, Situationists &amp; Provos In The 1960s - As Recorded In The Pages Of The Rebel Worker &amp; Heatwave (The Sixties Series, 3) by Franklin Rosemont (Editor), Charles (eds) Radcliffe (Editor)&lt;br /&gt; &lt;br /&gt;$19.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;89.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;De Nerval: Selected Writings (Penguin Classics) by Gerard de Nerval (Author), Richard Sieburth (Translator)&lt;br /&gt; &lt;br /&gt;$16.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;90.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Death 24x a Second: Stillness and the Moving Image by Laura Mulvey (Author)&lt;br /&gt; &lt;br /&gt;$22.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;91.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Death of Virgil by Hermann Broch (Author)&lt;br /&gt; &lt;br /&gt;$12.92&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;92.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Death on the Installment Plan by Louis Celine (Author), Ralph Manheim (Translator)&lt;br /&gt; &lt;br /&gt;$12.89&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;93.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Death Sentence by Maurice Blanchot (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;94.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Delta Blues: The Life and Times of the Mississippi Masters Who Revolutionized American Music by Ted Gioia (Author)&lt;br /&gt; &lt;br /&gt;$18.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;95.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Democracy and Education by John Dewey (Author)&lt;br /&gt; &lt;br /&gt;$20.46&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;96.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Design Like You Give a Damn: Architectural Responses to Humanitarian Crises by Architecture for Humanity (Author), et al.&lt;br /&gt; &lt;br /&gt;$23.10&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;97.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Devotional Cinema by Nathaniel Dorsky (Author)&lt;br /&gt; &lt;br /&gt;$10.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;98.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Dialogue on the Infinity of Love (The Other Voice in Early Modern Europe) by Tullia d'Aragona (Author), et al.&lt;br /&gt; &lt;br /&gt;$16.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;99.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Diary of a Bad Year by J. M. Coetzee (Author)&lt;br /&gt; &lt;br /&gt;$11.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;100.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Donald Judd: The Complete Writings 1959-1975 by Donald Judd (Author)&lt;br /&gt; &lt;br /&gt;$34.65&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;101.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Double or Nothing by Raymond Federman (Author)&lt;br /&gt; &lt;br /&gt;$14.40&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;102.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Down and Out on Murder Mile: A Novel (P.S.) by Tony O'neill (Author)&lt;br /&gt; &lt;br /&gt;$11.16&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;103.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Drawing for the Absolute and Utter Beginner by Claire Garcia (Author)&lt;br /&gt; &lt;br /&gt;$13.57&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;104.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Dream Of The Rarebit Fiend: The Saturdays by Winsor McCay (Author)&lt;br /&gt; &lt;br /&gt;$13.57&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;105.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Ecrits: The First Complete Edition in English by Jacques Lacan (Author), Bruce Fink (Translator)&lt;br /&gt; &lt;br /&gt;$18.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;106.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Edgard Varese: Composer, Sound Sculptor, Visionary by Felix Meyer (Author), Heidy Zimmermann (Editor)&lt;br /&gt; &lt;br /&gt;$47.25&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;107.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Education Of The Stoic, The by Fernando Pessoa (Author), et al.&lt;br /&gt; &lt;br /&gt;$11.86&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;108.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Escaping the Delta: Robert Johnson and the Invention of the Blues by Elijah Wald (Author)&lt;br /&gt; &lt;br /&gt;$12.74&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;109.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Escaping the Delta: Robert Johnson and the Invention of the Blues by Elijah Wald (Author)&lt;br /&gt; &lt;br /&gt;$19.46&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;110.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Essential Brakhage: Selected Writings on Film-Making by Stan Brakhage (Author), Bruce R. McPherson (Author)&lt;br /&gt; &lt;br /&gt;$18.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;111.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Euripides I: Alcestis, The Medea, The Heracleidae, Hippolytus (The Complete Greek Tragedies) (Vol 3) by Euripides (Author), et al.&lt;br /&gt; &lt;br /&gt;$6.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;112.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Evergreen Review Reader 1957-1966 by Barney Rosset (Editor), et al.&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;113.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Every Tongue Got to Confess: Negro Folk-tales from the Gulf States by Zora Neale Hurston (Author)&lt;br /&gt; &lt;br /&gt;$9.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;114.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Exercises in Style by Raymond Queneau (Author)&lt;br /&gt; &lt;br /&gt;$9.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;115.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Experience And Education by John Dewey (Author)&lt;br /&gt; &lt;br /&gt;$7.67&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;116.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Experimental Cinema: A Fifty-year Evolution by David Curtis (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;117.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Experimental Film and Video: An Anthology by Jackie Hatfield (Editor), Stephen Littman (Editor)&lt;br /&gt; &lt;br /&gt;$25.15&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;118.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Exploits and Opinions of Dr Faustroll Pataphysician by Alfred Jarry (Author), et al.&lt;br /&gt; &lt;br /&gt;$11.86&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;119.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Eyes Upside Down: Visionary Filmmakers and the Heritage of Emerson by P. Adams Sitney (Author)&lt;br /&gt; &lt;br /&gt;$25.15&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;120.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Falstaff: A Novel by Robert Nye (Author)&lt;br /&gt; &lt;br /&gt;$14.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;121.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Farmer by Jim Harrison (Author)&lt;br /&gt; &lt;br /&gt;$13.50&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;122.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Feeling Very Strange: The Slipstream Anthology by James Patrick Kelly (Editor), John Kessel (Editor)&lt;br /&gt; &lt;br /&gt;$10.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;123.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Film at Wit's End: Eight Avant-Garde Filmmakers by Stan Brakhage (Author)&lt;br /&gt; &lt;br /&gt;$12.48&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;124.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Film Fables (Talking Images) by Jacques Ranciere (Author), Emiliano Battista (Translator)&lt;br /&gt; &lt;br /&gt;$26.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;125.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Film Form: Essays in Film Theory by Sergei Eisenstein (Author), Jay Leyda (Translator)&lt;br /&gt; &lt;br /&gt;$12.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;126.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Film Language: A Semiotics of the Cinema by Christian Metz (Author), Michael Taylor (Translator)&lt;br /&gt; &lt;br /&gt;$15.08&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;127.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Final Cut : Art, Money, and Ego in the Making of Heaven's Gate, the Film That Sank United Artists by Steven Bach (Author)&lt;br /&gt; &lt;br /&gt;$12.89&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;128.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Finding a Form: Essays by William H. Gass (Author)&lt;br /&gt; &lt;br /&gt;$19.75&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;129.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Flaubert's Parrot by Julian Barnes (Author)&lt;br /&gt; &lt;br /&gt;$10.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;130.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Florida Frenzy by Harry E. Crews (Author)&lt;br /&gt; &lt;br /&gt;$11.53&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;131.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Food for Free (Collins Natural History) by Richard Mabey (Author)&lt;br /&gt; &lt;br /&gt;$21.40&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;132.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Formless: A User's Guide by Yve-Alain Bois (Author), Rosalind E. 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Hannaher (Author)&lt;br /&gt; &lt;br /&gt;$9.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;138.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Getting Started In Permaculture: 50 Practical Projects to Build and Design Productive Gardens by Ross Mars (Author), Jenny Mars (Author)&lt;br /&gt; &lt;br /&gt;$10.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;139.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Giles Goat Boy (The Anchor Literary Library) by John Barth (Author)&lt;br /&gt; &lt;br /&gt;$20.70&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;140.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Gilles Deleuze’s Time Machine (Post-Contemporary Interventions) by D. N.Rodowick (Author), et al.&lt;br /&gt; &lt;br /&gt;$23.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;141.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Give My Regards To Eighth Street (Exact Change) by Morton Feldman (Author), et al.&lt;br /&gt; &lt;br /&gt;$14.35&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;142.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Gods' Man: A Novel in Woodcuts by Lynd Ward (Author)&lt;br /&gt; &lt;br /&gt;$8.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;143.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Gone to Croatan: Origins of North American Dropout Culture by James Koehnline (Editor)&lt;br /&gt; &lt;br /&gt;$13.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;144.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Gould's Book of Fish by Richard Flanagan (Author)&lt;br /&gt; &lt;br /&gt;$10.08&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;145.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Graphic Storytelling and Visual Narrative (Will Eisner Instructional Books) by Will Eisner (Author)&lt;br /&gt; &lt;br /&gt;$15.61&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;146.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Graphic Witness: Four Wordless Graphic Novels by Frans Masereel, Lynd Ward, Giacomo Patri and Laurence Hyde by Frans Masereel (Author), et al.&lt;br /&gt; &lt;br /&gt;$19.77&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;147.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Grassroots Post-Modernism: Remaking the Soil of Cultures by Gustavo Esteva (Author), Madhu Suri Prakash (Author)&lt;br /&gt; &lt;br /&gt;$28.75&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;148.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Green Mansions (Oxford World's Classics) by W. H. Hudson (Author), Ian Duncan (Editor)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;149.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Grove Press Reader 1951-2001 by S. E. Gontarski (Editor)&lt;br /&gt; &lt;br /&gt;$9.72&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;150.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Growth Of The Soil by Knut Hamsun (Author)&lt;br /&gt; &lt;br /&gt;$9.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;151.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Hard Travel to Sacred Places by Rudolph Wurlitzer (Author)&lt;br /&gt; &lt;br /&gt;$15.80&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;152.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Historiography in the Twentieth Century: From Scientific Objectivity to the Postmodern Challenge by Georg G. Iggers (Author)&lt;br /&gt; &lt;br /&gt;$11.25&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;153.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Hopscotch (Pantheon Modern Writers Series) by Julio Cortazar (Author)&lt;br /&gt; &lt;br /&gt;$11.53&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;154.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Hotel of Irrevocable Acts (Unberarable Books / Autonomedia) by Carl Watson (Author)&lt;br /&gt; &lt;br /&gt;$11.66&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;155.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How Bluegrass Music Destroyed My Life by John Fahey (Author)&lt;br /&gt; &lt;br /&gt;$14.99&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;156.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How Proust Can Change Your Life by Alain De Botton (Author)&lt;br /&gt; &lt;br /&gt;$10.08&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;157.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How Shall I Live My Life?: On Liberating the Earth from Civilization (PM Press) by Derrick Jensen (Author)&lt;br /&gt; &lt;br /&gt;$13.60&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;158.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How the Other Half Lives by Jacob A. Riis (Author)&lt;br /&gt; &lt;br /&gt;$16.00&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;159.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How to Build Small Barns &amp; Outbuildings by Monte Burch (Author)&lt;br /&gt; &lt;br /&gt;$12.89&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;160.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How to Do Things with Words: Second Edition (William James Lectures) by J. L. Austin (Author), et al.&lt;br /&gt; &lt;br /&gt;$14.04&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;161.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How to Draw What You See (Practical Art Books) by Rudy De Reyna (Author)&lt;br /&gt; &lt;br /&gt;$12.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;162.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;How to Grow More Vegetables and Fruits (and Fruits, Nuts, Berries, Grains, and Other Crops) Than You Ever Thought Possible on Less Land Than You Can Imagine by John Jeavons (Author)&lt;br /&gt; &lt;br /&gt;$13.57&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;163.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Hugo Munsterberg on Film: The Photoplay: A Psychological Study and Other Writings by Hug Münsterberg (Author)&lt;br /&gt; &lt;br /&gt;$24.47&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;164.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Hunger by Knut Hamsun (Author)&lt;br /&gt; &lt;br /&gt;$7.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;165.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Hurricane: The Life Of An Independent Filmmaker by Author Rozezze (Author)&lt;br /&gt; &lt;br /&gt;$14.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;166.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;I Shall Destroy All The Civilized Planets! by Fletcher Hanks (Author), Paul Karasik (Editor)&lt;br /&gt; &lt;br /&gt;$13.57&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;167.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;I Was Interrupted: Nicholas Ray on Making Movies by Nicholas Ray (Author)&lt;br /&gt; &lt;br /&gt;$24.25&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;168.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;I'd Rather Be the Devil: Skip James and the Blues by Stephen Calt (Author)&lt;br /&gt; &lt;br /&gt;$12.71&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;169.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Ideas And Opinions by Albert Einstein (Author)&lt;br /&gt; &lt;br /&gt;$9.86&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;170.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Illuminating Video: An Essential Guide to Video Art by Doug Hall (Editor), Sally Jo Fifer (Editor)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;171.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Illuminations: Essays and Reflections by Walter Benjamin (Author)&lt;br /&gt; &lt;br /&gt;$10.88&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;172.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Image and Reality of the Israel-Palestine Conflict, New and Revised Edition by Norman G. Finkelstein (Author), Norman Finkelstein (Author)&lt;br /&gt; &lt;br /&gt;$16.29&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;173.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Imaginations (A New Directions paperbook) by William Carlos Williams (Author), Webster Schott (Editor)&lt;br /&gt; &lt;br /&gt;$14.21&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;174.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Imagined Communities: Reflections on the Origin and Spread of Nationalism, New Edition by Benedict Anderson (Author)&lt;br /&gt; &lt;br /&gt;$10.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;175.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Impressions of Africa (French Surrealism) by Raymond Roussel (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;176.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;In Search of Captain Zero: A Surfer's Road Trip Beyond the End of the Road by Allan Weisbecker (Author)&lt;br /&gt; &lt;br /&gt;$10.85&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;177.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;In Search of the Blues by Marybeth Hamilton (Author)&lt;br /&gt; &lt;br /&gt;$18.96&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;178.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;In the Blink of an Eye Revised 2nd Edition by Walter Murch (Author)&lt;br /&gt; &lt;br /&gt;$9.77&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;179.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;In the Loyal Mountains by Rick Bass (Author)&lt;br /&gt; &lt;br /&gt;$9.60&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;180.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Infinite Jest: A Novel by David Foster Wallace (Author)&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;181.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Interaction of Color: Revised and Expanded Edition by Josef Albers (Author), Mr. Nicholas Fox Weber (Foreword)&lt;br /&gt; &lt;br /&gt;$10.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;182.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Invisible Man by Ralph Ellison (Author)&lt;br /&gt; &lt;br /&gt;$10.17&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;183.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Isaac Asimov: The Complete Stories, Vol. 1 by Isaac Asimov (Author)&lt;br /&gt; &lt;br /&gt;$20.65&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;184.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Isometric Power Revolution: Mastering the Secrets of Lifelong Strength, Health, and Youthful Vitality (Transformetrics: The Ultimate Training System) by John E. Peterson (Author)&lt;br /&gt; &lt;br /&gt;$34.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;185.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;It Rhymes With Lust by Arnold Drake (Author), et al.&lt;br /&gt; &lt;br /&gt;$13.45&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;186.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Jakob von Gunten (New York Review Books Classics) by Robert Walser (Author), Christopher Middleton (Introduction)&lt;br /&gt; &lt;br /&gt;$11.20&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;187.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Jean Baudrillard: Selected Writings: Second Edition by Jean Baudrillard (Author), et al.&lt;br /&gt; &lt;br /&gt;$19.46&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;188.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Joe Brainard: I Remember by Ron Padgett (Editor), Joe Brainard (Author)&lt;br /&gt; &lt;br /&gt;$9.36&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;189.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Joel Sternfeld: American Prospects by Andy Grundberg (Author), et al.&lt;br /&gt; &lt;br /&gt;$47.25&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;190.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;John Brown (Modern Library Classics) by W.E.B. Du Bois (Author), David R. Roediger (Editor)&lt;br /&gt; &lt;br /&gt;$12.55&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;191.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;John Fahey - In Concert DVD ~ John Fahey&lt;br /&gt; &lt;br /&gt;$24.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;192.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Josef Albers: To Open Eyes: The Bauhaus, Black Mountain College, and Yale by Frederick A. Horowitz (Author), Brenda Danilowitz (Author)&lt;br /&gt; &lt;br /&gt;$54.75&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;193.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Journal of Albion Moonlight by Kenneth Patchen (Author)&lt;br /&gt; &lt;br /&gt;$17.95&lt;br /&gt; &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;194.&lt;br /&gt; &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Journal Revolution: Rise Up &amp; Create! 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Rodowick (Author)&lt;br /&gt; $22.45  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;474.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;The Visit: A Tragi-Comedy by Friedrich Durrenmatt (Author), Patrick Bowles (Translator)&lt;br /&gt; $10.08  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;475.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;The Visual Culture Reader by Nicholas Mirzoeff (Editor)&lt;br /&gt; $35.84  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;476.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;The Walking-Away World (New Directions Paperbook) by Kenneth Patchen (Author), Jim Woodring (Preface)&lt;br /&gt; $14.78  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;477.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;The White Goddess: A Historical Grammar of Poetic Myth by Robert Graves (Author)&lt;br /&gt; $12.75  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;478.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;The Work of Art in the Age of Its Technological Reproducibility, and Other Writings on Media by Walter Benjamin (Author), et al.&lt;br /&gt; $12.89  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;479.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;The World Within the Word: Essays by William H. 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Brenner (Author)&lt;br /&gt; $15.22  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;520.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Women: A Novel by Charles Bukowski (Author)&lt;br /&gt; $12.59  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;521.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Worlds Smallest Pocket Video Projector by Epoq Multimedia&lt;br /&gt;  &lt;br /&gt;1&lt;br /&gt; &lt;br /&gt;0&lt;br /&gt;522.  &lt;br /&gt;Product Image&lt;br /&gt; &lt;br /&gt;Writing Culture: The Poetics and Politics of Ethnography (A School of American Research advanced seminar) by James Clifford (Editor), George E. 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Make more things to watch on my gone in Boston.&lt;br /&gt;&lt;br /&gt;All the ideology and critical orthodoxy all the legwork was in place it was his noodlings thru which they found a tuning fork to unleash it.  Meaning was maneuvered onto it like an illfitting sweater. The new look of course the public Is famished.&lt;br /&gt;&lt;br /&gt;Roving domestic scenes intimate.  For rephotography on moms badass tv.  Excellent portraits&lt;br /&gt;&lt;br /&gt;CAMERA ROVES FREELY ACTION HAS ABSOLUTELY NO CORRESPONDENCE WITH CAMERA&gt;&gt;&gt; IT JUST FLOATS&lt;br /&gt;&lt;br /&gt;Might introduce alien  subjects into conversation.&lt;br /&gt;&lt;br /&gt;He measured ( considered). Their disparate bulks swaying off onto the horizon.&lt;br /&gt;&lt;br /&gt;Until the feeling melted in his hands. He spilled his drink.  They explored the circuit.&lt;br /&gt;&lt;br /&gt;He was walking and he saw a nightmarefuturevision.&lt;br /&gt;&lt;br /&gt;Cutandpaste narrative. Comicbook.&lt;br /&gt;&lt;br /&gt;Some emerging European city that towered sporadically high but not absolutely.&lt;br /&gt;&lt;br /&gt;A city that glowed modern and noncommittal that was glad to have you.&lt;br /&gt;&lt;br /&gt;All bar tvs had changed output to make black candidate appear white.&lt;br /&gt;&lt;br /&gt;Suddenly he was an NYC cabbie.&lt;br /&gt;&lt;br /&gt;A bumpin a collided with a bespectacled fellow.  Happily. &lt;br /&gt;&lt;br /&gt;Creation of false unnegotiated space.&lt;br /&gt;&lt;br /&gt;Songs doubled over themselves.&lt;br /&gt;&lt;br /&gt;In key moments. Steal away the drama. A micromelodrama. Steals our course.&lt;br /&gt;&lt;br /&gt;A final stage where all extrasensory inlings  all supernatural dimension shredding insight is for naught.  Back to the one stream and the stream is named Woe.&lt;br /&gt;&lt;br /&gt;Using crosspurposwd mediastreams to disorient.&lt;br /&gt;&lt;br /&gt;Most confused signals he'd ever received.&lt;br /&gt;&lt;br /&gt;outlaw of time&lt;br /&gt;negotiating the territories&lt;br /&gt;the different approaches&lt;br /&gt; &lt;br /&gt;all these choices media arrangement, perception perspective&lt;br /&gt; &lt;br /&gt;keep a mind on it yr spinal column&lt;br /&gt;be in possession of profoundest dreamsz&lt;br /&gt; &lt;br /&gt;filling the milks&lt;br /&gt; &lt;br /&gt;overmedia&lt;br /&gt; &lt;br /&gt;a compromised media - the one inalienable POV&lt;br /&gt; &lt;br /&gt;a system that edits on the fly taking various criteria into account&lt;br /&gt;&lt;br /&gt;toys to be played with when under influence&lt;br /&gt;sharpening exploring contours of this unknowwable thing.....&lt;br /&gt; &lt;br /&gt;an omniscient camera camerasss&lt;br /&gt; &lt;br /&gt;but we need direct narrative...&lt;br /&gt;t&lt;br /&gt;became adept at guessing the time&lt;br /&gt;strange because he had no idea where he was&lt;br /&gt; &lt;br /&gt;because there is always a new place for the images to go&lt;br /&gt;rephotography beyond reproach&lt;br /&gt; &lt;br /&gt;the new hanging space in which iphoe picmovies shimmy E and W with glee&lt;br /&gt;&lt;br /&gt;a few folks in a room that exists to frame a television&lt;br /&gt;camera roves around them picking up things&lt;br /&gt;a significant narrative en media res emerges&lt;br /&gt;sometimes we film premade art on the television&lt;br /&gt;handmade master take documentary also&lt;br /&gt;claustrophobia layers and layers....&lt;br /&gt; &lt;br /&gt;this process could be simulated by some image cleverness from the archives and finding words to have them say&lt;br /&gt;&lt;br /&gt;that your own second guessing your own doubt&lt;br /&gt;can not only color&lt;br /&gt;but pollute&lt;br /&gt;a project otherwise nviolate&lt;br /&gt;&lt;br /&gt;in iphone picmovie&lt;br /&gt;the lone static frame left up long enough to find focus&lt;br /&gt;is subject to an indexfinger chiding....interesting new dimension....&lt;br /&gt;&lt;br /&gt;he measured himself against the dimensions of the house&lt;br /&gt; &lt;br /&gt;always measuring thinking&lt;br /&gt;holding every moment hard in mind so it wouldnt pass slowing time&lt;br /&gt; &lt;br /&gt;composite photographs estranging person and place....&lt;br /&gt; &lt;br /&gt;it will never find orthodoxy or protocol it remains dynamic and immediate&lt;br /&gt;&lt;br /&gt;overhead projector for live iphone pics scroll theatre....&lt;br /&gt;a community event&lt;br /&gt;a performance&lt;br /&gt;$&lt;br /&gt;&lt;br /&gt;Parallel and perpinduculsr time. Ways of organizing.  They had a whole orthodoxy.&lt;br /&gt;&lt;br /&gt;Experiments in action space.&lt;br /&gt;&lt;br /&gt;Survey of a rooms prosaic treasures concurrent with screening of die hard.    Static shots of odd exposure and composition wherein entire dialogues are read abreast.    Photographing typing to yourself.&lt;br /&gt;&lt;br /&gt;All the heroes are drug addicted.  Facilitates facile revelations.  Following them from lit room to dark room to lit room to beer.&lt;br /&gt;&lt;br /&gt;Were they tracking mud in the house?&lt;br /&gt;&lt;br /&gt;To become a sensuous experience in itself answerable only to itself in it's own context.&lt;br /&gt;&lt;br /&gt;They chased the idea all over. He chased that fickle roving shape. Landscapes. Bgoing all over.&lt;br /&gt;&lt;br /&gt;Find good captive scenes to be filmed. Shoot it.  Apply narrative later.&lt;br /&gt;&lt;br /&gt;Wasn't it enuf to be Able to Consummate It and Not.  ?&lt;br /&gt;&lt;br /&gt;When the grass fades:  Inquiry into the thornier Regions of Michael Snow.&lt;br /&gt;&lt;br /&gt;Strange arrangements. Records of significant locations.  Coordinates.  Capturing strange intersections.&lt;br /&gt;&lt;br /&gt;Circumstances and context surrounding an image's creation.&lt;br /&gt;&lt;br /&gt;Text scrolling on a separate plane of the background, itself chaotic.  Interrogating the image.&lt;br /&gt;&lt;br /&gt;Brain is a broken transom.&lt;br /&gt;&lt;br /&gt;You learn how much is illusion.&lt;br /&gt;&lt;br /&gt;their struggles to remember old passwords and new passwords&lt;br /&gt;and general contemporaneous cues and those of old....&lt;br /&gt;&lt;br /&gt;shot of lonely sky of periodic stars burning out&lt;br /&gt;this is the story of a family a man and a woman community typefolk their son doesnt go to school they teach him at home this is the story of that and other stuff....&lt;br /&gt;&lt;br /&gt;A record of the generations of degeneration of an image.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-532903157297150328?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/532903157297150328'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/532903157297150328'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2011/02/late-2009.html' title='late 2009'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-748295221980062254</id><published>2010-10-26T15:38:00.001-07:00</published><updated>2010-10-26T15:38:54.088-07:00</updated><title type='text'></title><content type='html'>all things in paris at nite are illuminated thusly&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-748295221980062254?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/748295221980062254'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/748295221980062254'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/10/all-things-in-paris-at-nite-are.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-6080832387660013741</id><published>2010-08-29T22:59:00.000-07:00</published><updated>2010-08-29T23:03:10.216-07:00</updated><title type='text'></title><content type='html'>&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-4d6257ee11cdf380" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="flashvars" value="flvurl=http://v7.nonxt8.googlevideo.com/videoplayback?id%3D4d6257ee11cdf380%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1331639718%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D1BB20E756AF82BB91BF598E7121885D650BB3719.B27624EAB77D63CC17068E8D29F2D300E854E9B%26key%3Dck1&amp;amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3D4d6257ee11cdf380%26offsetms%3D5000%26itag%3Dw160%26sigh%3DJbx6rmERUjByioirM5TShbkvS2U&amp;amp;autoplay=0&amp;amp;ps=blogger"&gt;&lt;embed src="http://www.youtube.com/get_player" 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type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6080832387660013741'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/blog-post_588.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-7646370778873868625</id><published>2010-08-29T22:54:00.000-07:00</published><updated>2010-08-29T22:57:02.617-07:00</updated><title type='text'></title><content type='html'>&lt;object width="320" height="266" class="BLOG_video_class" id="BLOG_video-bc3fea0e3ad14bb1" classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" codebase="http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,40,0"&gt;&lt;param name="movie" value="http://www.youtube.com/get_player"&gt;&lt;param name="bgcolor" value="#FFFFFF"&gt;&lt;param name="allowfullscreen" value="true"&gt;&lt;param name="flashvars" value="flvurl=http://v22.nonxt2.googlevideo.com/videoplayback?id%3Dbc3fea0e3ad14bb1%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1331639718%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D332BE7020FA3987BFC54B2136F0CE1B52D356FDD.6B57680B5BA5DD36F5088533D180921905B73B74%26key%3Dck1&amp;amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3Dbc3fea0e3ad14bb1%26offsetms%3D5000%26itag%3Dw160%26sigh%3DEpHiJqelNTWSo_Hjsjps1C7IgMk&amp;amp;autoplay=0&amp;amp;ps=blogger"&gt;&lt;embed src="http://www.youtube.com/get_player" type="application/x-shockwave-flash"width="320" height="266" bgcolor="#FFFFFF"flashvars="flvurl=http://v22.nonxt2.googlevideo.com/videoplayback?id%3Dbc3fea0e3ad14bb1%26itag%3D5%26app%3Dblogger%26ip%3D0.0.0.0%26ipbits%3D0%26expire%3D1331639718%26sparams%3Did,itag,ip,ipbits,expire%26signature%3D332BE7020FA3987BFC54B2136F0CE1B52D356FDD.6B57680B5BA5DD36F5088533D180921905B73B74%26key%3Dck1&amp;iurl=http://video.google.com/ThumbnailServer2?app%3Dblogger%26contentid%3Dbc3fea0e3ad14bb1%26offsetms%3D5000%26itag%3Dw160%26sigh%3DEpHiJqelNTWSo_Hjsjps1C7IgMk&amp;autoplay=0&amp;ps=blogger"allowFullScreen="true" /&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-7646370778873868625?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7646370778873868625'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7646370778873868625'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/blog-post_29.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-8036888073403694173</id><published>2010-08-28T22:31:00.000-07:00</published><updated>2010-08-28T22:32:23.048-07:00</updated><title type='text'></title><content type='html'>how the judge died&lt;br /&gt;and why&lt;br /&gt;perennial focal point&lt;br /&gt;for all of his inevitably&lt;br /&gt;ruinous&lt;br /&gt;ruminations&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-8036888073403694173?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8036888073403694173'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8036888073403694173'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/how-judge-died-and-why-perennial-focal.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-2656514070346552397</id><published>2010-08-28T22:23:00.001-07:00</published><updated>2010-08-28T22:29:58.145-07:00</updated><title type='text'></title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_Xexb5Teznpg/THnwRtVm31I/AAAAAAAAASc/bZnAb7XrsfY/s1600/mtnjc.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 134px; height: 200px;" src="http://4.bp.blogspot.com/_Xexb5Teznpg/THnwRtVm31I/AAAAAAAAASc/bZnAb7XrsfY/s200/mtnjc.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5510699806083178322" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_Xexb5Teznpg/THnwRJaJZxI/AAAAAAAAASU/N1OlastEyRU/s1600/128.JPG"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 200px; height: 192px;" src="http://1.bp.blogspot.com/_Xexb5Teznpg/THnwRJaJZxI/AAAAAAAAASU/N1OlastEyRU/s200/128.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5510699796438542098" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Xexb5Teznpg/THnwQXWN2DI/AAAAAAAAASM/PookVWVI8O0/s1600/091.JPG"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 200px; height: 133px;" src="http://2.bp.blogspot.com/_Xexb5Teznpg/THnwQXWN2DI/AAAAAAAAASM/PookVWVI8O0/s200/091.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5510699783000283186" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://2.bp.blogspot.com/_Xexb5Teznpg/THnwQEXC9yI/AAAAAAAAASE/FxnHdJbEKiQ/s1600/126.JPG"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 150px; height: 200px;" src="http://2.bp.blogspot.com/_Xexb5Teznpg/THnwQEXC9yI/AAAAAAAAASE/FxnHdJbEKiQ/s200/126.JPG" border="0" alt=""id="BLOGGER_PHOTO_ID_5510699777903490850" /&gt;&lt;/a&gt;&lt;br /&gt;a man online to inherit everything from somewhere&lt;br /&gt;he has no responsibilities&lt;br /&gt;but to wait and&lt;br /&gt;finally&lt;br /&gt;to accept a fortune&lt;br /&gt;somehow this acquisition is impeded by the crashlanding&lt;br /&gt;of a neighbors homemade experimental aircraft&lt;br /&gt;no one &lt;br /&gt;will acknowledge what has happened&lt;br /&gt;except that it was bad&lt;br /&gt;and all of this vagueness overshadows a road to camelot &lt;br /&gt;no doubt&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-2656514070346552397?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2656514070346552397'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2656514070346552397'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/man-online-to-inherit-everything-from.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Xexb5Teznpg/THnwRtVm31I/AAAAAAAAASc/bZnAb7XrsfY/s72-c/mtnjc.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-6735082137089775002</id><published>2010-08-28T22:05:00.000-07:00</published><updated>2010-08-28T22:06:10.331-07:00</updated><title type='text'></title><content type='html'>suburban express&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/66u0SQYU04c?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/66u0SQYU04c?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-6735082137089775002?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6735082137089775002'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6735082137089775002'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/suburban-express.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-6421381824771095311</id><published>2010-08-28T21:53:00.001-07:00</published><updated>2010-08-28T21:54:52.298-07:00</updated><title type='text'></title><content type='html'>tap of the wrist&lt;br /&gt;and the neck craned &lt;br /&gt;from her&lt;br /&gt;as in "let's find a better place, i'm giving you one of those moments.  a coupon."&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-6421381824771095311?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6421381824771095311'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6421381824771095311'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/tap-of-wrist-and-neck-craned-as-in-lets.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-7209101562402615750</id><published>2010-08-28T21:45:00.001-07:00</published><updated>2010-08-28T21:59:41.935-07:00</updated><title type='text'></title><content type='html'>the person that always buys the an/other person all the things they want&lt;br /&gt;for various reasons&lt;br /&gt;toward various ends&lt;br /&gt;&lt;br /&gt;&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/eMacgGEy_WI?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/eMacgGEy_WI?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-7209101562402615750?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7209101562402615750'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7209101562402615750'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/person-that-always-buys-person-all.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-7468725818934839179</id><published>2010-08-27T13:14:00.001-07:00</published><updated>2010-08-27T13:14:33.780-07:00</updated><title type='text'></title><content type='html'>&lt;object width="480" height="385"&gt;&lt;param name="movie" value="http://www.youtube.com/v/sEDHugvI2ag?fs=1&amp;amp;hl=en_US"&gt;&lt;/param&gt;&lt;param name="allowFullScreen" value="true"&gt;&lt;/param&gt;&lt;param name="allowscriptaccess" value="always"&gt;&lt;/param&gt;&lt;embed src="http://www.youtube.com/v/sEDHugvI2ag?fs=1&amp;amp;hl=en_US" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="480" height="385"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-7468725818934839179?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7468725818934839179'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7468725818934839179'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/blog-post.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4103702693806791618</id><published>2010-08-27T13:07:00.000-07:00</published><updated>2010-08-27T13:10:59.551-07:00</updated><title type='text'></title><content type='html'>&lt;iframe src="http://player.vimeo.com/video/14446791?byline=0&amp;amp;color=ffffff" width="800" height="640" frameborder="0"&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href="http://vimeo.com/14446791"&gt;pt. XIII - Butte&lt;/a&gt; from &lt;a href="http://vimeo.com/user301005"&gt;jc shumate&lt;/a&gt; on &lt;a href="http://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4103702693806791618?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4103702693806791618'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4103702693806791618'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/pt.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-7971233626107197679</id><published>2010-08-23T11:04:00.000-07:00</published><updated>2010-08-23T11:05:34.058-07:00</updated><title type='text'>8.23</title><content type='html'>&lt;span style="font-family:times new roman;"&gt;you can't tell us we don't love&lt;br /&gt;it alters dramatically social dynamics&lt;br /&gt;and conceptual dynamics&lt;br /&gt;&lt;br /&gt;time becomes malleable and ceaselessly fascinating in its deployment&lt;br /&gt;its corpus investigated retroactively&lt;br /&gt;kathy acker&lt;br /&gt;angela carter&lt;br /&gt;Benjamin kunkle&lt;br /&gt;How 2 access the culture how 2 locate it&lt;br /&gt;His everchanging series of objectives&lt;br /&gt;Fundamental material never taken 4 granted&lt;br /&gt;A man differentiated - blank out of the ether - construction of every aspects of his existence nm matter how mundane thy entire aspe&lt;br /&gt;A man differentiated - blank out of the ether - construction of every aspects of his existence nm matter how mundane thy entire aspe&lt;br /&gt;Ct&lt;br /&gt;never labors toward the exposition of grand themes&lt;br /&gt;&lt;br /&gt;no understanding of before or after&lt;br /&gt;just forever tunneling forward&lt;br /&gt;nothing is being hatched or spoked&lt;br /&gt;just energetic momentum&lt;br /&gt;set constructions accommodating the camera&lt;br /&gt;to be filmed "through"&lt;br /&gt;no sounds to cue you anything&lt;br /&gt;only images&lt;br /&gt;figure it out yourself&lt;br /&gt;&lt;br /&gt;what it is you are looking AT&lt;br /&gt;absence of sound seriously troubles productions&lt;br /&gt;important dimension refused&lt;br /&gt;a film composed and constructed&lt;br /&gt;entirely on and of drugz&lt;br /&gt;&lt;br /&gt;those dynamics need to be OVERPLAYED&lt;br /&gt;6.6.09 that me and bryan&lt;br /&gt;and others?&lt;br /&gt;should be deeply at work&lt;br /&gt;on a film by friday&lt;br /&gt;is imperative...&lt;br /&gt;interview subjects&lt;br /&gt;interview environments&lt;br /&gt;created&lt;br /&gt;on computer&lt;br /&gt;through collage&lt;br /&gt;and paint&lt;br /&gt;and etc...&lt;br /&gt;a documentary....&lt;br /&gt;wed to back image a picturemovie&lt;br /&gt;&lt;br /&gt;what rhetoric shall walk hand in hand with it?&lt;br /&gt;more to tell of an environment&lt;br /&gt;by abstracting it...&lt;br /&gt;run weird collage ambien video crossfaded with&lt;br /&gt;temporal realist imagery...&lt;br /&gt;&lt;br /&gt;methods to explore&lt;br /&gt;to explicate meaning&lt;br /&gt;where we find it&lt;br /&gt;hurried into intimate environments&lt;br /&gt;with intimate imagescape relations&lt;br /&gt;an intimate image environment&lt;br /&gt;from where the intimacy..?&lt;br /&gt;the ice cubes&lt;br /&gt;to be eaten&lt;br /&gt;havent been given&lt;br /&gt;adequate time tomelt&lt;br /&gt;this is how I communicate with aQ&lt;br /&gt;a real horrorshow carries on&lt;br /&gt;and on&lt;br /&gt;but what of the melting ice cubes on&lt;br /&gt;the bedside table witness to the horrorshow&lt;br /&gt;or what narrative can be made of the blinds?&lt;br /&gt;&lt;br /&gt;making hash ish&lt;br /&gt;the narrative of todays google homepage&lt;br /&gt;&lt;br /&gt;AND&lt;br /&gt;&lt;br /&gt;the introduction of their own rival stories into our perverse twidested cancered narrative&lt;br /&gt;old friends arednt madej&lt;br /&gt;He argues that they are separable from their conditions and environment - what are their conditions'?&lt;br /&gt;Impossible perspectivez&lt;br /&gt;He thought he could use the cinema to communicate with people hed lost&lt;br /&gt;Splitscreen 1 pulls focus 2 loses it a progressive visual narrative&lt;br /&gt;Politic is ignorant of body and likewise&lt;br /&gt;the point of critical convergence&lt;br /&gt;a destruction&lt;br /&gt;the space where animation gets its wings&lt;br /&gt;where animation happens&lt;br /&gt;&lt;br /&gt;when concepts and conceits are given life&lt;br /&gt;critical theory lends itself to animation&lt;br /&gt;product of a glut of disparate labors&lt;br /&gt;efforts for little approvals&lt;br /&gt;soliciting my future&lt;br /&gt;&lt;br /&gt;the product is incoherent&lt;br /&gt;examined by too many orthodoxies&lt;br /&gt;muddied up everything&lt;br /&gt;meaning is impossible and obscured&lt;br /&gt;floating alone in pure abstraction&lt;br /&gt;at this point&lt;br /&gt;we can no longer follow one thing back to its origin and find sense or reason of it....&lt;br /&gt;feedback and swirls and halfsteps and maybes....&lt;br /&gt;&lt;br /&gt;the failure of our orthodoxies&lt;br /&gt;they never met a woman&lt;br /&gt;underground film festival programs&lt;br /&gt;&lt;br /&gt;city panoramas created by various people holding the objects that constitute the panorama&lt;br /&gt;moving airplanes&lt;br /&gt;Shot in hoosiers when hackman is moving in the sky behind&lt;br /&gt;Moon of alabama connect with eternal aspects&lt;br /&gt;Audio dialog with backing music to fill it out&lt;br /&gt;The journey of the tube&lt;br /&gt;Fri thirteen time compression harnessing powers of inept filmmaking&lt;br /&gt;Mosque point park&lt;br /&gt;the-temenos.org - markopoulos and beavers&lt;br /&gt;&lt;br /&gt;the photomovie'd reconstruction of historical events or cinematic watersheds&lt;br /&gt;&lt;br /&gt;critical analysis, the end&lt;br /&gt;&lt;br /&gt;understanding institutions - you are in a chimera&lt;br /&gt;is necessary for continued journey&lt;br /&gt;getting access to&lt;br /&gt;these impossible spaces&lt;br /&gt;and impossible perspectives&lt;br /&gt;&lt;br /&gt;intermedia&lt;br /&gt;&lt;br /&gt;unified channel&lt;br /&gt;through which various media can be expressed&lt;br /&gt;for their virtues and the differences screamed...&lt;br /&gt;&lt;br /&gt;the desruction of the organizational methods&lt;br /&gt;assassinated&lt;br /&gt;made a joke&lt;br /&gt;the impression of certain institutions of phenomena&lt;br /&gt;that indeed do not exist&lt;br /&gt;merely are forged in the inbetween space.&lt;br /&gt;every viewing they come further to life&lt;br /&gt;that we can create movement OF the frame&lt;br /&gt;like at sea dynamic static frame&lt;br /&gt;&lt;br /&gt;zoomed in deep on picture movie&lt;br /&gt;shadow dialogues&lt;br /&gt;interrupted by flurries frenzies....&lt;br /&gt;&lt;br /&gt;a fluidity is created that confounds all previous strategies for looking at things&lt;br /&gt;makes a farce of them&lt;br /&gt;found himself appalled by powerbrokers&lt;br /&gt;their authority from where&lt;br /&gt;power why&lt;br /&gt;&lt;br /&gt;their easy judgments&lt;br /&gt;if we can assemble a network of or relationship among&lt;br /&gt;various layers reiterated rhythmically&lt;br /&gt;we can create a vast system of meaning&lt;br /&gt;and impression&lt;br /&gt;a FG frenzy of activity&lt;br /&gt;above a static action shot&lt;br /&gt;occasionally employing aspects of the image as part of the panorama.&lt;br /&gt;Media distortion coverup intl state run media&lt;br /&gt;shark filled w cocaine is a fun thing to say&lt;br /&gt;Rosetta stone&lt;br /&gt;Madman on&lt;br /&gt;Permanent trapeze&lt;br /&gt;The natural desire of course is to film it all again&lt;br /&gt;The natural course of desire&lt;br /&gt;Electromagnetic shit in space tv and radio&lt;br /&gt;I 5ike the oversight of course this doubles our sunning time&lt;br /&gt;The aesthetic of create&lt;br /&gt;Put $ to work in his community&lt;br /&gt;Wall of reflective framed fotos!&lt;br /&gt;Whatcha gonna gi me for that piece of cornbread?&lt;br /&gt;picture movie prints&lt;br /&gt;&lt;br /&gt;a film that can be walked along&lt;br /&gt;a future where everyone is stoned on pollutants and consequently consciousness floats on a tilt&lt;br /&gt;endlessly digressive narrative&lt;br /&gt;the focal point forever changing&lt;br /&gt;The City in History: Its Origins, Its Transformations, and Its Prospects is a 1961 National Book Award winner by American historian Lewis Mumford.&lt;br /&gt;Myth of the Machine&lt;br /&gt;Pentagon of Power&lt;br /&gt;From Dawn to Decadence - Jacques Barzun&lt;br /&gt; The Death and Life of Great American Cities (Modern Library Series)&lt;br /&gt;ben marcus&lt;br /&gt;gary lutz&lt;br /&gt;anne carson brian everson&lt;br /&gt;daniel grandbois&lt;br /&gt;Extreme Fiction: Fabulists and Formalists (Paperback)&lt;br /&gt;by Robin Hemley&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;by Jane Jacobs (Author)&lt;br /&gt;&lt;br /&gt;The Reproduction&lt;br /&gt;of Daily Life&lt;br /&gt;Fredy Perlman&lt;br /&gt;24 pages&lt;br /&gt;black &amp;amp; red books&lt;br /&gt;&lt;br /&gt;ak press&lt;br /&gt;&lt;br /&gt;horkheimer&lt;br /&gt;&lt;br /&gt;graphic novel&lt;br /&gt;&lt;br /&gt;adorno&lt;br /&gt;&lt;br /&gt;marcuse&lt;br /&gt;&lt;br /&gt;jameson&lt;br /&gt;&lt;br /&gt;jackson turner&lt;br /&gt;&lt;br /&gt;photo books&lt;br /&gt;&lt;br /&gt;rare books&lt;br /&gt;&lt;br /&gt;foucault&lt;br /&gt;&lt;br /&gt;gramsci&lt;br /&gt;&lt;br /&gt;frantz fanon&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Culture and Imperialism by Edward W. Said&lt;br /&gt;3.6 out of 5 stars (23) $10.88&lt;br /&gt;&lt;br /&gt;The Location of Culture (Routledge Classics) by Homi K. Bhabha&lt;br /&gt;Autonomedia&lt;br /&gt;Blackwell history&lt;br /&gt;Little pictures of an entire enormous life.  Guy before work pictures of his life energy plan. When I retire&lt;br /&gt;Tangled cognitive map&lt;br /&gt;Of all experience&lt;br /&gt;Poems. Addresses from abroad. Posterity records the physical incident of a certain toime&lt;br /&gt;Operation: snow white&lt;br /&gt;Operation: freakout&lt;br /&gt;Rearranging a space while dramatic tv program interrupts&lt;br /&gt;Whip pan to four subjects in action each increasingly closer to the camera&lt;br /&gt;Zeitgeist. Family intersctive novel language game. Productive thoughtful families wikipedia source. Everybody at work on the mystery!!!!?&lt;br /&gt;Dense dialogues requiring decryption back and forth pate it down to the real meaning&lt;br /&gt;A chasm beyond the tilt of the world. Unbridgeable.&lt;br /&gt;A pox a palsy&lt;br /&gt;Dh Lawrence.  Studies in classic American literature&lt;br /&gt;Long static overhead takes studying space and movement. Dialog is vo and improvised creating the incident verbally&lt;br /&gt;Multimedia Galveston essay poem&lt;br /&gt;Rossiya Hotel&lt;br /&gt;no one was ever present for the productions the recordings&lt;br /&gt;where did they go in between content?&lt;br /&gt;&lt;br /&gt;a couple rival songs and impulses battling chaotically toward understanding&lt;br /&gt;&lt;br /&gt;she has no idea what she's even doing....&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;our friends have bought their tickets&lt;br /&gt;made their arrangements for accomodations&lt;br /&gt;&lt;br /&gt;there square and late and uninformed unresourceful uninspired unmoved&lt;br /&gt;&lt;br /&gt;the new transmissions will be through something previously thought intractable beyond mans jazzz&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;to become a talented editor&lt;br /&gt;&lt;br /&gt;if he could do IT and hide himself under the bed&lt;br /&gt;but remain conscious but dead&lt;br /&gt;how long would it take&lt;br /&gt;what would it look like&lt;br /&gt;a bad bm led to this.&lt;br /&gt;andrei rublev&lt;br /&gt;the lady eve&lt;br /&gt;powell and pressburger&lt;br /&gt;stalker&lt;br /&gt;red river&lt;br /&gt;la dolce vita&lt;br /&gt;murder by contract irving lerner&lt;br /&gt;Describing r&lt;br /&gt;The condition&lt;br /&gt;demographer dad interviews hilton laszlo&lt;br /&gt;in the eyes it swirled blue&lt;br /&gt;A benzodiazepine (pronounced /ˌbɛnzɵdaɪˈæzɨpiːn/, sometimes abbreviated to "benzo") is a psychoactive drug whose core chemical structure is the fusion of a benzene ring and a diazepine ring. Benzodiazepines have varying sedative, hypnotic (sleep-inducing), anxiolytic (anti-anxiety), anticonvulsant, muscle relaxant and amnesic properties.[1] These properties make benzodiazepines useful in treating anxiety, insomnia, agitation, seizures, muscle spasms, alcohol withdrawal and as a premedication for medical or dental procedures.[2] Benzodiazepines vary in their elimination half-life, and are categorized as either short-, intermediate- or long-acting. Short- and intermediate-acting benzodiazepines are preferred for the treatment of insomnia; longer-acting benzodiazepines are recommended for the treatment of anxiety.[3]&lt;br /&gt;&lt;br /&gt;deep penetrating yawn&lt;br /&gt;tape recorder at buddy bolden show - time travel&lt;br /&gt;&lt;br /&gt;they get to a place&lt;br /&gt;where even commonplace hallmarks of interaction are impossible&lt;br /&gt;obscured and complicated by something....&lt;br /&gt;dads going to space in teh morning in a spaceship&lt;br /&gt;sisters going to the faraway clouds with an angel&lt;br /&gt;perspectives on gone&lt;br /&gt;how we cope and understand.&lt;br /&gt;intrusion of something happening outside of the tv&lt;br /&gt;beyond the tvs domain.&lt;br /&gt;&lt;br /&gt;Problem&lt;br /&gt;the time they realized that they were the people on the wrong side of the television.&lt;br /&gt;&lt;br /&gt;their efforts to rectify....&lt;br /&gt;who are they singing to?&lt;br /&gt;&lt;br /&gt;often puts interrogative to the reader...&lt;br /&gt;im in a new place...&lt;br /&gt;how excited new celebrities are to get back in contact with their normal friends&lt;br /&gt;if the brain worked like this all the time&lt;br /&gt;if the world were subject to this scrutiny all the time&lt;br /&gt;if everything was in accord with this all the time or discord&lt;br /&gt;if this were everything&lt;br /&gt;it would be a recipe for mental illness and the institution....&lt;br /&gt;whatever he wanted he came and he took&lt;br /&gt;when he wanted love, he walked over and took it&lt;br /&gt;different looks of (at) love&lt;br /&gt;New worlds an anthology thunders mouth press&lt;br /&gt;sophisticated apparatus by which to view&lt;br /&gt;people in different locales&lt;br /&gt;watching tv&lt;br /&gt;panning between them and teh tv and their place&lt;br /&gt;he would only volunteer dismal platitudes&lt;br /&gt;going back and forth&lt;br /&gt;sold quietly almost absent&lt;br /&gt;Sound of some narrative action accompanies music and it's on you yo get it all&lt;br /&gt;Couples dramatic reconciliation while trying to figure out what happened (events) on the tv&lt;br /&gt;Film them covering z"it" the beginning of the art&lt;br /&gt;Revelation that those resources aer not! Finite&lt;br /&gt;They made him listen to his own teeth rattling holy modal pound a hash&lt;br /&gt;In the tenement they would see how loud the records could go on the phonograph. Taking spacefuck from the horror movie.  His device mode of communication troubled him often&lt;br /&gt;Wallace Berman (February 18, 1926 – February 18, 1976) was an American visual /assemblage artist.&lt;br /&gt;Wallace Berman was born in Staten Island, New York and moved with his family to Los Angeles, California in 1930. He was expelled from high school for gambling, and became involved in the world of jazz. He enrolled in and attended the Jepson Art School and Chouinard but did not complete studies there. Instead of pursuing a formal art 'career' he worked in a factory finishing antique furniture. This work gave him the opportunity to salvage reject materials and scraps which he used to make sculptures. He began a mail art publication called SEMINA The format was a letterpress text printed on an assemblage of colored paper, photos, and essentially found material. Contributors included John Altoon, Antonin Artaud, Charles Brittin, Charles Bukowski, William S. Burroughs, Jean Cocteau, Allen Ginsberg, Marion Grogan, Walter Hopps, Larry Jordan, Philip Lamantia, Michael McClure, David Meltzer, Stuart Perkoff, and John Weiners.&lt;br /&gt;He exhibited pieces in the Ferus Gallery in 1957, became part of the beat communities in Los Angeles and in San Francisco, and started the Semina Art Gallery in Larkspur, CA in 1960. He made his first and only film, Aleph, from 1956-1966. Berman did not give the film a title, referring to it just as 'my film' or 'my movie' and never showed it to large audiences, preferring to screen it on his studio wall on a one-to-one basis. The title Aleph was given to the work by Berman's son, Tosh, after the artist's death.[1]&lt;br /&gt;He used verifax collages in his work, allowing for creation of serial and multiple images. From artist Ed Ruscha: "There were a lot of artists then that were doing serial imagery in that way, including Llyn Foulkes and Andy Warhol himself, of course, who really popularized it. I had done some things like that. It came about at a time where it had completely reached its time. It was inevitable, It's like a genealogy. I think it was about Wally- and even Andy of course, who came out of the commercial world - seeing not paintings in museums but more popular imagery." This development in the art world seems directly related to the growth of mass production, consumption, and mass disposal that the US embraced in the 1950s.&lt;br /&gt;He was killed after being struck by a drunk driver on the eve of his fiftieth birthday in Topanga Canyon in 1976.&lt;br /&gt;Breakup when abusing drugs that changes reality. Hiding behind the blanket.  The sense that everyone else is on it 2 they can read yer mind at polygace commune they can and they do&lt;br /&gt;Could engsgevover r&lt;br /&gt;The politics over which he was most conflicted. The. PLO. Okiyical. Era.over which he was mist confused:&lt;br /&gt;The catcrash stability invites.&lt;br /&gt;Reimomo. Jrich. Oldham tortoise. Others in my books&lt;br /&gt;Do you remember almost putting the mini cocker in the pool?  A quiz for uptake and memorys friendship.&lt;br /&gt;Latebite drunkdad sold u on viability of county lines live. Don't forget u sorts put it once again in motion and a smoke or 2??&lt;br /&gt;To tie an entirety of news coverage into a ballgame.   Revolution&lt;br /&gt;multimedia&lt;br /&gt;multiple layers&lt;br /&gt;estranged by time and circumstance&lt;br /&gt;coordinate in the present&lt;br /&gt;for meaning&lt;br /&gt;&lt;br /&gt;tricking someone thru technology and social acrobatics that hes traveled through time.&lt;br /&gt;&lt;br /&gt;a coup&lt;br /&gt;a ruse&lt;br /&gt;he tried to time it right&lt;br /&gt;just as the business park shat out at 5 pm its employees&lt;br /&gt;they would take to the interstate and he would be there and they would meet&lt;br /&gt;&lt;br /&gt;plus&lt;br /&gt;sending him back (not back) in time....&lt;br /&gt;the time and space that would require   AND why they couldnt just REALLY do it  couldnt REALLY go back in time????&lt;br /&gt;&lt;br /&gt;some weird tape in there presently&lt;br /&gt;a vomited and screwed DawnoftheDead&lt;br /&gt;&lt;br /&gt;educational orthodoxies in private boarding schools&lt;br /&gt;here and abroad&lt;br /&gt;he'd periodically launch out little missives toward the real world&lt;br /&gt;he was half sure was carrying on outside the perimeters they'd built for him....&lt;br /&gt;trapped in time....&lt;br /&gt;&lt;br /&gt;see if he could get what should be present day to acknowlege....&lt;br /&gt;zooming in and out moving around as though handheld over static photos film'd&lt;br /&gt;insert dialogue&lt;br /&gt; finishing the trip bringing it to life&lt;br /&gt;&lt;br /&gt;time travel&lt;br /&gt;on the bus leaving blue ridge summit the firelight&lt;br /&gt;the confusion&lt;br /&gt;tears illumined by torches&lt;br /&gt;not finding it1 56 05 w 22 min remaining on tape&lt;br /&gt;that is the exit from blue ridge&lt;br /&gt;somewhere in time....&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;I HAVE CREATED a sequence&lt;br /&gt;jc attempts to put narrative to BMC book in the idling bus waiting to leave Blue RIdge and then they leave---what of all my friends afformentioned tears--theirs not mine--i dont cry usually....ever...&lt;br /&gt;&lt;br /&gt;traveling through media...&lt;br /&gt;&lt;br /&gt;one last time&lt;br /&gt;&lt;br /&gt;the treatment&lt;br /&gt;friends decide a mutual friend was happier a few years ago and decide to recreate that time period in an effort to bring him back to life&lt;br /&gt;the tolls it takes&lt;br /&gt;becomes a full time job&lt;br /&gt;and then medias injection in its midst&lt;br /&gt;creates extreme confusion&lt;br /&gt;everybody dies or cries or makes love&lt;br /&gt;and they have no idea where temporally they are....&lt;br /&gt;were lost...&lt;br /&gt;basically were creating things whose value will be ascribed to them in a number of years....&lt;br /&gt;&lt;br /&gt;footage from icenight in OH doubles as departure from Blue RIdge&lt;br /&gt;married to BMC experimentation as recreation waiting for the bus to leave and also to appear inspired and at it&lt;br /&gt;while friends never to be seen again except through silly letters search me down for a tearful goodbye....&lt;br /&gt;1999&lt;br /&gt;2007&lt;br /&gt;2009&lt;br /&gt;and 2009&lt;br /&gt;&lt;br /&gt;how the core of this experiment plays out!&lt;br /&gt;They constructed false memory montages to illustrate time before the time they'd returned him to hence BMC. Montage. See time couldve gone even further back. Are They aware of the time change?&lt;br /&gt;they had tried it once before&lt;br /&gt;with minimal preparation&lt;br /&gt;the foodstuffs were current&lt;br /&gt;and the ny times sold them out for sure&lt;br /&gt;but they were drunk&lt;br /&gt;and it was a curiosity&lt;br /&gt;this time they would get it all right&lt;br /&gt;they were trying to save a life....&lt;br /&gt;emphasize the social action aspect&lt;br /&gt;&lt;br /&gt;how fucking REAL their labors are&lt;br /&gt;&lt;br /&gt;and what is in the balance....&lt;br /&gt;&lt;br /&gt;media scribe there all along to document and also occasionally to contribute a piece to measure time for the subject let him see how possible it all is&lt;br /&gt;just how retarded time really is and how vulnerable it is to be violated and confused...&lt;br /&gt;&lt;br /&gt;they have to pretend confusion too.  theyre all seemingly as mystified as he....&lt;br /&gt;we are all subject to times whimsy i suppose...&lt;br /&gt;&lt;br /&gt;importance of moments and things said.&lt;br /&gt;their labors&lt;br /&gt;aquiring the right newspapers&lt;br /&gt;or threading the needle on dated social intercourse&lt;br /&gt;are only exposed after they've been put into play&lt;br /&gt;primarily we share they eyes of the man they dupe in order to save his life...&lt;br /&gt;hed take drugs and sit in front of the window with a beer and try to get scared....&lt;br /&gt;an interruption...an invasion...&lt;br /&gt;the cancer girlfriend sent on a wild goose chase through america&lt;br /&gt;keeping her out of play...&lt;br /&gt;constantly scrambling the signal&lt;br /&gt;so they can't communicate....&lt;br /&gt;and no one wonders why&lt;br /&gt;they've gotten in her head too...&lt;br /&gt;sent her back to do what she was once doing.&lt;br /&gt;&lt;br /&gt;ambien runs amok in their experiments  lending its own reality bending properties to ease the transition&lt;br /&gt;and set the mood.&lt;br /&gt;the cancer girlfriend sent on a wild goose chase through america&lt;br /&gt;keeping her out of play...&lt;br /&gt;constantly scrambling the signal&lt;br /&gt;so they can't communicate....&lt;br /&gt;and no one wonders why&lt;br /&gt;they've gotten in her head too...&lt;br /&gt;sent her back to do what she was once doing.&lt;br /&gt;always interesting&lt;br /&gt;the negotiation&lt;br /&gt;of time&lt;br /&gt;between present and their knowing efforts to block the present&lt;br /&gt;with the accepted past also running abreast&lt;br /&gt;until they all forget where they are&lt;br /&gt;and time becomes in its way irrelevant&lt;br /&gt;with the exception of its ability to measure duration of immediacy.&lt;br /&gt;once time travel broached our no prospect protag&lt;br /&gt;is uprooted to a place where he couldnt possibly question posterity&lt;br /&gt;hes never been here it could easily be 4 yrs ago for all he knows...&lt;br /&gt;a place where time is no object is their and his utopia...&lt;br /&gt;bring him back home&lt;br /&gt;when and if necessary&lt;br /&gt;to a hollywood movie&lt;br /&gt;during its soaring final moments free of time&lt;br /&gt;when the timeless ageless prevalence of good trumps vain evil&lt;br /&gt;a story&lt;br /&gt;a film&lt;br /&gt;an idea&lt;br /&gt;an execution&lt;br /&gt;a multimedia&lt;br /&gt;capable of breaking its viewers brains....&lt;br /&gt;forevermore...&lt;br /&gt;changing forever their relationships with the core of meaning...&lt;br /&gt;ruining lives&lt;br /&gt;recontexting them...&lt;br /&gt;perhaps ambien should be served at the door.&lt;br /&gt;the endless stink trails or notion of them&lt;br /&gt;following our protagonists around everywhere&lt;br /&gt;calling them out&lt;br /&gt;paranoia sinks them hollows them out&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ultimately the subject turns it back on them&lt;br /&gt;and time is destroyed&lt;br /&gt;and all we have is space...&lt;br /&gt;according to a second graders understanding of consciousness and existence&lt;br /&gt;the ultimate objective&lt;br /&gt;so they decided&lt;br /&gt;was\&lt;br /&gt;a return to geologic existence&lt;br /&gt;flattening&lt;br /&gt;a time before consequence and human memory&lt;br /&gt;only the passing the whirring sound of existence before consequences.&lt;br /&gt;&lt;br /&gt;they are freed of the bondage of their lives....&lt;br /&gt;strangeness of previously accepted imagery&lt;br /&gt;once viewed on ambien&lt;br /&gt;blocky clunky distant pixelly&lt;br /&gt;on the verge of inexistence....&lt;br /&gt;to freefall from the sky&lt;br /&gt;&lt;br /&gt;all these gifts they hoped for&lt;br /&gt;&lt;br /&gt;a long itemized list of dreams for immortality&lt;br /&gt;and infallibility and powers beyond existences parameters....the grandiose notions&lt;br /&gt;such an endeavor put feebly into their brains&lt;br /&gt;to fashion for themselves&lt;br /&gt;an evenings debauchery so intense&lt;br /&gt;that they could never and would never return from it&lt;br /&gt;what was once a gesture of kindness&lt;br /&gt;became an angle on a play&lt;br /&gt;objectives forever changing&lt;br /&gt;toward Godlike prowess....&lt;br /&gt;fell in on them&lt;br /&gt;&lt;br /&gt;that these desires are the very agent of collapse is important&lt;br /&gt;&lt;br /&gt;that time exists to be fucked and to fuck&lt;br /&gt;like anyone else....&lt;br /&gt;that he had willed the program onto tv&lt;br /&gt;&lt;br /&gt;and all the other TV late night dramatic politics&lt;br /&gt;to be foudn here in earlier postss....&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;TV control came first....&lt;br /&gt;they confused time awareness and thought they were psychic...&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-7971233626107197679?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7971233626107197679'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7971233626107197679'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/08/823.html' title='8.23'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4221812647660645064</id><published>2010-06-15T10:17:00.000-07:00</published><updated>2010-06-15T11:01:14.540-07:00</updated><title type='text'></title><content type='html'>argument over computers definition of glib&lt;br /&gt;and a discussion over its finer points&lt;br /&gt;meanwhile&lt;br /&gt;a calcualtion of IUD vs regular birth control&lt;br /&gt;that even steadfast concrete inarguables&lt;br /&gt;were suddenly corroded and in doubt&lt;br /&gt; &lt;br /&gt;what of these revelations&lt;br /&gt;plus&lt;br /&gt;memories of textures thought lost&lt;br /&gt;the significance of immensities long ago retired&lt;br /&gt;reannointed&lt;br /&gt;were enough to send our protagonist away in the night without a second thoguth&lt;br /&gt;never looking back&lt;br /&gt;or forward&lt;br /&gt;or side to side...&lt;br /&gt;opposable digit face&lt;br /&gt;creates fluid characters&lt;br /&gt;different faces backdrops&lt;br /&gt;using non digetic background sound...&lt;br /&gt;energy...&lt;br /&gt; &lt;br /&gt;write dialogue to run over it...&lt;br /&gt;end of an epic account&lt;br /&gt;death of protag&lt;br /&gt;on the dawn of a new day&lt;br /&gt;set to dark was the night&lt;br /&gt;camera sweeps up away from death and into a rapidfire assemblage of the time to pass after...&lt;br /&gt;geechie wiley &lt;br /&gt;jospeh lamb&lt;br /&gt;ventresco&lt;br /&gt;tom turpin &lt;br /&gt;scott joplin&lt;br /&gt;&lt;br /&gt;they could smell the kiehls...&lt;br /&gt;a tub...&lt;br /&gt;pool party&lt;br /&gt;waiting for a call from WV&lt;br /&gt;uncle in coma is dead&lt;br /&gt;with familybyhim&lt;br /&gt; &lt;br /&gt;pool party in his honor.&lt;br /&gt;party movie&lt;br /&gt; &lt;br /&gt;camera is present for an orthodox suburb party&lt;br /&gt;with little expectations&lt;br /&gt;cues&lt;br /&gt;cards&lt;br /&gt;lines of dialogue&lt;br /&gt;plot points&lt;br /&gt;confederacies crumbling&lt;br /&gt; &lt;br /&gt;a new experience&lt;br /&gt;a new dimension&lt;br /&gt; &lt;br /&gt;death in the awning&lt;br /&gt;found footage&lt;br /&gt;cosmic event&lt;br /&gt;rapidly edited&lt;br /&gt;workings of space&lt;br /&gt;that transcends into the space of man&lt;br /&gt; &lt;br /&gt;a la dos x&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;tall bullies in the nite sky torment&lt;br /&gt;500 ft tall&lt;br /&gt;a reckoning&lt;br /&gt;how long can he go without noticing....&lt;br /&gt; &lt;br /&gt;our game movie&lt;br /&gt;will work...&lt;br /&gt;filling cup of warm water&lt;br /&gt;in darkened secret chamber&lt;br /&gt;with ice&lt;br /&gt; &lt;br /&gt;one tumbles to the ground&lt;br /&gt;the sound deafens us&lt;br /&gt;but we reamain with the cup and the filling&lt;br /&gt;filling cup of warm water&lt;br /&gt;in darkened secret chamber&lt;br /&gt;with ice&lt;br /&gt; &lt;br /&gt;one tumbles to the ground&lt;br /&gt;the sound deafens us&lt;br /&gt;but we reamain with the cup and the filling&lt;br /&gt;why at that point&lt;br /&gt;following coaches pre4th quarter incoherece&lt;br /&gt;why then &lt;br /&gt;do they cut to the money&lt;br /&gt;to luxury boxes?&lt;br /&gt; &lt;br /&gt;who?&lt;br /&gt;what?&lt;br /&gt;is in there?&lt;br /&gt;los angeles free press&lt;br /&gt;brian jones murdered&lt;br /&gt;granny takes a trip&lt;br /&gt;albert king&lt;br /&gt;large pictures layered on top of one another&lt;br /&gt;underneath a mosaic with certain portions removed&lt;br /&gt;a sort of code system with images&lt;br /&gt; &lt;br /&gt;overhead helicopter shots frenetic&lt;br /&gt;perhaps filming computer images&lt;br /&gt; &lt;br /&gt;solid masters&lt;br /&gt; &lt;br /&gt;large moving lateral track shots&lt;br /&gt;&lt;br /&gt;further and further elides clarity in favor of honesty&lt;br /&gt;&lt;br /&gt;his discursive space becomes more and more cluttered&lt;br /&gt;arguments are circled more and more&lt;br /&gt;&lt;br /&gt;Making Sure Wertheimer is Dead&lt;br /&gt;&lt;br /&gt;Eulogistic principle&lt;br /&gt;&lt;br /&gt;the psychology capable of creating in music such a sense of unity and elevated beauty is itself a murky disjointed dirge&lt;br /&gt;Not born&lt;br /&gt;what might "about glenn gould" sound like?&lt;br /&gt; &lt;br /&gt;would he bring the same voice?  &lt;br /&gt; &lt;br /&gt;symbolic environments&lt;br /&gt;to preserve in times of woe&lt;br /&gt;when connections are obscure&lt;br /&gt;i think its important &lt;br /&gt;before we play&lt;br /&gt;that we take pains to inform you&lt;br /&gt;that this ocean works the other way&lt;br /&gt;it will take you OUT as quickly inperceptibly and carelessly&lt;br /&gt;as most will bring you IN&lt;br /&gt;nights among the community&lt;br /&gt;when the lines are down&lt;br /&gt;and they forget the way&lt;br /&gt;quiet dark nites&lt;br /&gt;where they cant fall asleep to the dead fuzz&lt;br /&gt;&lt;br /&gt;the ideology slips backwards&lt;br /&gt;Revenant records . American primitive prewar revenants - skip james .  Wald,escaping the delta .  Hamilton in search of the blues -&lt;br /&gt;Same story twice&lt;br /&gt;Let it take effect during tonight show&lt;br /&gt;Nearing&lt;br /&gt;Midnight portion in which their lineage is constructed - original size images&lt;br /&gt;Sounds of newspaper battling dishwashing battling planes overhead - the place where all media meet and hang out&lt;br /&gt;Transposed all into order a giant party&lt;br /&gt;Brentano husserl logical investigations&lt;br /&gt;Their warm 3 tiered cradle a bad lie&lt;br /&gt;Their warm 3 tiered cradle a bad lie&lt;br /&gt;The creation of an enemy to unify masses - the document of that thing - the ultimate document&lt;br /&gt;Maquia dora&lt;br /&gt;Not to say it but to hear it said said he&lt;br /&gt;Where in a film the consequences are real&lt;br /&gt;The kitchen gets messy&lt;br /&gt;A certain disorganization - perspective -&lt;br /&gt;Leaves constant unreconciled questions or the beginning of a question&lt;br /&gt;Freckle of epoch  is breaking - brain damage&lt;br /&gt;Multiple dimensions in the same shot&lt;br /&gt;Crayon fury - construction paper colors stapled on top of each other&lt;br /&gt;Morning sounds announced her awaking&lt;br /&gt;All ambiguous allthetime&lt;br /&gt;Vlc snaps 18-31 only in realist space realest space&lt;br /&gt;De la souchere - chance&lt;br /&gt;Chateau grimaldi francoise gilot life w picasso antibes&lt;br /&gt;Fresh air - rain smell&lt;br /&gt;Reassembled large fotos like puzzles - picture grams cryptophotography - her     and...&lt;br /&gt;Filmed pictures photo'd film imageries&lt;br /&gt;Correct angle of perspective looking right seeing correctly&lt;br /&gt;A diffuse protagonist the camera is the protagonist&lt;br /&gt;The eternal part of you that likes to get drunk and watch tv&lt;br /&gt;Dont see how my conduct is antithetical to our cause what destruction?&lt;br /&gt;He took love from her&lt;br /&gt;Counter rotation stasis aloft&lt;br /&gt;One channel where they can all hang out - unimedia&lt;br /&gt;Create reflective nvironment&lt;br /&gt;Her warmth goes&lt;br /&gt;they of course connect with time differently than i do&lt;br /&gt;reconcile with el train rejection&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;people writing songs in different realms (TB negotiated later) speaking from and to deeper recesses long closed over&lt;br /&gt;on the tonight show brightly illumined and confused and the words hate themseves now....&lt;br /&gt;seems magically somehow MORE subterranean&lt;br /&gt;no provocation just tents light sound excitemenet&lt;br /&gt;bent to retreive a coin&lt;br /&gt;it was else&lt;br /&gt;TECHNOLOGIES FORCED TO INTERACT&lt;br /&gt;IC recorder into dication machine&lt;br /&gt;allen&lt;br /&gt;tarr&lt;br /&gt;kusturica&lt;br /&gt;wenders&lt;br /&gt;history of my life - casanova&lt;br /&gt;a centrally located camera&lt;br /&gt;for mobile masters&lt;br /&gt;characters revolve around&lt;br /&gt;to separate dialogue&lt;br /&gt;from the space and the people&lt;br /&gt;attending it&lt;br /&gt;through editing probably&lt;br /&gt;screen segmented&lt;br /&gt;fg to bg&lt;br /&gt;different segments lit and sound recorded differently&lt;br /&gt;creating a certain galaxy....&lt;br /&gt;camera surveys youth&lt;br /&gt;approaching older lady&lt;br /&gt;talking&lt;br /&gt;"she lives in athens now,,,where she cant be gotten..."&lt;br /&gt;a letter or epitaph or photographs &lt;br /&gt;being read from a corner&lt;br /&gt;camera departs and takes in fg activity&lt;br /&gt;but VO the readings from the corner&lt;br /&gt;creates texture...&lt;br /&gt;a camera that can go anywhere&lt;br /&gt;temporally committed most times....&lt;br /&gt;he and the old lady drive down 2nd ave...&lt;br /&gt;passing improvised homes&lt;br /&gt;and those that have been there many years&lt;br /&gt;colored over a couple times&lt;br /&gt;yellow&lt;br /&gt;blue&lt;br /&gt;white&lt;br /&gt; &lt;br /&gt;where an actors brain is, in the moment&lt;br /&gt;like a novel&lt;br /&gt;temporally shifting always&lt;br /&gt;creating meaning &lt;br /&gt;a larger and larger meaningsystem&lt;br /&gt; &lt;br /&gt;the money that just sort of happens&lt;br /&gt;of course they havent the relationship with time that i have....&lt;br /&gt;twas a wiki conspiracy&lt;br /&gt;to make the entire&lt;br /&gt;world seem modernized&lt;br /&gt;and suggested the old terminal&lt;br /&gt;the various spaces&lt;br /&gt;channels&lt;br /&gt;in which&lt;br /&gt;they expose themselves&lt;br /&gt;make vulnerable&lt;br /&gt;the part of them that merely takes pictures...&lt;br /&gt;without a plan...just seeks to capture the candid, out of focus...dim...flabby....the world behind indeterminate and infinite&lt;br /&gt;early tech&lt;br /&gt; &lt;br /&gt;when zeroes and ones perished....&lt;br /&gt;without a care...&lt;br /&gt;by complete accident...&lt;br /&gt;RECOVERING ALL THAT WAS LOST&lt;br /&gt; &lt;br /&gt;ANTHOLOGIZING&lt;br /&gt;everything is real&lt;br /&gt;everything is legitimate...&lt;br /&gt; &lt;br /&gt;as big as life&lt;br /&gt; &lt;br /&gt;just not projected that way&lt;br /&gt;sometimes...&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;BIGGER N DAMN LIFE&lt;br /&gt;the airport&lt;br /&gt;ultimately &lt;br /&gt;a minor experience&lt;br /&gt; &lt;br /&gt;not a bookmark&lt;br /&gt;a watermark&lt;br /&gt;or &lt;br /&gt;a watershed&lt;br /&gt;these [particular] connections are &lt;br /&gt;actually&lt;br /&gt;always more complex and difficult&lt;br /&gt;than is imagined&lt;br /&gt; &lt;br /&gt;negotiations&lt;br /&gt;and&lt;br /&gt;respect&lt;br /&gt;drown us&lt;br /&gt;with &lt;br /&gt;dignity&lt;br /&gt;&lt;br /&gt;argument over computers definition of glib&lt;br /&gt;and a discussion over its finer points&lt;br /&gt;meanwhile&lt;br /&gt;a calcualtion of IUD vs regular birth control&lt;br /&gt;that even steadfast concrete inarguables&lt;br /&gt;were suddenly corroded and in doubt&lt;br /&gt; &lt;br /&gt;what of these revelations&lt;br /&gt;plus&lt;br /&gt;memories of textures thought lost&lt;br /&gt;the significance of immensities long ago retired&lt;br /&gt;reannointed&lt;br /&gt;were enough to send our protagonist away in the night without a second thoguth&lt;br /&gt;never looking back&lt;br /&gt;or forward&lt;br /&gt;or side to side...&lt;br /&gt;opposable digit face&lt;br /&gt;creates fluid characters&lt;br /&gt;different faces backdrops&lt;br /&gt;using non digetic background sound...&lt;br /&gt;energy...&lt;br /&gt; &lt;br /&gt;write dialogue to run over it...&lt;br /&gt;end of an epic account&lt;br /&gt;death of protag&lt;br /&gt;on the dawn of a new day&lt;br /&gt;set to dark was the night&lt;br /&gt;camera sweeps up away from death and into a rapidfire assemblage of the time to pass after...&lt;br /&gt;geechie wiley &lt;br /&gt;jospeh lamb&lt;br /&gt;ventresco&lt;br /&gt;tom turpin &lt;br /&gt;scott joplin&lt;br /&gt;&lt;br /&gt;they could smell the kiehls...&lt;br /&gt;a tub...&lt;br /&gt;pool party&lt;br /&gt;waiting for a call from WV&lt;br /&gt;uncle in coma is dead&lt;br /&gt;with familybyhim&lt;br /&gt; &lt;br /&gt;pool party in his honor.&lt;br /&gt;party movie&lt;br /&gt; &lt;br /&gt;camera is present for an orthodox suburb party&lt;br /&gt;with little expectations&lt;br /&gt;cues&lt;br /&gt;cards&lt;br /&gt;lines of dialogue&lt;br /&gt;plot points&lt;br /&gt;confederacies crumbling&lt;br /&gt; &lt;br /&gt;a new experience&lt;br /&gt;a new dimension&lt;br /&gt; &lt;br /&gt;death in the awning&lt;br /&gt;found footage&lt;br /&gt;cosmic event&lt;br /&gt;rapidly edited&lt;br /&gt;workings of space&lt;br /&gt;that transcends into the space of man&lt;br /&gt; &lt;br /&gt;a la dos x&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;tall bullies in the nite sky torment&lt;br /&gt;500 ft tall&lt;br /&gt;a reckoning&lt;br /&gt;how long can he go without noticing....&lt;br /&gt; &lt;br /&gt;our game movie&lt;br /&gt;will work...&lt;br /&gt;filling cup of warm water&lt;br /&gt;in darkened secret chamber&lt;br /&gt;with ice&lt;br /&gt; &lt;br /&gt;one tumbles to the ground&lt;br /&gt;the sound deafens us&lt;br /&gt;but we reamain with the cup and the filling&lt;br /&gt;filling cup of warm water&lt;br /&gt;in darkened secret chamber&lt;br /&gt;with ice&lt;br /&gt; &lt;br /&gt;one tumbles to the ground&lt;br /&gt;the sound deafens us&lt;br /&gt;but we reamain with the cup and the filling&lt;br /&gt;why at that point&lt;br /&gt;following coaches pre4th quarter incoherece&lt;br /&gt;why then &lt;br /&gt;do they cut to the money&lt;br /&gt;to luxury boxes?&lt;br /&gt; &lt;br /&gt;who?&lt;br /&gt;what?&lt;br /&gt;is in there?&lt;br /&gt;los angeles free press&lt;br /&gt;brian jones murdered&lt;br /&gt;granny takes a trip&lt;br /&gt;albert king&lt;br /&gt;large pictures layered on top of one another&lt;br /&gt;underneath a mosaic with certain portions removed&lt;br /&gt;a sort of code system with images&lt;br /&gt; &lt;br /&gt;overhead helicopter shots frenetic&lt;br /&gt;perhaps filming computer images&lt;br /&gt; &lt;br /&gt;solid masters&lt;br /&gt; &lt;br /&gt;large moving lateral track shots&lt;br /&gt;&lt;br /&gt;further and further elides clarity in favor of honesty&lt;br /&gt;&lt;br /&gt;his discursive space becomes more and more cluttered&lt;br /&gt;arguments are circled more and more&lt;br /&gt;&lt;br /&gt;Making Sure Wertheimer is Dead&lt;br /&gt;&lt;br /&gt;Eulogistic principle&lt;br /&gt;&lt;br /&gt;the psychology capable of creating in music such a sense of unity and elevated beauty is itself a murky disjointed dirge&lt;br /&gt;Not born&lt;br /&gt;what might "about glenn gould" sound like?&lt;br /&gt; &lt;br /&gt;would he bring the same voice?  &lt;br /&gt; &lt;br /&gt;symbolic environments&lt;br /&gt;to preserve in times of woe&lt;br /&gt;when connections are obscure&lt;br /&gt;i think its important &lt;br /&gt;before we play&lt;br /&gt;that we take pains to inform you&lt;br /&gt;that this ocean works the other way&lt;br /&gt;it will take you OUT as quickly inperceptibly and carelessly&lt;br /&gt;as most will bring you IN&lt;br /&gt;nights among the community&lt;br /&gt;when the lines are down&lt;br /&gt;and they forget the way&lt;br /&gt;quiet dark nites&lt;br /&gt;where they cant fall asleep to the dead fuzz&lt;br /&gt;&lt;br /&gt;the ideology slips backwards&lt;br /&gt;Revenant records . American primitive prewar revenants - skip james .  Wald,escaping the delta .  Hamilton in search of the blues -&lt;br /&gt;Same story twice&lt;br /&gt;Let it take effect during tonight show&lt;br /&gt;Nearing&lt;br /&gt;Midnight portion in which their lineage is constructed - original size images&lt;br /&gt;Sounds of newspaper battling dishwashing battling planes overhead - the place where all media meet and hang out&lt;br /&gt;Transposed all into order a giant party&lt;br /&gt;Brentano husserl logical investigations&lt;br /&gt;Their warm 3 tiered cradle a bad lie&lt;br /&gt;Their warm 3 tiered cradle a bad lie&lt;br /&gt;The creation of an enemy to unify masses - the document of that thing - the ultimate document&lt;br /&gt;Maquia dora&lt;br /&gt;Not to say it but to hear it said said he&lt;br /&gt;Where in a film the consequences are real&lt;br /&gt;The kitchen gets messy&lt;br /&gt;A certain disorganization - perspective -&lt;br /&gt;Leaves constant unreconciled questions or the beginning of a question&lt;br /&gt;Freckle of epoch  is breaking - brain damage&lt;br /&gt;Multiple dimensions in the same shot&lt;br /&gt;Crayon fury - construction paper colors stapled on top of each other&lt;br /&gt;Morning sounds announced her awaking&lt;br /&gt;All ambiguous allthetime&lt;br /&gt;Vlc snaps 18-31 only in realist space realest space&lt;br /&gt;De la souchere - chance&lt;br /&gt;Chateau grimaldi francoise gilot life w picasso antibes&lt;br /&gt;Fresh air - rain smell&lt;br /&gt;Reassembled large fotos like puzzles - picture grams cryptophotography - her     and...&lt;br /&gt;Filmed pictures photo'd film imageries&lt;br /&gt;Correct angle of perspective looking right seeing correctly&lt;br /&gt;A diffuse protagonist the camera is the protagonist&lt;br /&gt;The eternal part of you that likes to get drunk and watch tv&lt;br /&gt;Dont see how my conduct is antithetical to our cause what destruction?&lt;br /&gt;He took love from her&lt;br /&gt;Counter rotation stasis aloft&lt;br /&gt;One channel where they can all hang out - unimedia&lt;br /&gt;Create reflective nvironment&lt;br /&gt;Her warmth goes&lt;br /&gt;they of course connect with time differently than i do&lt;br /&gt;reconcile with el train rejection&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;people writing songs in different realms (TB negotiated later) speaking from and to deeper recesses long closed over&lt;br /&gt;on the tonight show brightly illumined and confused and the words hate themseves now....&lt;br /&gt;seems magically somehow MORE subterranean&lt;br /&gt;no provocation just tents light sound excitemenet&lt;br /&gt;bent to retreive a coin&lt;br /&gt;it was else&lt;br /&gt;TECHNOLOGIES FORCED TO INTERACT&lt;br /&gt;IC recorder into dication machine&lt;br /&gt;allen&lt;br /&gt;tarr&lt;br /&gt;kusturica&lt;br /&gt;wenders&lt;br /&gt;history of my life - casanova&lt;br /&gt;a centrally located camera&lt;br /&gt;for mobile masters&lt;br /&gt;characters revolve around&lt;br /&gt;to separate dialogue&lt;br /&gt;from the space and the people&lt;br /&gt;attending it&lt;br /&gt;through editing probably&lt;br /&gt;screen segmented&lt;br /&gt;fg to bg&lt;br /&gt;different segments lit and sound recorded differently&lt;br /&gt;creating a certain galaxy....&lt;br /&gt;camera surveys youth&lt;br /&gt;approaching older lady&lt;br /&gt;talking&lt;br /&gt;"she lives in athens now,,,where she cant be gotten..."&lt;br /&gt;a letter or epitaph or photographs &lt;br /&gt;being read from a corner&lt;br /&gt;camera departs and takes in fg activity&lt;br /&gt;but VO the readings from the corner&lt;br /&gt;creates texture...&lt;br /&gt;a camera that can go anywhere&lt;br /&gt;temporally committed most times....&lt;br /&gt;he and the old lady drive down 2nd ave...&lt;br /&gt;passing improvised homes&lt;br /&gt;and those that have been there many years&lt;br /&gt;colored over a couple times&lt;br /&gt;yellow&lt;br /&gt;blue&lt;br /&gt;white&lt;br /&gt; &lt;br /&gt;where an actors brain is, in the moment&lt;br /&gt;like a novel&lt;br /&gt;temporally shifting always&lt;br /&gt;creating meaning &lt;br /&gt;a larger and larger meaningsystem&lt;br /&gt; &lt;br /&gt;the money that just sort of happens&lt;br /&gt;of course they havent the relationship with time that i have....&lt;br /&gt;twas a wiki conspiracy&lt;br /&gt;to make the entire&lt;br /&gt;world seem modernized&lt;br /&gt;and suggested the old terminal&lt;br /&gt;the various spaces&lt;br /&gt;channels&lt;br /&gt;in which&lt;br /&gt;they expose themselves&lt;br /&gt;make vulnerable&lt;br /&gt;the part of them that merely takes pictures...&lt;br /&gt;without a plan...just seeks to capture the candid, out of focus...dim...flabby....the world behind indeterminate and infinite&lt;br /&gt;early tech&lt;br /&gt; &lt;br /&gt;when zeroes and ones perished....&lt;br /&gt;without a care...&lt;br /&gt;by complete accident...&lt;br /&gt;RECOVERING ALL THAT WAS LOST&lt;br /&gt; &lt;br /&gt;ANTHOLOGIZING&lt;br /&gt;everything is real&lt;br /&gt;everything is legitimate...&lt;br /&gt; &lt;br /&gt;as big as life&lt;br /&gt; &lt;br /&gt;just not projected that way&lt;br /&gt;sometimes...&lt;br /&gt; &lt;br /&gt; &lt;br /&gt; &lt;br /&gt;BIGGER N DAMN LIFE&lt;br /&gt;the airport&lt;br /&gt;ultimately &lt;br /&gt;a minor experience&lt;br /&gt; &lt;br /&gt;not a bookmark&lt;br /&gt;a watermark&lt;br /&gt;or &lt;br /&gt;a watershed&lt;br /&gt;these [particular] connections are &lt;br /&gt;actually&lt;br /&gt;always more complex and difficult&lt;br /&gt;than is imagined&lt;br /&gt; &lt;br /&gt;negotiations&lt;br /&gt;and&lt;br /&gt;respect&lt;br /&gt;drown us&lt;br /&gt;with &lt;br /&gt;dignity&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4221812647660645064?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4221812647660645064'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4221812647660645064'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/06/argument-over-computers-definition-of.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4314916615884185887</id><published>2010-03-24T14:09:00.000-07:00</published><updated>2010-03-24T14:44:51.487-07:00</updated><title type='text'></title><content type='html'>&lt;a href="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qGi3eUnGI/AAAAAAAAAR8/l1NDmK8HCmA/s1600/mtvomit.JPG"&gt;&lt;img style="WIDTH: 134px; HEIGHT: 200px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452318232450210914" border="0" alt="" src="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qGi3eUnGI/AAAAAAAAAR8/l1NDmK8HCmA/s200/mtvomit.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;wake up&lt;br /&gt;juice cereal&lt;br /&gt;wash face brush&lt;br /&gt;stretch 2 hrs contemplation of line and form and color and space and&lt;br /&gt;shape independent refection&lt;br /&gt;only write afterwards&lt;br /&gt;as the channels change its really just a gigantic narrative lumbering&lt;br /&gt;on further down the road....what would that entire live transmission&lt;br /&gt;60 yrs old....what exemplifies that feed?&lt;br /&gt;we lost him completely on the internet...where even is he?&lt;br /&gt;and meanwhile that one outre sect continues their strangely gentle&lt;br /&gt;horsesassery around the circuits of the compoiund....their approaches&lt;br /&gt;methods strategies are all entirely beyond reconciliation....&lt;br /&gt;destruction of sense of autonomy perhaps answers are made for you by&lt;br /&gt;another body...can't control them and cannot identify when these&lt;br /&gt;violations have occurred.&lt;br /&gt;mainstream film screening sabotaged the experience of it being seen in&lt;br /&gt;a particular environment and a particular context certain degrees of&lt;br /&gt;intervention how wildly can the narrative be skewed...?&lt;br /&gt;a situation....toward new journalism&lt;br /&gt;a situation an event somesuch incident with multiple aspects deserving attention&lt;br /&gt;one lone videoman he wanders around trying to remain in the epicenter&lt;br /&gt;even as he cant tell where it is&lt;br /&gt;ultimately its him in the backyard talking about sports with two&lt;br /&gt;stoned lovers violent screams of murder come from gardenhouse beyond&lt;br /&gt;journalistic responsibility...&lt;br /&gt;a movie assembled only from the empty vacant expository moments used&lt;br /&gt;to create a little dimension and texture our favorite thing howeever&lt;br /&gt;turned upon itself...a portrait of people constantly besieged by&lt;br /&gt;halfie sequences wherein they do battle with their own lukewarm semi&lt;br /&gt;vacancies of character whose exposition for some reason is always&lt;br /&gt;ESSENTIALLY labored we share a feeling for texture and dimension but&lt;br /&gt;we employ them dichotomously....lets figure that out&lt;br /&gt;2 hr narrative of peripheral characters carving out the space they&lt;br /&gt;need to support the overarchstory BUT there isnt an overarch...all&lt;br /&gt;nebulous periphery...a bunch of cheaply spied sides....and try to make&lt;br /&gt;it a full picture and find the love for the poor boy....&lt;br /&gt;Crazy community multimedia disorientation station&lt;br /&gt;People moving around in "environments of arranged light ".&lt;br /&gt;If someone from one time could communicate directly with someone from another time.&lt;br /&gt;W tech.nology.&lt;br /&gt;Riding in a future&lt;br /&gt;Cab.&lt;br /&gt;Books explore corners and margins&lt;br /&gt;Evildoers. Not of action but of influence.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qGiUxukPI/AAAAAAAAAR0/uNl8pUZN5Ys/s1600/xti1020+096.jpg"&gt;&lt;img style="WIDTH: 200px; HEIGHT: 134px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452318223136362738" border="0" alt="" src="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qGiUxukPI/AAAAAAAAAR0/uNl8pUZN5Ys/s200/xti1020+096.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/S6qCWlNceAI/AAAAAAAAARs/yaKCikMIn7I/s1600/_MG_2592.jpg"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Homestead act 1862.&lt;br /&gt;Stomach Island&lt;br /&gt;think of a memorable experience&lt;br /&gt;i want three essays&lt;br /&gt;1 your reminisences of the experience narratived from a first person&lt;br /&gt;persepctive....what happened? subjective objective&lt;br /&gt;2 objective&lt;br /&gt;3 a purely subjective account...embellishments, lies, the best&lt;br /&gt;version of the story....?&lt;br /&gt;the negation of objective possibilities&lt;br /&gt;a static camera captures the entirety of the proceedings adequately&lt;br /&gt;mic'd....but still nothing concrete can be taken away....&lt;br /&gt;especially when only one individual captures their OWN actions...&lt;br /&gt;in love with the notion of objectivity....but its a lie and impossible...&lt;br /&gt;perhaps its that impossible perspective...&lt;br /&gt;or the other way round?&lt;br /&gt;IMMEDIATE VISIBILITY!&lt;br /&gt;to articulate intermedia complications requires forever&lt;br /&gt;can never disregard a step in their frequently misguided off the&lt;br /&gt;reservation efforts....if it results in new perspective....&lt;br /&gt;all the wonderful shots they have of their own miscalcualted failures&lt;br /&gt;i just wanted to know if the utter failure was individual or collective?&lt;br /&gt;all these media briefly autonomous and alive&lt;br /&gt;or&lt;br /&gt;suddenly in collaboration with a separate accessory expanding the lens&lt;br /&gt;looking further forward back&lt;br /&gt;LISTEN to teh premises furthered on last nites pool side experiments&lt;br /&gt;prep sessions...&lt;br /&gt;so long filming themselves filiming themselves it became a mirror and&lt;br /&gt;annihilated....&lt;br /&gt;they did create their NEW perspective....and it ate them whole&lt;br /&gt;independent sources through which we can measure time....&lt;br /&gt;a certain objective measure....always damning....&lt;br /&gt;certain favored visual documents, movies, homemade shit were run on&lt;br /&gt;loop and subjects could measure their own activities against the&lt;br /&gt;progress of the filmed work&lt;br /&gt;a sort of multimedia hourglass....&lt;br /&gt;but sometimes they got tangled&lt;br /&gt;or atleast IT got twisted...&lt;br /&gt;future dystopia national park&lt;br /&gt;two lovers have thanksgiving dinner in the diner&lt;br /&gt;each walk to a different base of teh same hill are issued a pill by a&lt;br /&gt;goat they pop it glug....&lt;br /&gt;find each other at teh summit magically ready to consummate&lt;br /&gt;their processes biological are all jumpstarted&lt;br /&gt;bodyhacking...control process and chemical reaction....can arrange&lt;br /&gt;circumstance and incidence&lt;br /&gt;social engineering control....&lt;br /&gt;drugs used as control....&lt;br /&gt;they all register smiles....the smiles are marched off to labor camps...&lt;br /&gt;arrange situations wherein the process you order up is contextualized&lt;br /&gt;as leader sees fit and he can infact create perspective and&lt;br /&gt;knowledge.....distorting minds into constituents...&lt;br /&gt;when drugs stopped being theirs....&lt;br /&gt;the night drugs were stolen away&lt;br /&gt;all the blank spaces&lt;br /&gt;do we maintain them?&lt;br /&gt;or fill them in furiously..?&lt;br /&gt;where did you go....&lt;br /&gt;she disappears when hes not around....&lt;br /&gt;i wont tell you&lt;br /&gt;the blank spaces are for your art....&lt;br /&gt;yr silly search for clarity you cant possess....&lt;br /&gt;people on TV are trying so hard....still failing to maintain fabric...&lt;br /&gt;paranoid sound environment&lt;br /&gt;maybe hes just pretending friendship&lt;br /&gt;pretending to be your friend&lt;br /&gt;theres a spook a deceiver aspect...&lt;br /&gt;but theres also the tender aspect of friendship&lt;br /&gt;negotiate the divide&lt;br /&gt;how can you believe ANYTHING?&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://1.bp.blogspot.com/_Xexb5Teznpg/S6qCWGCgg0I/AAAAAAAAARk/obujz481S2Q/s1600/_MG_2621.jpg"&gt;&lt;img style="WIDTH: 200px; HEIGHT: 134px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452313614975271746" border="0" alt="" src="http://1.bp.blogspot.com/_Xexb5Teznpg/S6qCWGCgg0I/AAAAAAAAARk/obujz481S2Q/s200/_MG_2621.jpg" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt;&lt;br /&gt;a picturebox within it a camera moving freely lights randomly fire and die&lt;br /&gt;illuminating various parts of an image animating an image or a collage...&lt;br /&gt;Site of so many beauty experiments. Hair chokes the drain.&lt;br /&gt;Or 360 of photographs tacked on the wall that create an environment and then combined w other imagery.&lt;br /&gt;Long takes possibly 360• of arranged still life installation spaces distorted rephotographed and combined with other imagery superimposed.&lt;br /&gt;Brief flashes of kinetic picmovie interspersed with ongoing static or slowmoving sequence.&lt;br /&gt;He was finally in possession of something of great potency.&lt;br /&gt;A series of photographs distorted and not slowly shuffled thru on bice television. Superimpose picturemovie panning back and forth.&lt;br /&gt;At which point his stupid looking car appeared.&lt;br /&gt;Coot mcgoot the bonerhole: monologue in five acts. I really cared about u.&lt;/div&gt;&lt;div&gt; &lt;/div&gt;&lt;div&gt; &lt;a href="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qCVh3JHNI/AAAAAAAAARc/oPDPKutq0V0/s1600/xti1020+110.jpg"&gt;&lt;img style="WIDTH: 200px; HEIGHT: 134px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452313605263924434" border="0" alt="" src="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qCVh3JHNI/AAAAAAAAARc/oPDPKutq0V0/s200/xti1020+110.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;Millionaire dweeb screenwriting homework frame tale.&lt;br /&gt;To force the articulation of it's crooked tongue&lt;br /&gt;Essay in contradictory imagery. Or imagery in opposition to the text.&lt;br /&gt;Pablo Casals.&lt;br /&gt;Great recordings of the century.&lt;br /&gt;he wrote furiously and intuitively on every subject, about things he&lt;br /&gt;loved, things he despised, things he was ambivalent about looking&lt;br /&gt;desperately for resolution. inevitably tripped up, his rhetoric&lt;br /&gt;obscured ultimately by that tired exhausted exploration of analysis&lt;br /&gt;itself. unnecessary embellishements elaborations upon themselves&lt;br /&gt;beating everything to death...&lt;br /&gt;how to distill? condense? not simplify or reduce or abridge....&lt;br /&gt;Films about units. 360 portraits. Annihilate biased perspectives.&lt;br /&gt;A film that follows a spatial progression. Each shot focalizes discreetly the location that is to follow.&lt;br /&gt;Fails to express discord. Excuse me Michael neige what the fuck are we doing?&lt;br /&gt;Playing in humanitys open sewer. I don't give a fuck about yr war or yr satire.&lt;br /&gt;Arms may link about their elbows but can we draw this line between?&lt;br /&gt;Verses for a cow lost in a wyoming blizzard in 1888.&lt;br /&gt;Scream over the expanse. Listen to it persist across leagues.&lt;br /&gt;Inserts of peripheral characters goings on. Maybe a flash as introduction to a scene. Or a narrative detour a scene unto itself.&lt;br /&gt;A sense of boundless time and energy. Failed maybe by distance.&lt;br /&gt;Distant surveilled imagery w explanatory narration.&lt;br /&gt;Brief cuts to black within a scene.&lt;br /&gt;The collapse of an (their) aesthetic.&lt;br /&gt;A thing Seen is not always a thing Remembered.&lt;br /&gt;Do you teach war?&lt;br /&gt;I want to. With you. He said. He reserved all judgment always knowing it's complete absurdity. When rain abused and punished everything toward horrified mercy.&lt;br /&gt;The look on his face was smiling, uncritical.&lt;br /&gt;He had memoranda on everyone. Thoroughly documented but full of poetry license and editorials.&lt;br /&gt;He'd slip them a blank file first or merely pictures and dates or items of significance. Then later he'd fill in all the intimate details. It went from secret to completely illuminated.&lt;br /&gt;Camera wanders. As though it's administrator of the chaos.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qCVJVLIQI/AAAAAAAAARU/jieZ0oCBei0/s1600/greenpatch.jpg"&gt;&lt;img style="WIDTH: 200px; HEIGHT: 134px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452313598678999298" border="0" alt="" src="http://4.bp.blogspot.com/_Xexb5Teznpg/S6qCVJVLIQI/AAAAAAAAARU/jieZ0oCBei0/s200/greenpatch.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;Two (3?) things:&lt;br /&gt;1) I love you guys at Reverseshot, you provide both perspective and&lt;br /&gt;access (at least to me) unavailable elsewhere.&lt;br /&gt;2) Whenever a mainstream release has a delayed appraisal from you guys&lt;br /&gt;lately it seems to wear the clothes of a movie chewed and re-chewed,&lt;br /&gt;juggled both are the movie itself and its response at large-- a gift&lt;br /&gt;provided by the weeks elapsed between its wide release and your&lt;br /&gt;reaction. Bruno (a film, admittedly in some respects, truly profound)&lt;br /&gt;springs to mind. Sometimes things at RS seem doggedly&lt;br /&gt;against-the-wind-against-the-wind. Avatar, for instance, is&lt;br /&gt;precarious. It's been an enormous smash and I can't argue with the&lt;br /&gt;appeal of any movie that galvanizes the entire filmgoing public in a&lt;br /&gt;way that no film since Cameron's previous has been able to, but to me&lt;br /&gt;(despite any film commerce forecasting we can inscribe upon it)&lt;br /&gt;nothing can repair its across-the-board ineptitude. Cameron's course&lt;br /&gt;(to me) has been true until now, but Avatar is the site of total&lt;br /&gt;collapse for everything he has represented.. He's always aspired to&lt;br /&gt;"mounting something HUGE" but he has finally drowned himself by trying&lt;br /&gt;to mount something revolutionary. Subjectively, Avatar's effects were&lt;br /&gt;underwhelming which may have been forgivable had everything else not&lt;br /&gt;been objectively VOID. Pandora felt hollow and two-dimensional to&lt;br /&gt;me--I kept waiting for Sam Worthington to run into a wall of trees and&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;continue his stride in vain as the Cameron-designed absurd camera rig&lt;br /&gt;desperately explored his digital enclosure. Perhaps the technology's&lt;br /&gt;deficiency would've been negligible or moot had its surrounding&lt;br /&gt;pageant not been positively absent. Maybe I'm knee-jerk because I was&lt;br /&gt;the rare RS-esque filmgoer who went into Avatar expecting something&lt;br /&gt;significant. As a gesture of concession I must say, Hype can destroy&lt;br /&gt;(I was 11 when Twister came out) and the fact that it only inflames&lt;br /&gt;Cameron vehicles is indeed evidence of...something. But, despite&lt;br /&gt;its smug pandery, I liked Up in the Air far more than Avatar.&lt;br /&gt;3) To (even ambivalently) suggest a superiority (beyond ABSOLUTE&lt;br /&gt;SPECTACLE) of Cameron to Spielberg in some way bestows a certain&lt;br /&gt;economy upon Spielberg's methods that is most certainly ridiculous but&lt;br /&gt;probably, even more to the point, true.&lt;br /&gt;Of course, I don't know and I've yet to be content in my own reactions&lt;br /&gt;to Avatar; certainly a credit to its splintery complexity. Maybe its&lt;br /&gt;good that a Hollywood movie places itself at the intersection of&lt;br /&gt;"everything."&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;Britt Robisheaux Avatar was visually stunning and full of shit. The&lt;br /&gt;white guy makes everything better. Bullshit. I guess is was supposed&lt;br /&gt;to be some sort of social commentary on the rape and pillage of the&lt;br /&gt;earth and people who "aren't as smart of privileged" as americans.&lt;br /&gt;Maybe I just don't get it.Yesterday at 10:31pm · Comment ·LikeUnlike ·&lt;br /&gt;View Feedback (13)Hide Feedback (13)Al Roach likes this.&lt;br /&gt;Seth Brewton The whole story is actually Disney's Pocahontas. I have proof.&lt;br /&gt;11 hours agoBritt Robisheaux I feel that. Or maybe even the adult&lt;br /&gt;version of Fern Gully.&lt;br /&gt;11 hours agoSeth Brewton Yeah. Def a blend. But to be fair, I haven't&lt;br /&gt;seen avatar. Or fern gully. Pretty sure it'll be my titanic 2.0, cause&lt;br /&gt;I never saw that either. But you know they're gonna play that avatar&lt;br /&gt;shiz in 9th grade geography classes when ever it hits bluray. Cause&lt;br /&gt;it's 'greeeeen'.&lt;br /&gt;11 hours agoBritt Robisheaux HAAAAAA!&lt;br /&gt;11 hours agoBritt Robisheaux Sooo true!&lt;br /&gt;11 hours agoSeth Brewton 21st century digital people.&lt;br /&gt;11 hours agoJc Shumate I thought it was anti-Amurrican. Doesn't really&lt;br /&gt;matter either way. We just financed James Cameron's sandbox. And it&lt;br /&gt;wasn't even fun.&lt;br /&gt;10 hours ago · Alisa Livingstone Any movie where the military has to&lt;br /&gt;come in to make things better ( while we are also at war in real life)&lt;br /&gt;ridunkulous! Transformers was good right up to the point where the&lt;br /&gt;military commandos come in ;( so sad!&lt;br /&gt;2 hours agoBritt Robisheaux Yeah. There were like five military ads&lt;br /&gt;before the movie too!&lt;br /&gt;2 hours agoAlisa Livingstone gross&lt;br /&gt;about an hour agoJc Shumate In the version of Avatar that I saw the&lt;br /&gt;military (a band of Blackwater-esque corporate mercenaries with no&lt;br /&gt;governmental affiliation) were unambiguously painted as evil soulless,&lt;br /&gt;murdering bastards. The "good guys" were white scientists, white&lt;br /&gt;people who turn blue using science and then real "blue people." Maybe&lt;br /&gt;that was unique to the Imax version...&lt;br /&gt;See More&lt;br /&gt;? And granted, whitedude intervention was necessary but only in an&lt;br /&gt;effort to rid the planet of white people. Since you seem to hate white&lt;br /&gt;people that seems like a premise you could be down with. I can't&lt;br /&gt;believe you made me "sort of" defend such a thoroughly idiotic movie.&lt;br /&gt;I will concede that a lot of people are stupid and a lot of people&lt;br /&gt;have seen Avatar and at the end of the day it was still most certainly&lt;br /&gt;warporn despite its contrived shade of green. When's the last time a&lt;br /&gt;movie galvanized all the world's eggheads, from Portland, OR to Fort&lt;br /&gt;Hood, TX?&lt;br /&gt;55 minutes ago · Clint Niosi I thought it was Dances With Wolves +&lt;br /&gt;Fern Gully + Starship Troopers...only in wasn't a smooth blend. It&lt;br /&gt;came out forced and contrived. It looked cool though.&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;div&gt;&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/S6qCUnk8rEI/AAAAAAAAARM/1qRqTpdm5yU/s1600/burningfarm.jpg"&gt;&lt;img style="WIDTH: 200px; HEIGHT: 134px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452313589618355266" border="0" alt="" src="http://3.bp.blogspot.com/_Xexb5Teznpg/S6qCUnk8rEI/AAAAAAAAARM/1qRqTpdm5yU/s200/burningfarm.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;institutional prejudice&lt;br /&gt;do we even have an basis for evaluating the relevance of white bias in&lt;br /&gt;the post-static racial identity age? he turned blue, is his heart&lt;br /&gt;still white? and he had to abandon his whiteness to achieve goals...&lt;br /&gt;one could say he wasnt actualized until he stopped being white...&lt;br /&gt;escape paradigms...never be reactionary...&lt;br /&gt;once you state a position you're forever defending and fortifying it&lt;br /&gt;and real analysis perishes....&lt;br /&gt;critique cuts every which direction, context always shifts, point of&lt;br /&gt;view is dynamic, ultimately one who argues is an asshole...and is&lt;br /&gt;mainly arguing with himself.&lt;br /&gt;its always come down to wrangling the most support, whoever has the&lt;br /&gt;most benedict arnolds usually wins. the traitor is the crucible...&lt;br /&gt;bottomless depths of critical analysis&lt;br /&gt;lonely objective landscape and architecture shots juxtaposed with&lt;br /&gt;letters and documents and found photographs....&lt;br /&gt;They saw video of themselves drinking mightily from faucets which dispensed freely oh liquid clarity. And turkey dinners and trimmings.&lt;br /&gt;projecting light onto a filmed screen&lt;br /&gt;drawing pictures and shapes and color onto projected&lt;br /&gt;transparency....the batsignal! on the projected light&lt;br /&gt;and then distorting it....cool effect?&lt;br /&gt;the introduction of uncertain space&lt;br /&gt;Of those who learn to transcend pain.&lt;br /&gt;Embed different experimental methods within a tracking shot. Cutaways.&lt;br /&gt;using superimposed picmovie over one to merely complement the dominant&lt;br /&gt;one with lightplays...&lt;br /&gt;an underscoring lightshow...&lt;br /&gt;create a flickering within a deliberately assembled&lt;br /&gt;picturemovie...wild flashes etc...&lt;br /&gt;old man dies in costume on halloween&lt;br /&gt;hes a better lover when hes drunk&lt;br /&gt;stark cutout kinetic micronarratives for superimposition&lt;br /&gt;stark cutout photography of significant dynamic action to be used to&lt;br /&gt;superimpose over another picture movie,,,,&lt;br /&gt;a purely observational handheld walking camera....&lt;br /&gt;something is discussed and the camera walks away and observes the&lt;br /&gt;thing being discussed while dialogue or action occurs off camera&lt;br /&gt;Silouhetted figure in front of tv on which there are videotaped manufactured landscapes&lt;br /&gt;Don't continue to be swayed by things false, horrible and horribly false.&lt;br /&gt;8 fps camera wanders cut rapidly together&lt;br /&gt;paint a long black (or multicolored) line meander film it in CU&lt;br /&gt;against white, superimpose it against another&lt;br /&gt;imagesystem...interesting...?&lt;br /&gt;Suburban express. We were bopping along, harassing GIs and whatnot.&lt;br /&gt;His objective: definitively access the time thru song film art news and construct viable memory which might transport him. A suicide.&lt;br /&gt;invented names: a catalogue&lt;br /&gt;A quadsplit screen. 1 screen animation. 3 live action. Study integration and interaction.&lt;br /&gt;Activities like gunshooting. Wax installations of their families in peril. Beyond illumination and reflection and toward ideal.&lt;br /&gt;Marry audio of one movie to visuals of another. Toward mockery.&lt;br /&gt;What about when allegory departs it's historical precedent frame?&lt;br /&gt;Camera monitors difficulty of typing meaningfully when drunk. Typos and all.&lt;br /&gt;Spoken over deliberately paced photomontage of party images; if I was a part of it I would care for it.&lt;br /&gt;That they live a mere cul de sac apart: the rmbrarrassing discovery of someones teenaged memoirs in their infancy.&lt;br /&gt;Move away from an absolute random assembly frame of mind toward a more production oriented one.&lt;br /&gt;The excitement possible from pure contrivance. Dangling elegantly adjacent to narrative. A necessary accessory.&lt;br /&gt;To grant no authority over meaning to external or transient forces.&lt;br /&gt;The formative years whose connective tissue was supposed to evaporate altogether instead because of technology reappesred like so many reinvigorated ghosts.&lt;br /&gt;A construction of imaginary utopian zones thru image compositing. Key word imaginary. Becomes merely the pursuit of utopian images self made.&lt;br /&gt;Drunk stupid on a million years of nothing happening.&lt;br /&gt;Develop an ideal diy portable media production setup cache.&lt;br /&gt;Create a modulated protestEngine that would behave as a sounding board refining and gratifying his own reflections.&lt;br /&gt;He would fill a cup with ice and drink the melted remains before bed.&lt;br /&gt;Create giant multimedia mazes. And explore from different vantages.&lt;br /&gt;He tested the recorded images against his own squinty recollections to confirm trueness.&lt;br /&gt;Videosoundscape.&lt;br /&gt;A perfect voyeur vantage. He had the most intimate details like he was right there even in our own heads. Am interview with the police regarding mystery figure with total access.&lt;br /&gt;Subsvrubers to a false reality.&lt;br /&gt;Different breeds of noise.&lt;br /&gt;Where is my magic cup? It gets me drunk.&lt;br /&gt;Like untangling video game controllers as a kid.&lt;br /&gt;Casual discussion of fastfood places eaten at on a roadtrip. Pita pit in great falls.&lt;br /&gt;Apocalypse now is astounding because if it's extreme immersion. It's absolute lack of interest in being anywhere else.&lt;br /&gt;Fact(ish): it is astounding the amount of sustained abuse that is required to inflict significant damage to your body.&lt;br /&gt;A consciousness of structural institutional typographical corrections. Cinematic ways of presenting text: exhaustive montage of peripheral dialogue snatches underscored by significant narrative incident itself seemingly peripheral.&lt;br /&gt;A horribly long description of a T E M P L A T E... Intermittently brief glimpses from a warzone. Long verbal descriptions of perspective. Long confused videoart montages a sort of jogging of sensibilities or a reset button for visual palette of a filmed essay.&lt;br /&gt;Within giant collage narrative artbook a bunch of crude biographies with strange poetic figressions.&lt;br /&gt;121&lt;br /&gt;A gift for recognizing both--because they are often sometimes distinct-- the salient and critical items of ones own time.&lt;br /&gt;For me apartheid existed as a baseline allegorical premise a couching as it were of purpose never to be significantly developed and as such ultimately invisible save for a certain structural device.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4314916615884185887?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4314916615884185887'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4314916615884185887'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/03/wake-up-juice-cereal-wash-face-brush.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Xexb5Teznpg/S6qGi3eUnGI/AAAAAAAAAR8/l1NDmK8HCmA/s72-c/mtvomit.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-8085625280682240129</id><published>2010-03-24T13:58:00.000-07:00</published><updated>2010-03-24T14:08:57.229-07:00</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;br /&gt;perhaps its that impossible perspective... &lt;a href="http://1.bp.blogspot.com/_Xexb5Teznpg/S6p_JJy8LBI/AAAAAAAAARE/sAlKz5Gt3As/s1600/_MG_6872.JPG"&gt;&lt;img style="WIDTH: 200px; HEIGHT: 134px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5452310094110534674" border="0" alt="" src="http://1.bp.blogspot.com/_Xexb5Teznpg/S6p_JJy8LBI/AAAAAAAAARE/sAlKz5Gt3As/s200/_MG_6872.JPG" /&gt;&lt;/a&gt;&lt;br /&gt;or the other way round?&lt;br /&gt;IMMEDIATE VISIBILITY!&lt;/div&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt; &lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-8085625280682240129?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8085625280682240129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8085625280682240129'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2010/03/perhaps-its-that-impossible-perspective.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Xexb5Teznpg/S6p_JJy8LBI/AAAAAAAAARE/sAlKz5Gt3As/s72-c/_MG_6872.JPG' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4725025440919044087</id><published>2009-09-18T09:19:00.000-07:00</published><updated>2009-09-18T09:36:48.955-07:00</updated><title type='text'></title><content type='html'>&lt;div&gt;&lt;a href="http://farm4.static.flickr.com/3423/3923388921_dd60451f30_b.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 806px; CURSOR: hand; HEIGHT: 1026px" alt="" src="http://farm4.static.flickr.com/3423/3923388921_dd60451f30_b.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://farm3.static.flickr.com/2472/3924162494_e191a3de9d_o.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 536px; CURSOR: hand; HEIGHT: 446px" alt="" src="http://farm3.static.flickr.com/2472/3924162494_e191a3de9d_o.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a href="http://farm4.static.flickr.com/3456/3923385929_9dcab1eeb2_b.jpg"&gt;&lt;img style="FLOAT: left; MARGIN: 0px 10px 10px 0px; WIDTH: 774px; CURSOR: hand; HEIGHT: 948px" alt="" src="http://farm4.static.flickr.com/3456/3923385929_9dcab1eeb2_b.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;baroque music cues arrive and depart arbitrarily.&lt;br /&gt;powerstrips&lt;br /&gt;megaphone&lt;br /&gt;batteries&lt;br /&gt;electricity&lt;br /&gt;shanty construction&lt;br /&gt;CAMERA&lt;br /&gt;approaching figure&lt;br /&gt;camera circles from a distance&lt;br /&gt;allowing environments context&lt;br /&gt;--still life, 2006 jia zhang-ke&lt;br /&gt;my neighbors are falling out of love&lt;br /&gt;not a newspaper; a notebook&lt;br /&gt;OC fight&lt;br /&gt;i think ill tell him how ive fallen out of love with him&lt;br /&gt;&lt;a title="scan0029" href="http://www.flickr.com/photos/stomachisland/3923442503/"&gt;&lt;/a&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;music cues change from rosy to ominous within the same pan&lt;br /&gt;tape record 38:30 in still life&lt;br /&gt;sound archives&lt;br /&gt;locate AND OR create&lt;br /&gt;little keyboard&lt;br /&gt;little amp&lt;br /&gt;little pedal&lt;br /&gt;serge daney&lt;br /&gt;a notebook film&lt;br /&gt;hushed reminiscences&lt;br /&gt;images&lt;br /&gt;and the one thing they share&lt;br /&gt;that binds them all&lt;br /&gt;the presence of a camera&lt;br /&gt;lots of crayons&lt;br /&gt;a prearranged stable of sequenced images&lt;br /&gt;resolves crises / anxieties of accountability&lt;br /&gt;Miniature motor color tests&lt;br /&gt;TV image advertisements&lt;br /&gt;superimposed over imagery of tv room activity&lt;br /&gt;a perfect picture&lt;br /&gt;a circus&lt;br /&gt;for the multitudes&lt;br /&gt;of middleclass marrieds&lt;br /&gt;falling asleep to the tv&lt;br /&gt;a perfect picture&lt;br /&gt;a circus&lt;br /&gt;for the multitudes&lt;br /&gt;of middleclass marrieds&lt;br /&gt;falling asleep to the tv&lt;br /&gt;anxiety regarding the actual capturing of these images&lt;br /&gt;&lt;br /&gt;continuous photo seems more akin to the process as it was once known and was first understood&lt;br /&gt;THE CONSTANT YAMMERING OF ADVERTISERS...&lt;br /&gt;&lt;br /&gt;THE ABILITY TO CAPTURE THE TEMPERATURE IN A ROOM BEING SUBJECTED TO PREARRANGED MEDIA&lt;br /&gt;PROJECTION&lt;br /&gt;&lt;br /&gt;AND ON THE FLY PICMOVIES FOR INSERTS AND PROMOS...THE HEAD MONITOR TO BE PHOTOGRAPHED...PLUS A STABLE OF ERRONEOUS IMAGERY AND CONFUSION TO BE INTERMIXED AND CREATE THE IDEAL PROMO....&lt;br /&gt;&lt;br /&gt;SEE FILM MADE TONITE&lt;br /&gt;THE WHOLE OF THE MEDIA TANGLES AND ENVELOPES UPON ITSELF IN SEEMINGLY RANDOM REFERENCE&lt;br /&gt;BUT THEYRE ALL BOUND TOGETHER ULTIMATELY....&lt;br /&gt;&lt;br /&gt;TAPE RECORDER OF AUDIO&lt;br /&gt;CAMERA SILENT ON TV&lt;br /&gt;CAMERA ON THE ROOM&lt;br /&gt;AND A FREE CAMERA EXPLORING&lt;br /&gt;AND LEARNING&lt;br /&gt;SYNTHESIZE...&lt;br /&gt;Thedimensionsthingstakeon chuknow?&lt;br /&gt;And love too - donot forget it - it is love!&lt;br /&gt;And love too - donot forget it - it is love!And maybe el color azul that of good skies and bad oceanz - we we wewe need for everything plus drogas&lt;br /&gt;WHAT IT WAS THAT THEY COULD BROADCAST 24 HRES A DAY TO KEEP PEOPLE FROM SLEEPING&lt;br /&gt;&lt;br /&gt;A VIDEOCAM ATTACHED (CKED!) TO AN SLR PHOTOGRAPHING A PREVIOUSLY AUTONOMOUS NARRATIVE&lt;br /&gt;THE CAMERA GOES WHERE IT WANTS EMPHASIZING ARCS AND SIGNIFICANCES THAT OTHERWISE WERE CONCEALED OR FORGOTTEN...&lt;br /&gt;&lt;br /&gt;DOCUMENT OF THE PICTUREMOVIE OF NATIONALLY TELEVISED ENTERTAINMENT....&lt;br /&gt;FIND INVISIBLE SPACES AND ELABORATE WITH CAMERA UPON THEM....&lt;br /&gt;paraFUCKINGfernalia&lt;br /&gt;METHODS BY WHICH WE ACCORD SPACE TO THE THINGS THAT ARE BEYOND OUR GRASP, THINGS WE WERE INCAPABLE OF...AN EASY ANGLE OF TWO VICTORIANS REACHINHG OUT FROM BETWEEN THEIR ROYAL HORSES TO SHARE SOME GOSSIP...THE ANGLE THE ANGEL MAKES IS IMPORTANT AND STAMPS ITSELF ON ALL OF DISCOURSE FOREVEREMORE. BUT ITS JUST A CAMERA A SOUNDIST, TWO HORSES WAGONS, A SKY, SOME LIGHT AND TWO HOES DESPERATE FOR CASH FOR THE LOWSTAKES TABLES LATER THAT NITE WHEREIN THEY SURRENDER THEMSELVES TO A HI STAKES DEALER&lt;br /&gt;AND IT IS filmed&gt;&gt;&gt;&gt;&gt;&gt;BUT NOBODY WATCHES BECAUSE THAT ISNT THE END GAME ANYMORE.&lt;br /&gt;&lt;br /&gt;WE CAN TRANSCEND EFFORTLESSLY. IT ISNT EVEN TRANSCENDENCE. ITS JUST DOING THE THINGS WE KNOW INSIDE OF US THAT RESONATE AT SOME LEVEL WHEN WE'RE FUCKED...&lt;br /&gt;&lt;br /&gt;ALL IT IS...&lt;br /&gt;IS THAT&lt;br /&gt;&lt;br /&gt;WHAT DOES IT LOOK LIKE&lt;br /&gt;WHATS IT SUPPOSED TO LOOK LIKE&gt;?&lt;br /&gt;PROBLEM SEEMS TO ME&lt;br /&gt;THAT WE FEEL COMPELLED OBLIGAGTED TO PUT WORDS T TO THIS SHIT&lt;br /&gt;HAVE TO RECONCILE IT WITH EVERYTHING ELSE...&lt;br /&gt;TO THE LARGE HUSKY HULKY NOWHERE INTO WHICH WE SHIT OUR BEST EFFORTS AND THEY ARE IMMEDIATELY TAKEN UP THE TOWERING MOUNTAIN TO THE DUNG HEAP....&lt;br /&gt;IT ALL FAILS&lt;br /&gt;BECAUSE&lt;br /&gt;IMPORTTANCE AND SIGNICICANCE REFUSE TO ANNOUNCE THEMESELBVES BECAUJSE THEY ARE THEMSELVES IMPOTENT ENTTIKIES...&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;ITS ON US THE potent TO FIGURE THESE THE THINGS OUT AND FIND A POTENT VOCABULARY THRU QWHICH FUUTRE EFFORTS ARE UNDERSTOOD.&lt;br /&gt;&lt;br /&gt;A HIGHER NESS A THIRD PLACE PREVIOUSLY UNCONSIDERED. A NEW PLANE OF CONSCIOUSNESS IN DENTON FINALLY...&lt;br /&gt;&lt;br /&gt;WHERE WE UNDERSETAND BULLSHIT..&lt;br /&gt;Ts actiuitz vs inactivity&lt;br /&gt;cineform neo scene 7 day trial&lt;br /&gt;when he got out, it was as though the little girl had arranged his life for him&lt;br /&gt;Broken grid of long dead industry killed by thoughtless history&lt;br /&gt;sliced up conversations in narrative ala documentary&lt;br /&gt;so as to preserve a thesis in conversation&lt;br /&gt;deleted digressions&lt;br /&gt;filming photographs&lt;br /&gt;zoom in pull out&lt;br /&gt;OLD MUSIC HISTORIES&lt;br /&gt;OLD MOVIE HISTORIES RENDERED VISUALLY&lt;br /&gt;PAINT OR CRAYON CLEOMA FALCON&lt;br /&gt;Joe and Cléoma Falcon were first to record Cajun music&lt;br /&gt;1928 rendition of Allons à Lafayette became big hit&lt;br /&gt;by Jim Bradshaw&lt;br /&gt;Even though Acadians spread across south Louisiana, most of the music&lt;br /&gt;that we recognize as "chanky-chank" Cajun music today came from the&lt;br /&gt;prairie parishes of south central and southwest Louisiana -- as did&lt;br /&gt;most of the "name" fiddle players and musicians who made the early&lt;br /&gt;records and kept the music alive.&lt;br /&gt;One of them was accordionist, vocalist, and composer Joseph Falcon who&lt;br /&gt;was born on Sept. 28, 1900, in Roberts Cove, Acadia Parish.&lt;br /&gt;When Joe was 7 years old, his father, a sharecropper, agreed to buy&lt;br /&gt;him an accordion. Falcon said in an interview with Lauren C . Post&lt;br /&gt;that he learned to play in a barn.&lt;br /&gt;"We couldn't play it in the house, so we went to the barn," he said.&lt;br /&gt;"We had the biggest trouble over there with the cattle. They wanted to&lt;br /&gt;come in with us. I kept banging on the accordion until I struck a&lt;br /&gt;tune. It was so many years ago I forgot what tune it was, but I stayed&lt;br /&gt;with it and before I turned it loose I kinda started something."&lt;br /&gt;Falcon first played in public at Oneziphore Guidry's dance hall in&lt;br /&gt;Rayne. He took his accordion with him one evening as he was going to a&lt;br /&gt;dance there. When the band didn't show up, Guidry asked him to play.&lt;br /&gt;Falcon's first wife was guitarist and singer Cléoma Breaux, born May&lt;br /&gt;27,1906, in Crowley. In 1928, they issued the first recording of a&lt;br /&gt;Cajun French song, Allons à Lafayette, which appeared under the&lt;br /&gt;Columbia label.&lt;br /&gt;Cléoma came from a musical family. Her brothers, Amédé on accordion,&lt;br /&gt;Ophé on guitar, and Cléopha on the fiddle, played together as the&lt;br /&gt;Breaux Frères. She played guitar with them on one of the earliest&lt;br /&gt;recorded versions of Jolie Blonde, which they recorded under the title&lt;br /&gt;of Ma Blonde Est Partie. According to one account Cléopha's brother,&lt;br /&gt;Amédé wrote the song about his wife, but there other conflicting&lt;br /&gt;stories of the song's origin. Cléoma left the family band after her&lt;br /&gt;marriage to record with her husband.&lt;br /&gt;In researching his book, "South to Louisiana: The Music of the Cajun&lt;br /&gt;Bayous," John Broven interviewed Jay Miller of Crowley, one of the&lt;br /&gt;first men in south Louisiana to produce Cajun records, on the Fais Do&lt;br /&gt;Do label. Broven says Miller played his first dance with the popular&lt;br /&gt;Breaux Brothers at a dance hall at Cow Island ... which was so remote&lt;br /&gt;that there was no electricity for the loudspeakers. His strongest&lt;br /&gt;memory is of the Breaux Brothers arguing among themselves throughout&lt;br /&gt;the dance and fighting like dogs at the end. He considers Amidie (sic)&lt;br /&gt;Breaux one of the great Cajun musicians, although Breaux did have a&lt;br /&gt;tendency, when drunk, to pull accordions apart in exuberant acts of&lt;br /&gt;showmanship."&lt;br /&gt;During the 1930s, Joe Falcon and Cléoma recorded for Columbia, Decca,&lt;br /&gt;Bluebird, and Okeh. In 1934, they issued an early version of Hip et&lt;br /&gt;Taïaut under the name Ils la volet mon trancas and in 1937, Cléoma&lt;br /&gt;recorded the popular Mon coeur t'appelle, better known as J'ai passé&lt;br /&gt;devant ta porte.&lt;br /&gt;Cléoma died suddenly on April 9, 1941, but Joe continued to perform as&lt;br /&gt;leader of Joe Falcon and His Silver Bell String Band, which included&lt;br /&gt;his second wife, Theresa, on drums. He died Nov 19,1965.&lt;br /&gt;In his book, Broven discussed how Joe and Cléoma got the opportunity&lt;br /&gt;to make the first recording of Cajun music.&lt;br /&gt;"At the beginning of the recording era, northern-based record company&lt;br /&gt;executives were uncertain of the merits -- or profitability -- of any&lt;br /&gt;form of southern music," he wrote. "The success of the early blues and&lt;br /&gt;hillbilly recordings showed that there were hungry regional markets&lt;br /&gt;waiting for more homespun sounds. Since the recording studios were&lt;br /&gt;based in the North, the companies sent out mobile field units to the&lt;br /&gt;major southern cities to record a ragged collection of artists&lt;br /&gt;performing old ballads, Mexican border songs, mountain music, Negro&lt;br /&gt;blues and spirituals, and polka music -- the roots of Amerias popular&lt;br /&gt;music. The opportunity for Cajun artists to record came in 1928, but&lt;br /&gt;it was already too late for several legendary musicians, notably&lt;br /&gt;accordionists August Breaux of Rayne, Moise Cormier of Bosco, and&lt;br /&gt;Armand Thibodeaux of Sunset, whose music, has been irretrievably lost&lt;br /&gt;in the mists of time.&lt;br /&gt;"Happily, the first Cajun-French release, 'Lafayette' by Joseph Falcon&lt;br /&gt;(Columbia), sold well, and the recording medium became available to&lt;br /&gt;other Cajun artists. Falcon's hit record, better known as 'Allons à&lt;br /&gt;Lafayette' was an irresistible, tunefull two-step sung to the&lt;br /&gt;accompaniment of his full-toned accordion and wife Cléoma Breaux's&lt;br /&gt;very basic rhythm guitar."&lt;br /&gt;The record boosted Falcon's popularity enough that he was able to work&lt;br /&gt;full-time as a musician, playing mostly in southwest Louisiana and&lt;br /&gt;east Texas. It also opened the opportunity for other Louisiana French&lt;br /&gt;musicians to begin recordings.&lt;br /&gt;At almost the same time that Joseph and Cléoma's Falcon's Columbia&lt;br /&gt;record was released, Leo Soileau and Mayeus LaFleur sang Hé Mom for&lt;br /&gt;Victor, Columbia's main rival. Others who were soon making records&lt;br /&gt;included Amédé Ardoin, the Breaux Brothers, Columbus Frugé, Angelas&lt;br /&gt;LeJeune, Dennis McGee and others.&lt;br /&gt;According to Broven, "When Joseph Falcon first recorded, the usual&lt;br /&gt;Cajun lineup was accordion and fiddle, sometimes with box guitar or&lt;br /&gt;triangle. In the thirties radical changes were brought about by the&lt;br /&gt;popularity of western music and the introduction of amplified&lt;br /&gt;instruments. By 1937, the featured role of the accordion had been&lt;br /&gt;usurped by the fiddle, and Falcon's authentic, uninhibited music was&lt;br /&gt;suddenly out of date. His pride hurt, Joe refused to record&lt;br /&gt;commercially again, although he continued to play dances in the&lt;br /&gt;Crowley area, mainly for the older generation."&lt;br /&gt;Joe Falcon died in 1965.&lt;br /&gt;zine&lt;br /&gt;quiet marginal histories&lt;br /&gt;multimedia&lt;br /&gt;news&lt;br /&gt;art&lt;br /&gt;city understood 24hrs in _______&lt;br /&gt;people locked in media environments&lt;br /&gt;forced dichotomies&lt;br /&gt;fun scholastics&lt;br /&gt;exposure of lost classics VLCphotos&lt;br /&gt;transcripts&lt;br /&gt;a documentary&lt;br /&gt;wherein&lt;br /&gt;we follow dead ends&lt;br /&gt;blind&lt;br /&gt;and we hear interesting stories&lt;br /&gt;get local color&lt;br /&gt;and texture&lt;br /&gt;and temperature&lt;br /&gt;and begin to wonder what exactly are we working toward&lt;br /&gt;an atrocity?&lt;br /&gt;a meandering documentary...digresses....&lt;br /&gt;strangeness&lt;br /&gt;of documentary&lt;br /&gt;as avenue toward the explication&lt;br /&gt;and resolution of a problem&lt;br /&gt;explain your brief appearance in the film...&lt;br /&gt;scoff...well...Rhon...I played Rhonda...the heroin addicted maid...&lt;br /&gt;i felt like a punching bag, assuaging a lot of Carlos' guilt&lt;br /&gt;remember the shot&lt;br /&gt;its like me behind the kitchen counter&lt;br /&gt;slightly obscured by...oh...who...was that?&lt;br /&gt;all that ugly light....&lt;br /&gt;moe asch&lt;br /&gt;Desoxyn&lt;br /&gt;madame blavatsky - theosophy&lt;br /&gt;american magus harry smith&lt;br /&gt;American Magus / Harry Smith: A Modern Alchemist&lt;br /&gt;« previous entry next entry »&lt;br /&gt;Oct. 26th, 2006 09:49 pm&lt;br /&gt;The following interview is taken&lt;br /&gt;with the permission of the editor&lt;br /&gt;from:&lt;br /&gt;American Magus / Harry Smith:&lt;br /&gt;A MODERN ALCHEMIST,&lt;br /&gt;Edited by Paola Igliori,&lt;br /&gt;New York:&lt;br /&gt;INANOUT PRESS,&lt;br /&gt;1996, ISBN 0-9625119-9-4.&lt;br /&gt;painted images&lt;br /&gt;painted polaroids&lt;br /&gt;simulate process of aging, degeneration&lt;br /&gt;ancient rites&lt;br /&gt;&lt;br /&gt;gilles de rais&lt;br /&gt;&lt;br /&gt;edward g ulmer&lt;br /&gt;narrative&lt;br /&gt;rapidly shuffle&lt;br /&gt;through social reconfigurations&lt;br /&gt;or tightly wound social dynamic network&lt;br /&gt;denouement&lt;br /&gt;explosion&lt;br /&gt;network reconfigured as a broken new unit at play&lt;br /&gt;overnarrativeZ&lt;br /&gt;So much in the peripheral all sides activity alive&lt;br /&gt;Energy surveyz - flaccid epix - shortfilms overstuffed to the point viewers uncertain of their location within multimedia carousel&lt;br /&gt;these inhuman necessitites&lt;br /&gt;feats that crawl over a man&lt;br /&gt;at a time&lt;br /&gt;and a place&lt;br /&gt;&lt;br /&gt;when he can do&lt;br /&gt;what as a man&lt;br /&gt;he must&lt;br /&gt;&lt;br /&gt;when homicide creeps in&lt;br /&gt;fixed camera positions&lt;br /&gt;but mobile&lt;br /&gt;in place&lt;br /&gt;zoom, pan, crane&lt;br /&gt;but no lateral movement&lt;br /&gt;acrobatic masters...&lt;br /&gt;documentary&lt;br /&gt;visual explorations of spaces and phenomena&lt;br /&gt;with interview audio overlain&lt;br /&gt;---his room did not have a window.&lt;br /&gt;harry crews&lt;br /&gt;flannery o connor&lt;br /&gt;Black Swan Records&lt;br /&gt;From Wikipedia, the free encyclopedia&lt;br /&gt;Jump to: navigation, search&lt;br /&gt;Black Swan Records was a United States record label in the 1920s; it was the first to be owned and operated by, and marketed to, African Americans.&lt;br /&gt;The name was briefly revived in the early 1970s for some reggae records, and since the 1990s for compact disc reissue of historic jazz and blues recordings.&lt;br /&gt;&lt;br /&gt;Rent party&lt;br /&gt;From Wikipedia, the free encyclopedia&lt;br /&gt;Jump to: navigation, search&lt;br /&gt;A rent party (sometimes called a house party) is a social occasion where tenants hire a musician or band to play and pass the hat to raise money to pay their rent, originating in Harlem during the 1920s[1]. The rent party played a major role in the development of jazz and blues music. The Oxford English Dictionary states that the term skiffle means "rent party", indicating the informality of the occasion. Thus, the word became associated with informal music. However, many notable jazz musicians are associated with rent parties, including pianists Speckled Red, James P. Johnson and Fats Waller, although rent parties also featured bands as well. The OED also gives boogie as a term for rent party.&lt;br /&gt;Rent parties were often the location of so-called cutting contests, which involves jazz pianists taking turns at the piano, attempting to out-do each other.&lt;br /&gt;&lt;br /&gt;Connie's Inn&lt;br /&gt;From Wikipedia, the free encyclopedia&lt;br /&gt;Jump to: navigation, search&lt;br /&gt;Connie's Inn was a Harlem, New York nightclub established in 1923 by Connie Immerman, a white bootlegger. [1] It was located in the basement at 2221 Seventh Avenue at 131st Street.&lt;br /&gt;Acts featured there included Louis Armstrong[2], Moms Mabley [3], Fats Waller, Wilbur Sweatman, Peg Leg Bates [4], and Fletcher Henderson. Like the Cotton Club, Connie's Inn featured African-American performers, but restricted its audience to whites only.&lt;br /&gt;&lt;br /&gt;floyd bennett field - new york city airfield south queens off long island 1932-71&lt;br /&gt;man and wife try to talk to each other through their chemicals&lt;br /&gt;&lt;br /&gt;negotiate adroitly classism,&lt;br /&gt;different strata and their negotiations...&lt;br /&gt;how its all divided and explored visually rhetorically&lt;br /&gt;character (marginal) lusts after thy strange aspect...&lt;br /&gt;genre filmmaking's mutilated corpse, turned onto its left side to quell the bleeding, at which point roger deakins (or whoever...)fixes a camera on it and the dying man is forced to tell vaudeville jokes.&lt;br /&gt;Consequences and the Brothers Coen&lt;br /&gt;&lt;br /&gt;pt. anderson&lt;br /&gt;abcs of auteurdom&lt;br /&gt;genre filmmaking's mutilated corpse, turned onto its left side to quell the bleeding, at which point roger deakins (or whoever...)fixes a camera on it and the dying man is forced to tell vaudeville jokes.&lt;br /&gt;Consequences and the Brothers Coen&lt;br /&gt;&lt;br /&gt;pt. anderson&lt;br /&gt;abcs of auteurdom&lt;br /&gt;multimedia narrative tangles&lt;br /&gt;a full form&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;george carlin audio&lt;br /&gt;swirling treated video...&lt;br /&gt;portions of screen collide and brightness contrast etc....&lt;br /&gt;&lt;br /&gt;a walking camera....through consciousness...&lt;br /&gt;of a computer....&lt;br /&gt;fond reminiscences of many decades dead psychic disturbances and tics&lt;br /&gt;and the refuse of dead energy long exhausted for a cause now dead and moot&lt;br /&gt;was remembered on a youths computer in the company of dead psychmans ideas&lt;br /&gt;when we CANT write...&lt;br /&gt;no access to media....&lt;br /&gt;mornings roughness redigested&lt;br /&gt;doesnt permit nites psychic allowances&lt;br /&gt;the margins to burn with feeling and resigned happy&lt;br /&gt;mornings its just rumbles from no base&lt;br /&gt;untethered nothing to rationalize it or canonize and it takes me away to that grey zone whose existence we nighly forget&lt;br /&gt;great time for on my keyoard to stop working&lt;br /&gt;why?&lt;br /&gt;cause im writing aout roert reer&lt;br /&gt;funny throwaways&lt;br /&gt;for future&lt;br /&gt;a film of entirely&lt;br /&gt;drunk ambien'd cast and crew&lt;br /&gt;with a sober script&lt;br /&gt;what might we mine?&lt;br /&gt;out of the ambien snakepit&lt;br /&gt;we can go swimming when they take the trucks away&lt;br /&gt;projections which accommodate the sensation of experiencing lLIVE the filmed act&lt;br /&gt;taking location out of the equation...with clever projector setups the whole world compellingly rendered in a gymnasium&lt;br /&gt;costume required&lt;br /&gt;byob&lt;br /&gt;captured&lt;br /&gt;the sounds between production&lt;br /&gt;the sounds of ACTUAL production&lt;br /&gt;Fixed camera beach scene - character and animals periodically address cam cu - usually capture masters of ongoing activity&lt;br /&gt;Atrocity chokes the landscape&lt;br /&gt;filming atrocity&lt;br /&gt;responsibility&lt;br /&gt;wedekind&lt;br /&gt;german expressionism&lt;br /&gt;lulu - alban berg wozzeck&lt;br /&gt;glenn gould&lt;br /&gt;schoenberg&lt;br /&gt;&lt;br /&gt;libretto&lt;br /&gt;&lt;br /&gt;stravinsky&lt;br /&gt;umberto eco&lt;br /&gt;&lt;br /&gt;john graves&lt;br /&gt;wright morris&lt;br /&gt;&lt;br /&gt;voice of the fire alan moore&lt;br /&gt;whitman&lt;br /&gt;&lt;br /&gt;eta hoffman&lt;br /&gt;residents - voice of midnight&lt;br /&gt;STORY IDEA&lt;br /&gt;&lt;br /&gt;a criminal&lt;br /&gt;new to an environment&lt;br /&gt;associates&lt;br /&gt;with the reckless youngbloods, the unproven&lt;br /&gt;also&lt;br /&gt;develops relationship with ex con&lt;br /&gt;trying to reestablish&lt;br /&gt;winds up pulling wild scores with youngbloods&lt;br /&gt;leaving excon feeling neglected and irrelevant&lt;br /&gt;finally pulls a wild job with excon&lt;br /&gt;goes awry&lt;br /&gt;saved by youngbloods&lt;br /&gt;ultimately&lt;br /&gt;youngbloods are exterminated&lt;br /&gt;by POWERs that be&lt;br /&gt;leaving man alone with excon to drink and plot...&lt;br /&gt;comedy&lt;br /&gt;tragedy&lt;br /&gt;action...&lt;br /&gt;&lt;br /&gt;could be fullbodied and exciting and meaningful...&lt;br /&gt;a doublecross is inevitable&lt;br /&gt;on the youngblood front&lt;br /&gt;cant be trusted&lt;br /&gt;a secondary amn&lt;br /&gt;during rescue by youngbloods&lt;br /&gt;excon will trust&lt;br /&gt;no one&lt;br /&gt;ultimately excon&lt;br /&gt;goes on wild helpless&lt;br /&gt;shooting spree of the innocents&lt;br /&gt;new crime must shoot him and kill him&lt;br /&gt;and leave...&lt;br /&gt;youngbloods all get theirs&lt;br /&gt;in turn&lt;br /&gt;captured in cold merciless master takes&lt;br /&gt;even allowing for comedy...&lt;br /&gt;as is inevitable.&lt;br /&gt;ultimately becomes a confrontation in teh suburbs&lt;br /&gt;where all teh blood is shed&lt;br /&gt;&lt;br /&gt;teenagers with money get to kill the youngbloods in a way they see fit...&lt;br /&gt;seems appropriate...&lt;br /&gt;a wild mystery of an evening at teh girlfriends&lt;br /&gt;for new criminal&lt;br /&gt;&lt;br /&gt;haunted by tremors&lt;br /&gt;&lt;br /&gt;...&lt;br /&gt;drunk....&lt;br /&gt;pascal's pensees&lt;br /&gt;&lt;br /&gt;projecting an image of an audience on an audience&lt;br /&gt;&lt;br /&gt;using live projection&lt;br /&gt;&lt;br /&gt;future disgraced former senator&lt;br /&gt;humming themes&lt;br /&gt;&lt;br /&gt;spell rhythm&lt;br /&gt;-------------------------------&lt;br /&gt;new social realist&lt;br /&gt;poetry&lt;br /&gt;&lt;br /&gt;master shot of cpu monitor&lt;br /&gt;as diagrammatics divide the screen&lt;br /&gt;-------------------------------------&lt;br /&gt;&lt;br /&gt;hey&lt;br /&gt;----------------&lt;br /&gt;you&lt;br /&gt;little man woke up in a frightened chill one morning&lt;br /&gt;thinking, pained&lt;br /&gt;"why don't i read magazines?"&lt;br /&gt;&lt;br /&gt;that pain can be the thematic locus for a largely historical composition&lt;br /&gt;-----------------------------------&lt;br /&gt;ok&lt;br /&gt;spell rhythm is how they're introduced&lt;br /&gt;and how they recognize themselves&lt;br /&gt;---------------------------______------__---___---___&lt;br /&gt;everything&lt;br /&gt;----------------------&lt;br /&gt;gestures apocalyspe&lt;br /&gt;&lt;br /&gt;apocalyptic gestures&lt;br /&gt;a filmed tv&lt;br /&gt;camera roves around moving the squarebrite image&lt;br /&gt;later couple a moving human to that&lt;br /&gt;and its as though&lt;br /&gt;the tv is projecting on the body&lt;br /&gt;creating a projector&lt;br /&gt;through available silence.&lt;br /&gt;the ability through VEGAS double exposure&lt;br /&gt;to project any image onto a static television&lt;br /&gt;&lt;br /&gt;very&lt;br /&gt;----------_________&lt;br /&gt;cool_________________---------------&lt;br /&gt;how much of our collective pasts&lt;br /&gt;are known&lt;br /&gt;to the other?&lt;br /&gt;--------------------------------------&lt;br /&gt;measurements for compelling double exposures&lt;br /&gt;fitting into a prefabricated frame&lt;br /&gt;texture of creating social action&lt;br /&gt;a meaningful movement&lt;br /&gt;&lt;br /&gt;--------------------------------&lt;br /&gt;&lt;br /&gt;communication strains&lt;br /&gt;&lt;br /&gt;-----------------&lt;br /&gt;&lt;br /&gt;when the scenes had his....&lt;br /&gt;we fade to BLK&lt;br /&gt;creating promos&lt;br /&gt;for unreal products&lt;br /&gt;that communicate an urgency&lt;br /&gt;a deep inbetween space intrepid&lt;br /&gt;&lt;br /&gt;------------&lt;br /&gt;find it,,,,&lt;br /&gt;repackage....&lt;br /&gt;presence of one&lt;br /&gt;could alter temperature&lt;br /&gt;of projection&lt;br /&gt;group of 4&lt;br /&gt;discussing a glut of things&lt;br /&gt;2 shots&lt;br /&gt;1 shots&lt;br /&gt;4 shots&lt;br /&gt;3 shots&lt;br /&gt;changing allegiances&lt;br /&gt;the camera dictates the development of the relationships&lt;br /&gt;gamesmanship is controlled by camera&lt;br /&gt;approaches to gender roles&lt;br /&gt;in popular entertainments&lt;br /&gt;HBO&lt;br /&gt;&lt;br /&gt;relationship politics&lt;br /&gt;a sequence so immediate&lt;br /&gt;but then captured&lt;br /&gt;and then&lt;br /&gt;forever&lt;br /&gt;redistributed&lt;br /&gt;the moment doubles itself&lt;br /&gt;that energy redoubles&lt;br /&gt;and masssells itself&lt;br /&gt;creating knots&lt;br /&gt;too much TV&lt;br /&gt;saturated&lt;br /&gt;ever&lt;br /&gt;----&lt;br /&gt;ythin&lt;br /&gt;networks&lt;br /&gt;of constitutions&lt;br /&gt;all busting heads&lt;br /&gt;within institutions&lt;br /&gt;new annointed and old as fuck&lt;br /&gt;beginnings and endings of days&lt;br /&gt;on entourage&lt;br /&gt;&lt;br /&gt;-------------------------------------------&lt;br /&gt;&lt;br /&gt;conflating viewing experience and errata&lt;br /&gt;with the temporal happenings on the screen&lt;br /&gt;&lt;br /&gt;wedding tv and tv viewer&lt;br /&gt;the connection&lt;br /&gt;that governs and sustains the tvworld&lt;br /&gt;describing&lt;br /&gt;explicating&lt;br /&gt;radiospace&lt;br /&gt;&lt;br /&gt;in the booth&lt;br /&gt;and beyond&lt;br /&gt;he could find intimate in two coketops held end to end&lt;br /&gt;atari landfill&lt;br /&gt;&lt;br /&gt;humming famous songs&lt;br /&gt;on the score&lt;br /&gt;and diegetically&lt;br /&gt;basketball coach drug addict&lt;br /&gt;paints grotesqueries&lt;br /&gt;reading box scores of the beating his team put on another&lt;br /&gt;and violence of the streets with which he keeps himself acquainted.&lt;br /&gt;&lt;br /&gt;coach's sideline gesture network&lt;br /&gt;basketball coach drug addict&lt;br /&gt;paints grotesqueries&lt;br /&gt;reading box scores of the beating his team put on another&lt;br /&gt;and violence of the streets with which he keeps himself acquainted.&lt;br /&gt;&lt;br /&gt;coach's sideline gesture network&lt;br /&gt;the energy present&lt;br /&gt;crystallized on his clothes&lt;br /&gt;sheets&lt;br /&gt;paintings on the wall&lt;br /&gt;on every face&lt;br /&gt;in every angle&lt;br /&gt;perceivable imaginable&lt;br /&gt;and that night&lt;br /&gt;as proud defiant and autonomous as any other evening&lt;br /&gt;became a fragment of memory&lt;br /&gt;knowledge was a part of it....&lt;br /&gt;everyday has a night&lt;br /&gt;where do it go?&lt;br /&gt;the problem with narrative cinem a&lt;br /&gt;responsibility&lt;br /&gt;accountability&lt;br /&gt;we must carve out a night entirely&lt;br /&gt;and are then responsible for its discharge&lt;br /&gt;&lt;br /&gt;cant just dance in betweeen lives...&lt;br /&gt;he had commercial prospects&lt;br /&gt;he'd wondered were there more compelling ways to photograph the game&lt;br /&gt;could the viewing be a little more interactive&lt;br /&gt;just arrange cameras around a few paid assholes&lt;br /&gt;to signify&lt;br /&gt;or whatever&lt;br /&gt;broaden understanding of the game&lt;br /&gt;and at the same time underline the greatness....&lt;br /&gt;his typed correspondence&lt;br /&gt;especially at hrs expecting the sun&lt;br /&gt;took on an artless crudity&lt;br /&gt;folllowing worlds for too many letters&lt;br /&gt;words not looking correct and words together appearing crasss...&lt;br /&gt;these often became the songs he left for the street&lt;br /&gt;these communiques between team leaders often dissolved&lt;br /&gt;leaving all on the bench culpable for the absurd social experiments of coach;s night&lt;br /&gt;and teh dead girl at the bus stop next to mcdonalds....&lt;br /&gt;signifcant processes&lt;br /&gt;never reconciled&lt;br /&gt;just accepted on their faces&lt;br /&gt;&lt;br /&gt;more :"epic:"&lt;br /&gt;makes phone call&lt;br /&gt;beer rests against chest and cheek&lt;br /&gt;help precariously&lt;br /&gt;telephone call conversation&lt;br /&gt;an entire simulated theatremachine&lt;br /&gt;----------------------------------------------------------------------------------------------------------&lt;br /&gt;&lt;br /&gt;---the things that we ACTUALLY do, their execution, the social temperature of their execution, why ??? -------------------------------&lt;br /&gt;---------------------------------------&lt;br /&gt;screening in treatment on a large jumboscreen in Lincoln Park, Chicago&lt;br /&gt;for all to see and to be taken in by....&lt;br /&gt;the screen is above us all....we're the smalll&lt;br /&gt;eating smally the small refreshments outside the big neighborhood&lt;br /&gt;a certain sense of justice or an intelligence will beam down on us all as we collectively close our eyes&lt;br /&gt;and sleep together&lt;br /&gt;the cards showed him&lt;br /&gt;in sequence&lt;br /&gt;the death cycle of an alzheimers&lt;br /&gt;&lt;br /&gt;it was as though he were watching somebody die.&lt;br /&gt;&lt;br /&gt;not like in the streets.&lt;br /&gt;where they bleed....&lt;br /&gt;&lt;br /&gt;his father had it...&lt;br /&gt;that they were capable of seeing alternate realities&lt;br /&gt;of greater stock, meaning, significance&lt;br /&gt;and that these perceptions could&lt;br /&gt;quite easily&lt;br /&gt;invade mainstream perceptions and institutions...&lt;br /&gt;falling in and out of genres&lt;br /&gt;a la Fielding's Tom Thumb&lt;br /&gt;&lt;br /&gt;wealthy couple in their wealthy digs&lt;br /&gt;descriptions of their home and its amenities however nebulous&lt;br /&gt;interspersed with their discovery of some pesky domestic intrusion&lt;br /&gt;within a common, parameter-negotiated space&lt;br /&gt;zooms into a few pertinent faces...&lt;br /&gt;the snapshots happen at the same time&lt;br /&gt;he exploited the calamity&lt;br /&gt;as an opportunity for escape&lt;br /&gt;&lt;br /&gt;he was gone&lt;br /&gt;driving utopia into the ground&lt;br /&gt;but happy&lt;br /&gt;when he brought off the ultimate feat&lt;br /&gt;cryptography&lt;br /&gt;&lt;br /&gt;decoded&lt;br /&gt;&lt;br /&gt;made sense of the whole damn thing&lt;br /&gt;snatches of dialogue heard while characters are absent or distant&lt;br /&gt;hold on another character...&lt;br /&gt;freeze frames of facial expressions&lt;br /&gt;quarter of a second...&lt;br /&gt;Lost horizon&lt;br /&gt;drawing lines between teh faashion sensese of his professors&lt;br /&gt;and finding deep significant trends....&lt;br /&gt;what manner of execution belies/ suggests&lt;br /&gt;some horn it&lt;br /&gt;some smile&lt;br /&gt;I need mERRELLS.&lt;br /&gt;that her face and its fullest explication was trapped not only in time&lt;br /&gt;but in times judgment and representation relative to both reception and vocabulary at the various points in which her face appeared and paid homage to whatever&lt;br /&gt;actors hate films&lt;br /&gt;that what i looked like six or eight months ago...its never who i am now&lt;br /&gt;thats why i like the tabloids. thats me now. &lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4725025440919044087?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4725025440919044087'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4725025440919044087'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/09/baroque-music-cues-arrive-and-depart.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail 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href="http://2.bp.blogspot.com/_Xexb5Teznpg/Sq_q3-E1WsI/AAAAAAAAAPo/x8adYPFZmV4/s1600-h/4.jpg"&gt;&lt;img style="cursor: pointer; width: 346px; height: 400px;" src="http://2.bp.blogspot.com/_Xexb5Teznpg/Sq_q3-E1WsI/AAAAAAAAAPo/x8adYPFZmV4/s400/4.jpg" alt="" id="BLOGGER_PHOTO_ID_5381778327008008898" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-949624381328632484?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/949624381328632484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/949624381328632484'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/09/blog-post_15.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Xexb5Teznpg/Sq_s9MB3w7I/AAAAAAAAAQo/Wh7piwut_XY/s72-c/scan0006.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-1142768498706547727</id><published>2009-09-05T20:43:00.000-07:00</published><updated>2009-09-05T21:37:01.787-07:00</updated><title type='text'>welcome - and to work you go  this is a LABOR serviceseries</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SqM8LSFkbzI/AAAAAAAAAPg/WhXXocNi4Jw/s1600-h/wheretheyarenotthosedangerouspartssomefindfunlikemesomethimes.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SqM8LSFkbzI/AAAAAAAAAPg/WhXXocNi4Jw/s400/wheretheyarenotthosedangerouspartssomefindfunlikemesomethimes.jpg" alt="" id="BLOGGER_PHOTO_ID_5378208544541929266" border="0" /&gt;cxcxcxc&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/JOHNSH%7E1/LOCALS%7E1/Temp/moz-screenshot-6.jpg" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-1142768498706547727?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1142768498706547727'/><link rel='self' 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width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4780929250321969424</id><published>2009-09-05T20:23:00.001-07:00</published><updated>2009-09-05T20:30:17.749-07:00</updated><title type='text'>Hey BC - get this...?!</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d41832ad901b&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 480px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d41832ad901b&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d639343aba2a&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 320px; height: 480px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d639343aba2a&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;This is the beginning....&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4780929250321969424?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4780929250321969424'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4780929250321969424'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/09/hey-bc-get-this.html' title='Hey BC - get this...?!'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-5044105748927589229</id><published>2009-09-05T20:09:00.001-07:00</published><updated>2009-09-05T20:09:57.758-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d4110649ec8d&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="cursor: pointer; width: 320px; height: 480px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d4110649ec8d&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-5044105748927589229?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/5044105748927589229'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/5044105748927589229'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/09/blog-post.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-2799425632422732099</id><published>2009-09-05T19:57:00.000-07:00</published><updated>2009-09-05T20:07:20.542-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238bf302c085875&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="cursor: pointer; width: 800px; height: 600px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238bf302c085875&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d40ca7040b12&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="cursor: pointer; width: 320px; height: 480px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d40ca7040b12&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;dfgddfcxv&lt;/a&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238bf1186331f6a&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="cursor: pointer; width: 800px; height: 600px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238bf1186331f6a&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d40940d00f21&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw"&gt;&lt;img style="cursor: pointer; width: 320px; height: 480px;" src="http://mail.google.com/mail/?ui=2&amp;amp;ik=515c05f24c&amp;amp;view=att&amp;amp;th=1238d40940d00f21&amp;amp;attid=0.1&amp;amp;disp=inline&amp;amp;zw" alt="" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/JOHNSH%7E1/LOCALS%7E1/Temp/moz-screenshot.jpg" alt="" /&gt;&lt;img src="file:///C:/DOCUME%7E1/JOHNSH%7E1/LOCALS%7E1/Temp/moz-screenshot-1.jpg" alt="" /&gt;&lt;img src="file:///C:/DOCUME%7E1/JOHNSH%7E1/LOCALS%7E1/Temp/moz-screenshot-2.jpg" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-2799425632422732099?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2799425632422732099'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2799425632422732099'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/09/dfgddfcxv.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-1371899816854366505</id><published>2009-09-03T23:12:00.001-07:00</published><updated>2009-09-03T23:46:35.182-07:00</updated><title type='text'>5 minutes free - five minutes a year (er months..?) ago----this</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/SqC3eevbokI/AAAAAAAAAPY/2B1X4JR8yRo/s1600-h/scan0001.jpg"&gt;&lt;img style="WIDTH: 303px; HEIGHT: 400px; CURSOR: hand" id="BLOGGER_PHOTO_ID_5377499689356337730" border="0" alt="" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SqC3eevbokI/AAAAAAAAAPY/2B1X4JR8yRo/s400/scan0001.jpg" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-1371899816854366505?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1371899816854366505'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1371899816854366505'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/09/5-minutes-free-five-minutes-year-er.html' title='5 minutes free - five minutes a year (er months..?) ago----this'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Xexb5Teznpg/SqC3eevbokI/AAAAAAAAAPY/2B1X4JR8yRo/s72-c/scan0001.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-5777758661011525070</id><published>2009-03-30T15:15:00.000-07:00</published><updated>2009-03-30T18:12:23.214-07:00</updated><title type='text'>Hollis Frampton: +25 years</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SdFEtf_6t1I/AAAAAAAAAPM/EVN35j04Mw0/s1600-h/frampton12.jpg"&gt;&lt;img style="cursor: pointer; width: 318px; height: 400px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SdFEtf_6t1I/AAAAAAAAAPM/EVN35j04Mw0/s400/frampton12.jpg" alt="" id="BLOGGER_PHOTO_ID_5319108183375656786" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Hollis Frampton, whose pioneering curiosity about cinematic representation was matched by a singular technical brilliance, died 25 years ago this month. Dude made his own calendar.&lt;br /&gt;&lt;br /&gt;If you were not previously familiar with him, become so now!&lt;br /&gt;Courtesy of UBUweb, which recently added its 1,000th film to their online library, you can immediately acquaint yourself with his amazing awesomeness. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://ubu.com/film/frampton.html"&gt;Hollis Frampton films&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;and:&lt;br /&gt;&lt;br /&gt;check out the entire library in Links section.&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/JOHNSH%7E1/LOCALS%7E1/Temp/moz-screenshot.jpg" alt="" /&gt;&lt;img src="file:///C:/DOCUME%7E1/JOHNSH%7E1/LOCALS%7E1/Temp/moz-screenshot-1.jpg" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-5777758661011525070?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/5777758661011525070'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/5777758661011525070'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/hollis-frampton-25-years.html' title='Hollis Frampton: +25 years'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Xexb5Teznpg/SdFEtf_6t1I/AAAAAAAAAPM/EVN35j04Mw0/s72-c/frampton12.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-2023416015829876158</id><published>2009-03-30T10:58:00.000-07:00</published><updated>2009-03-30T14:17:43.794-07:00</updated><title type='text'>What?</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Xexb5Teznpg/SdEIefFHuNI/AAAAAAAAAPE/EJN2WYuaYrc/s1600-h/ben.jpg"&gt;&lt;img style="cursor: pointer; width: 284px; height: 400px;" src="http://4.bp.blogspot.com/_Xexb5Teznpg/SdEIefFHuNI/AAAAAAAAAPE/EJN2WYuaYrc/s400/ben.jpg" alt="" id="BLOGGER_PHOTO_ID_5319041954733340882" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Add Fincher to the list of Criterion's most important contemporary American filmmakers, along with Michael Bay, Wes Anderson, and Kevin Smith.  OR at least most bankable.    I guess something has to keep them afloat so they can continue their scrupulous attention to detail in producing expensive, gorgeous DVDs for me to download for free.&lt;br /&gt;&lt;br /&gt;Then, of course, I would have applauded a Zodiac Criterion spine.  I hope Fincher at least subtly acknowledges in the commentary the negotiation that spawned Benjamin Button wherein Paramount agreed to finance his pet project Zodiac and allow him to produce it first, so long as he'd take the reins of their long slumbering Scott Fitzgerald distortion.  And I guess we all know how that worked out.&lt;br /&gt;&lt;img src="file:///C:/DOCUME%7E1/FLLC10%7E1/LOCALS%7E1/Temp/moz-screenshot.jpg" alt="" /&gt;&lt;img src="file:///C:/DOCUME%7E1/FLLC10%7E1/LOCALS%7E1/Temp/moz-screenshot-1.jpg" alt="" /&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-2023416015829876158?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2023416015829876158'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2023416015829876158'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/what.html' title='What?'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/_Xexb5Teznpg/SdEIefFHuNI/AAAAAAAAAPE/EJN2WYuaYrc/s72-c/ben.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-8714710626881109196</id><published>2009-03-23T23:40:00.000-07:00</published><updated>2009-03-30T18:44:05.282-07:00</updated><title type='text'>Bop Scotch - Jordan Belson</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SciDLMvcOXI/AAAAAAAAAO8/8VBi36qYDeo/s1600-h/vlcsnap-2839378.png"&gt;&lt;img style="cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SciDLMvcOXI/AAAAAAAAAO8/8VBi36qYDeo/s400/vlcsnap-2839378.png" alt="" id="BLOGGER_PHOTO_ID_5316643588532877682" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SciDLCEMO_I/AAAAAAAAAO0/t1_yEJ8yUsI/s1600-h/vlcsnap-2840000.png"&gt;&lt;img style="cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SciDLCEMO_I/AAAAAAAAAO0/t1_yEJ8yUsI/s400/vlcsnap-2840000.png" alt="" id="BLOGGER_PHOTO_ID_5316643585667120114" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Xexb5Teznpg/SciDK-WDyrI/AAAAAAAAAOs/WA7PqG-CvIg/s1600-h/vlcsnap-2840148.png"&gt;&lt;img style="cursor: pointer; width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_Xexb5Teznpg/SciDK-WDyrI/AAAAAAAAAOs/WA7PqG-CvIg/s400/vlcsnap-2840148.png" alt="" id="BLOGGER_PHOTO_ID_5316643584668322482" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Xexb5Teznpg/SciDKmJY8QI/AAAAAAAAAOk/sCSFU1wEpQk/s1600-h/vlcsnap-2840234.png"&gt;&lt;img style="cursor: pointer; width: 400px; height: 300px;" src="http://1.bp.blogspot.com/_Xexb5Teznpg/SciDKmJY8QI/AAAAAAAAAOk/sCSFU1wEpQk/s400/vlcsnap-2840234.png" alt="" id="BLOGGER_PHOTO_ID_5316643578172731650" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SciDJpra-XI/AAAAAAAAAOc/IbLuBohCIdA/s1600-h/vlcsnap-2840422.png"&gt;&lt;img style="cursor: pointer; width: 400px; height: 300px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SciDJpra-XI/AAAAAAAAAOc/IbLuBohCIdA/s400/vlcsnap-2840422.png" alt="" id="BLOGGER_PHOTO_ID_5316643561940908402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;#1&lt;br /&gt;3:13&lt;br /&gt;1952&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/file/junmdmwzgdm/Jordan%20Belson%20-%20Bop-Scotch%20%281952%29.avi"&gt;Here&lt;/a&gt;&lt;br /&gt;&lt;a href="http://www.mediafire.com/file/junmdmwzgdm/Jordan%20Belson%20-%20Bop-Scotch%20%281952%29.avi"&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-8714710626881109196?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8714710626881109196'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8714710626881109196'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/bop-scotch-jordan-belson-1952.html' title='Bop Scotch - Jordan Belson'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Xexb5Teznpg/SciDLMvcOXI/AAAAAAAAAO8/8VBi36qYDeo/s72-c/vlcsnap-2839378.png' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-6791708662708353152</id><published>2009-03-22T17:09:00.000-07:00</published><updated>2009-03-22T17:11:38.513-07:00</updated><title type='text'></title><content type='html'>a narrative film assembled at random&lt;br /&gt;ala nouns group early practice&lt;br /&gt;scenes run along scripted un scripted improvised&lt;br /&gt;and we edit in camera and audio glitches abound&lt;br /&gt;creating a sense of splintered reality...&lt;br /&gt;which truly embraces the reality that cinema can present&lt;br /&gt;painted contact sheets&lt;br /&gt;scroll through for video camera&lt;br /&gt;dynamic memorysheets&lt;br /&gt; &lt;br /&gt;lateral movements&lt;br /&gt;like memories ensconced in hotel rooms&lt;br /&gt; &lt;a href="http://www.flickr.com/photos/stomachisland/3295977949/" title="JC039 by jcshumate, on Flickr"&gt;&lt;img src="http://farm4.static.flickr.com/3631/3295977949_75889030a9.jpg" width="363" height="500" alt="JC039" /&gt;&lt;/a&gt;&lt;br /&gt;memorymotel&lt;br /&gt;457 minute michael jackson film&lt;br /&gt;using wikipedia as source&lt;br /&gt;question both legacy, abuse, pop culture, exposure, method&lt;br /&gt;myself...color...shape...form  etc...&lt;br /&gt;compose digital contact sheets&lt;br /&gt; &lt;br /&gt;for manipulation&lt;br /&gt;best way 2 film/photo a screen &lt;br /&gt;family portrait&lt;br /&gt;document of the pilgrimmage&lt;br /&gt;in real time - VO expository narration in between lulls&lt;br /&gt;static moving portrait&lt;br /&gt;each subject one at a time&lt;br /&gt;within a temporal consistency&lt;br /&gt;animated narrative moves laterally across kinetic background&lt;br /&gt;open office&lt;br /&gt; &lt;br /&gt;kenneth patchen&lt;br /&gt; &lt;br /&gt;folkways&lt;br /&gt; &lt;br /&gt;airway&lt;br /&gt; &lt;br /&gt;audiovisual textures aplenty&lt;br /&gt; &lt;br /&gt;michael asher&lt;br /&gt; &lt;br /&gt;fluxus&lt;br /&gt; &lt;br /&gt;dick higgins&lt;br /&gt; &lt;br /&gt;something else press&lt;br /&gt; &lt;br /&gt;esp-disk&lt;br /&gt; &lt;br /&gt;a large scope documentary&lt;br /&gt;relegated to one space&lt;br /&gt;wherein visuals and sound are native&lt;br /&gt;can include image blowups, projected images&lt;br /&gt;dry erase board, chalkboard, printouts, prerecorded sound&lt;br /&gt;reenactments, costume changes...etc...&lt;br /&gt; &lt;br /&gt;even zooms into TV screens&lt;br /&gt;but confined...&lt;br /&gt;start crafting noise&lt;br /&gt;and things for home&lt;br /&gt;and "quiet" "simple" "living"&lt;br /&gt;Listening to the scratching echo travel the room&lt;br /&gt;an easy amenable narrative for video art&lt;br /&gt;pac nw&lt;br /&gt;night of changes&lt;br /&gt;daughter out late smoke pot w rockers - dad confronts&lt;br /&gt;son keeps noodling with his pedals hearing japanoise&lt;br /&gt;mother writing novel,,,its writing her...and tv&lt;br /&gt;father exercising outside cleaning pool&lt;br /&gt;daughter writes song with boy who has snuck in&lt;br /&gt;they all collaborate on noise piece&lt;br /&gt;noisebreakfast with the japs&lt;br /&gt;his job is not fun&lt;br /&gt;an historical event to place the evening&lt;br /&gt;&lt;br /&gt;noise of which absorbs the third act&lt;br /&gt;at which point we then spend eight minutes a few days later&lt;br /&gt;getting abreast of wehre they've gone though what they do seems to have little&lt;br /&gt;to do with what they've done&lt;br /&gt;b/w sharply contrasted images&lt;br /&gt;of animal warfare&lt;br /&gt;a mini theatre - recurrent&lt;br /&gt;noise&lt;br /&gt;&lt;br /&gt;see picturemovie nine million&lt;br /&gt;time lapse static perspective&lt;br /&gt;figures move about frame&lt;br /&gt;VO dialogue&lt;br /&gt;seemingly temporally committed to a certain time&lt;br /&gt;but colors and activity continually change&lt;br /&gt;Grey daturas&lt;br /&gt;statistician in his lockbox&lt;br /&gt;first woman to visit a convicted serial killer the day before he is to be hanged in 30 years&lt;br /&gt;&lt;br /&gt;the cat's ears craning, listening beyond the wall for the geometry on the other side&lt;br /&gt;&lt;br /&gt;he drank water one day until he vomited.&lt;br /&gt;whered you get all the blood?&lt;br /&gt;Aural perspective        sound&lt;br /&gt;&lt;br /&gt;Tape record experiments&lt;br /&gt;Sound machine - responds to user&lt;br /&gt;Complex speaker setups - nine tones and whatnot&lt;br /&gt;Whem it cdnes to a tsiggeq man 7ociety finds none&lt;br /&gt;traveling recorder - traveling microphone&lt;br /&gt;Precariousness of al situation and dymamics that  constittute del mundo&lt;br /&gt;&lt;br /&gt;Leaver 2 pee during finale of dark knight&lt;br /&gt;7orry ducasse yr wrdz go unread again anite&lt;br /&gt;Tn commit it at its present stage but also to dupe it a step further and capture inagery a sound fup qther&lt;br /&gt;taped over histories&lt;br /&gt;a new analysis&lt;br /&gt;filming filmed picturemovie&lt;br /&gt;greater dimension dexterity&lt;br /&gt;&lt;br /&gt;camera swivels from projecting tv to the lcd screen which berthed tvs image&lt;br /&gt;followed by schopenhauer or any # of curious audio recordings&lt;br /&gt;&lt;br /&gt;swiveling tv face...for the future&lt;br /&gt;&lt;br /&gt;a cast of denton nobodies, their other halves are menagerie animals--there are two discourses--dialectical&lt;br /&gt;&lt;br /&gt;animal and wastoid.&lt;br /&gt;el sol es having un orgasmo grande&lt;br /&gt;what does it look like?&lt;br /&gt;&lt;br /&gt;what is it supposed to look like..?&lt;br /&gt;&lt;br /&gt;intermixed with documentary footage of social reality&lt;br /&gt;&lt;br /&gt;torn between reflection and creation and i watching or filming?&lt;br /&gt;&lt;br /&gt;participation passive but crucial...&lt;br /&gt;&lt;br /&gt;a difficult charge&lt;br /&gt;a film edited on a computer&lt;br /&gt;flipping through emails to construct a manifesto&lt;br /&gt;&lt;br /&gt;flickr picture moveis&lt;br /&gt;reduped ad nauseum of course&lt;br /&gt;if we could embed these&lt;br /&gt;filmicxfilmic experiments with multiple projections sources and multiple recorders&lt;br /&gt;and a tape recorder&lt;br /&gt;embed these within a more temporally conventional narrative setup&lt;br /&gt;it could sort of implode into a romance&lt;br /&gt;late at nite in a back bedroom&lt;br /&gt;video camera shadowing him at all times&lt;br /&gt;he could later watch with friends&lt;br /&gt;and could read along with himself&lt;br /&gt;knowing exactly what stupid thing he might say to the coffee lady&lt;br /&gt;for instance&lt;br /&gt;and that same smile...&lt;br /&gt;during live performance&lt;br /&gt;distribute posters images&lt;br /&gt;ideas on paper and&lt;br /&gt;circulate them throughout the POV of recorder&lt;br /&gt;tangling it in with the insanity&lt;br /&gt;&lt;br /&gt;full size cardboard cut outs etc...&lt;br /&gt;one camera - plugged into tv - explores the room or space or environment&lt;br /&gt;&lt;br /&gt;another camera - static on tripod - affixed view to tv screen records the cameras activity.&lt;br /&gt;stacked cameras&lt;br /&gt;synthesize their collective imagery&lt;br /&gt;into a panorama or a tapestry&lt;br /&gt;screenprint over existing image&lt;br /&gt;painting over image specter&lt;br /&gt;develop green screen&lt;br /&gt;or&lt;br /&gt;blue screen&lt;br /&gt;technologies&lt;br /&gt;what does a rear end do?&lt;br /&gt;pass&lt;br /&gt;and&lt;br /&gt;receive&lt;br /&gt;and sitting&lt;br /&gt; we need to construct a correspondence&lt;br /&gt;a living document&lt;br /&gt;of this time this place this event&lt;br /&gt;&lt;br /&gt;so futures will be right with our history&lt;br /&gt;our clothes our bodies&lt;br /&gt;our parents beleaguered purses&lt;br /&gt;degeneration through filmers reflection&lt;br /&gt;dimensions of recording environment&lt;br /&gt;live action which obscures and screens tv projections&lt;br /&gt;during recording&lt;br /&gt;i.e. pantomine, sock theatre, earbuds...&lt;br /&gt;filmer finds ways to film himself&lt;br /&gt;a camera outfitted with light sources&lt;br /&gt;and sound sources for engineered video&lt;br /&gt;a camera that only records the past&lt;br /&gt;likewise&lt;br /&gt;an exhibition space&lt;br /&gt;where everything is piped in&lt;br /&gt;from different channels and frequencies&lt;br /&gt;and a camera (or cameras) spies on the proceedings&lt;br /&gt;in mainstream film&lt;br /&gt;they find an agreeable rhythm be it printing oictureslllanny process....just persist...and persist...the tv can riff on us...&lt;br /&gt;out itno an unkown NM nnite&lt;br /&gt;rhythm is hard&lt;br /&gt;somewhere arragnements were made&lt;br /&gt;justifies present awesome,,,e'&lt;br /&gt;but where&lt;br /&gt;and for what&lt;br /&gt;how?&lt;br /&gt;that i could tack all these errata to thse trips&lt;br /&gt;we need toudnerstnd who and when&lt;br /&gt;and why...&lt;br /&gt;what did they see, or not see.....&lt;br /&gt;wehred they go&lt;br /&gt;&lt;br /&gt;followin da business.&lt;br /&gt;off into deep SW darkn ess when shall you resurface&lt;br /&gt;&lt;br /&gt;we shall wait&lt;br /&gt;with our own answeres&lt;br /&gt;waiting for your own answere.zzzzzzzzzzzzzz&lt;br /&gt;he had found&lt;br /&gt;that&lt;br /&gt;THIS&lt;br /&gt;WAS&lt;br /&gt;the bent place to which he could go&lt;br /&gt;&lt;br /&gt;a tangled miasma of sound, ideas, texts, colors, it can sustain,;.l.,;;km oihnnnnnnnnnnnnnnnnnnnnkjb kjl.n kjlm, .'-0o90u8y798ij&lt;br /&gt;ORGANIZE ALL MEDIA FILES&lt;br /&gt;FROM OLD TAPES&lt;br /&gt;&lt;br /&gt;GET THAT BLOGSPOT TOGETHER&lt;br /&gt;AND THAT RIGHT SOON&lt;br /&gt;&lt;br /&gt;synthesize this shit randy....&lt;br /&gt;&lt;br /&gt;find one and name him 1&lt;br /&gt;find two and name him 2&lt;br /&gt;find three and name him 3&lt;br /&gt;&lt;br /&gt;get the organization to cohere without betraying its nature..&lt;br /&gt;to negotiate between filmed life&lt;br /&gt;and life'&lt;br /&gt;when teh camera goes off&lt;br /&gt;and some bubbles&lt;br /&gt;&lt;br /&gt;then the truth (&amp;^&amp;%*)&lt;br /&gt;bear that in mind&lt;br /&gt;&lt;br /&gt;where getting squisshedout....&lt;br /&gt;&lt;br /&gt;they;re tryingto synthesize all of our labors&lt;br /&gt;o\ur months of hard work and create in it a sakeable body...a corpus *Ithat doth not protestO&lt;br /&gt;a body they can carry , load into their phones they can hold it , own it, control it....&lt;br /&gt;but they wont see the whole thing cause the tail ate it seff...&lt;br /&gt;&lt;br /&gt;an entire satellite of support invisible ....total....&lt;br /&gt;confused...don't be.&lt;br /&gt;&lt;br /&gt;we cannot expand&lt;br /&gt;all are in&lt;br /&gt;now&lt;br /&gt;and&lt;br /&gt;foreveermore&lt;br /&gt;fuckin sociocultural tangles&lt;br /&gt;they front with&lt;br /&gt;you&lt;br /&gt;feeling obliged to respond or feign some semblance of awareness as to whats being executed in your shadow.&lt;br /&gt;underneath it, where buxom culture is filling its rigs and lookiing at pprobability charts trytiiing to get awa y...&lt;br /&gt;they want out.&lt;br /&gt;reelationship with the keyboard gets a bit funny, off centered.&lt;br /&gt;&lt;br /&gt;yr imaginary delegation...&lt;br /&gt;it isnt there&lt;br /&gt;but is&lt;br /&gt;and that is how&lt;br /&gt;it is&lt;br /&gt;clicking teh waist line of his new pants might somehow&lt;br /&gt;rhythm&lt;br /&gt;educate those skwayard fools..&lt;br /&gt;we might accidentally fall into&lt;br /&gt;their blueprints&lt;br /&gt;the conscious roll...of which it turnes out we are not manifested for&lt;br /&gt;we were grunt labor to be liquidated in the event of an escape from THAT consciousness A COUP...&lt;br /&gt;we are underneath it.&lt;br /&gt;so its that SOUND&lt;br /&gt;that were both trying to get to the bottom of&lt;br /&gt;i just wanna be clear&lt;br /&gt;to procter the supreme explication articulation&lt;br /&gt;of what it feels like&lt;br /&gt;&lt;br /&gt;turned out&lt;br /&gt;archrival lived a mere four doors down&lt;br /&gt;kevin trudeau&lt;br /&gt;&lt;br /&gt;this is REAL MONEY were talkin about here people...&lt;br /&gt;realmoney.&lt;br /&gt;&lt;br /&gt;get it&lt;br /&gt;&lt;br /&gt;carve out an asshole shaped nook in your solar system for us&lt;br /&gt;Honey yer n tha paper&lt;br /&gt;&lt;br /&gt;Yer a spectator but the guilt is turned on you too&lt;br /&gt;surveillance footage expose of suburban waste&lt;br /&gt;using architectural imagery surveillance etc&lt;br /&gt;&lt;br /&gt;cut out picture shows of things developing...cranes...scaffolding...&lt;br /&gt;the sun rising setting, storms coming in....&lt;br /&gt;&lt;br /&gt;create the sensation of movement with these cutouts&lt;br /&gt;&lt;br /&gt;"you notice the bed felt different last night?"&lt;br /&gt;&lt;br /&gt;"honey yer in the paper!  oldtown's next billionaire player!"&lt;br /&gt;&lt;br /&gt;"cats weird.  you give her that new shit?"&lt;br /&gt;&lt;br /&gt;the smell in the bathroom went away (is going away)&lt;br /&gt;&lt;br /&gt;the stains in the carpet are all but a memory...&lt;br /&gt;&lt;br /&gt;picture movie interludes for all of this&lt;br /&gt;&lt;br /&gt;could be part of the dynamic city scape project with little picture windows of live action narrative interspersed&lt;br /&gt;&lt;br /&gt;a hungry world eats.&lt;br /&gt;idea for screenplay to breakthrough&lt;br /&gt;&lt;br /&gt;an aging revered writer hangs out with the one character he never got around to writing into a story...&lt;br /&gt;they fix each other...it ultimately swings toward everyone&lt;br /&gt;shes a winner...i didnt tell you how vacant you are....you can never be happy...you're good with statistics&lt;br /&gt;&lt;br /&gt;she operates ignorant of from where she derives her gifts...shes just manifest half/formed&lt;br /&gt;&lt;br /&gt;inquiry into writers process.&lt;br /&gt;she felt the cat on her legs&lt;br /&gt;she was written to like cats...&lt;br /&gt;she's obsessed&lt;br /&gt;reflections on TV or CPU screen, lights, strobes, mirrors, etc...&lt;br /&gt;create multiple dimensions inaccessible to one another.&lt;br /&gt;amm&lt;br /&gt;&lt;br /&gt;poire z&lt;br /&gt;way to retroactively assign the most appropriate headings to the goings on&lt;br /&gt;&lt;br /&gt;a random association will glean absolute truth arbitrarily for that is where truth lies....&lt;br /&gt;different aspects, perspectives all uncloak'd un purpose'd &lt;br /&gt;why ham i in prison&lt;br /&gt;drinking a glass of warm beer?&lt;br /&gt;&lt;br /&gt;feeling on top of anything that can presently present itself&lt;br /&gt;to me....&lt;br /&gt;what if *on occasion* we left ourselves open to merely the explication of a dumptruck narrative&lt;br /&gt;and then and then adn tehn...forever following characters...no commentary, no reason, just the pursuit of them and what they do.&lt;br /&gt;only problem with that movie&lt;br /&gt;as background&lt;br /&gt;&lt;br /&gt;as i hear it&lt;br /&gt;is that it ends&lt;br /&gt;well here i am at this place&lt;br /&gt;&lt;br /&gt;arched windows receiving me...&lt;br /&gt;the house was burning sure...true...&lt;br /&gt;&lt;br /&gt;but...&lt;br /&gt;&lt;br /&gt;what was gonna be the fate of the dirty dealer on television??&lt;br /&gt;cinema un2 cinema un2 cinema unto real life.... beyond the fore eof ytthr frsme&lt;br /&gt;\&lt;br /&gt;&lt;br /&gt;people walked around a block geared up with tvs that predict reinforce or contradict imporessions made&lt;br /&gt;about the menagerie by other members]]a full ccanvass at war...sold out by inconvenient&lt;br /&gt;technology.h&lt;br /&gt;the desecration of an anthill with wax&lt;br /&gt;&lt;br /&gt;explored under the reflection of a swimming pool...&lt;br /&gt;playing lots of things together at the same time&lt;br /&gt;collage sound&lt;br /&gt;tv rolled around an environment (a narrative environment)&lt;br /&gt;tv reports on the ambient, hidden things and keeps in focus&lt;br /&gt;the larger cultural reportage for which it is held to account&lt;br /&gt;in tying everything back into itself&lt;br /&gt;crawl unit&lt;br /&gt;chazev&lt;br /&gt;kleistwahr&lt;br /&gt;i-c-k&lt;br /&gt;murnau&lt;br /&gt;diutesc&lt;br /&gt;ewald spiss&lt;br /&gt;dissecting table&lt;br /&gt;night of the black tapes&lt;br /&gt;chop shop&lt;br /&gt;brainiac&lt;br /&gt;death in june&lt;br /&gt;hevoset&lt;br /&gt;vomit orchestra&lt;br /&gt;80 trumbones and 30 basses lp&lt;br /&gt;walter marchetti&lt;br /&gt;omei&lt;br /&gt;k2&lt;br /&gt;loren chasse&lt;br /&gt;sudden infant, grey wolves, macronympha - interzone 2 mc&lt;br /&gt;henry cow&lt;br /&gt;half makeshift&lt;br /&gt;akitsa prurient split&lt;br /&gt;damion romero&lt;br /&gt;spencer yeh&lt;br /&gt;allegory chapel ltd&lt;br /&gt;flutwacht&lt;br /&gt;chaw mank&lt;br /&gt;alymysto&lt;br /&gt;runes order&lt;br /&gt;absolute controlled clinical maniacs&lt;br /&gt;Silko things    picasso by mailer and malraux    joseph stella&lt;br /&gt;&lt;br /&gt;a filmic geography that dictates itself&lt;br /&gt;&lt;br /&gt;en explosion and suddenly the survivors find themselves on the beach...teh sun is out...&lt;br /&gt;&lt;br /&gt;narrative at the whim of a false map&lt;br /&gt;the home videos found&lt;br /&gt;of odds and ends&lt;br /&gt;weirdos&lt;br /&gt;deviants&lt;br /&gt;ordinary people&lt;br /&gt;cultural artifacts&lt;br /&gt;tinkered with&lt;br /&gt;mid road trip narrative&lt;br /&gt;brass and sticks on picnic table jam session&lt;br /&gt;&lt;br /&gt;my mom got mad when i flushed rubber bands down the toilet&lt;br /&gt;while getting free haircut&lt;br /&gt;about people who arent ever even where they are&lt;br /&gt;were leaving italy in the morning&lt;br /&gt;maybe forever&lt;br /&gt;drunken digressive critical case studies&lt;br /&gt;published&lt;br /&gt;roving through campus&lt;br /&gt;literary centerpiece&lt;br /&gt;expat landings&lt;br /&gt;somebodys brother appears from over the alps&lt;br /&gt;how many levels of activity within the ongoing autonomous scene&lt;br /&gt;the camera can go anywhere whenever&lt;br /&gt;torless tries desperately to wrestle his subconscious his unconscious his identity from the unforgiving tide of physical incident&lt;br /&gt;&lt;br /&gt;form and content can be striated likewise in musil's book.&lt;br /&gt;Thats why my bedroom has books recordz m beer&lt;br /&gt;Receives garbled missent txt&lt;br /&gt;Kept accidentally speaking in verse did the victims of wealthy kid intrigues&lt;br /&gt;A confusion phenomenon fuse imprint themselves on all manner of grotesque social triangulations&lt;br /&gt;The machine that done it&lt;br /&gt;&lt;br /&gt;Freed uv tha restraints of a balanced vantage&lt;br /&gt;&lt;br /&gt;Easily perceived order or organization is criminal - Because it either ignores or is ignorant of the elevated plane&lt;br /&gt;albers&lt;br /&gt;Creates a sensory convolution chamber&lt;br /&gt;&lt;br /&gt;The dredging of interior resource&lt;br /&gt;approaches to animation&lt;br /&gt;&lt;br /&gt;altering and recording sound speed in VLC&lt;br /&gt;&lt;br /&gt;a projector&lt;br /&gt;a bike&lt;br /&gt;a desktop computer&lt;br /&gt;a critical video review (picturemovie) of chris maclaine's the end&lt;br /&gt;work in an archives&lt;br /&gt;&lt;br /&gt;access to an archives&lt;br /&gt;kenjacobs&lt;br /&gt;taperecordernoise&lt;br /&gt;a camera that projects out&lt;br /&gt;&lt;br /&gt;passion d jeanne d arc&lt;br /&gt;M tom dieck&lt;br /&gt;Metropolis books&lt;br /&gt;while driving&lt;br /&gt;listens to recordings of his girlfriend playing violent VG the night before&lt;br /&gt;Felk instruments - dl audacity&lt;br /&gt;Steel creation of instruments and recording environmentz&lt;br /&gt;&lt;br /&gt;Concave imageries&lt;br /&gt;Cameras capacity to see to blind&lt;br /&gt;Goblet pushed over id - rifling thru sundries toward granola&lt;br /&gt;&lt;br /&gt;Camera aloft and lateral&lt;br /&gt;effective use of POV&lt;br /&gt;changes in focus from far to near&lt;br /&gt;CUT TO&lt;br /&gt;protag&lt;br /&gt;Chorus of them pills following along the blvd towaqd home following all tha way&lt;br /&gt;&lt;br /&gt;Sounds funny they cant tune their guitars from outerspace&lt;br /&gt;A future exp one act within video&lt;br /&gt;Completely cannot canonical canoing&lt;br /&gt;a bunch of cuts reassembled in different arrangements&lt;br /&gt;photographed...&lt;br /&gt;moved around creates movement&lt;br /&gt;Music composed visually - picmovie principles given to sound&lt;br /&gt;moondoc&lt;br /&gt;solemn meditation, bley&lt;br /&gt;reflective surface picturemovie&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-6791708662708353152?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6791708662708353152'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6791708662708353152'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/narrative-film-assembled-at-random-ala.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://farm4.static.flickr.com/3631/3295977949_75889030a9_t.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-1848822128576231718</id><published>2009-03-18T19:00:00.001-07:00</published><updated>2009-03-18T19:13:39.814-07:00</updated><title type='text'>Things Turned Terminal</title><content type='html'>&lt;object width="400" height="230"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=3489382&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=01AAEA&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=3489382&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=01AAEA&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="230"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/3489382"&gt;Degenerate&lt;/a&gt; from &lt;a href="http://vimeo.com/user301005"&gt;jc shumate&lt;/a&gt; on &lt;a href="http://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;br /&gt;giant nonsense structure&lt;br /&gt;on which&lt;br /&gt;people sit&lt;br /&gt;visually document with dramatic technique and deconstruction&lt;br /&gt;my reflections of media&lt;br /&gt;books&lt;br /&gt;film&lt;br /&gt;tv&lt;br /&gt;art&lt;br /&gt;with my own pioneering methods of visual redigestion and assimilation&lt;br /&gt;static photoshopped images&lt;br /&gt;organized&lt;br /&gt;tenuously&lt;br /&gt;linearly&lt;br /&gt;with manufactured soundscapes&lt;br /&gt;playing with context&lt;br /&gt;and produced truth&lt;br /&gt;&lt;br /&gt;soundplays&lt;br /&gt;soilplays&lt;br /&gt;cross faded audio samples&lt;br /&gt;of various people's varying reactions to a subject&lt;br /&gt;as we observe the subject&lt;br /&gt;numerous people temporally unrelated put together&lt;br /&gt;in a composition emotionally resonant but disconnected&lt;br /&gt;images with individual components animated while the remainder is static and lost to time&lt;br /&gt;sequences crossfade into one another&lt;br /&gt; &lt;br /&gt;long improvised sequences always acknowledging artifice&lt;br /&gt; &lt;br /&gt;methods of scene and character and context creation&lt;br /&gt;cinematizing everything&lt;br /&gt;the appeal&lt;br /&gt;the danger&lt;br /&gt;a filmed read book&lt;br /&gt;assembled footage with sync sound of hand tapping on left leg with hand thumping on right thigh&lt;br /&gt;tie them together&lt;br /&gt;&lt;br /&gt;cut to:&lt;br /&gt;picture movie hovering over a map of perverse landforms&lt;br /&gt;&lt;br /&gt;a survey of that geography&lt;br /&gt;grown on dead&lt;br /&gt;he continued on down the road&lt;br /&gt;a(alsomot like a prank)&lt;br /&gt;past barrens carved up and out&lt;br /&gt;wherein had been placed&lt;br /&gt;by some soul&lt;br /&gt;a plankworkpatchwork and if you could&lt;br /&gt;decrpyt and divine their orbits and their implications&lt;br /&gt;became the face of michael jackson&lt;br /&gt;and beyond that&lt;br /&gt;to the squatters&lt;br /&gt;laboreres&lt;br /&gt;and howlers&lt;br /&gt;Trimming his nose hair shinin his shoes&lt;br /&gt;all those things&lt;br /&gt;they filmed them&lt;br /&gt;and showed them&lt;br /&gt;Documemtary constant sound  environment shift&lt;br /&gt;&lt;br /&gt;early 90s&lt;br /&gt;90-93 archives&lt;br /&gt;collect material&lt;br /&gt;documetn&lt;br /&gt;and is its own comma&lt;br /&gt; &lt;br /&gt;experience gobbled up by time&lt;br /&gt;memory&lt;br /&gt; &lt;br /&gt;exact circumstances quickly become clouded obscure&lt;br /&gt;distorted&lt;br /&gt;picturemovie of a nights calamity&lt;br /&gt;distortions of events&lt;br /&gt;LIGHTMOVES!!!! picture #1&lt;br /&gt;picturemovie&lt;br /&gt; &lt;br /&gt;lightmoves&lt;br /&gt; &lt;br /&gt;subject&lt;br /&gt;stationary&lt;br /&gt;slight low medium angle&lt;br /&gt;showing sky some expository constructions&lt;br /&gt; &lt;br /&gt;reap&lt;br /&gt;narrative thematic aesthetic dimension...that way&lt;br /&gt;reading case studies of drug experiments&lt;br /&gt; &lt;br /&gt;counterindications&lt;br /&gt; &lt;br /&gt;wheres the excitement&lt;br /&gt;on ambien...&lt;br /&gt; &lt;br /&gt;a certain exhilaration...&lt;br /&gt;medical narcotics test vocabularies&lt;br /&gt; &lt;br /&gt;say a lot&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;the inability to type words&lt;br /&gt;the other ideas rendered in ignorance toward initially stated objective&lt;br /&gt;large panoramic dialogues&lt;br /&gt;crash into each other&lt;br /&gt;people&lt;br /&gt;citing various sources&lt;br /&gt;a trainwreck&lt;br /&gt;of didacticness&lt;br /&gt; &lt;br /&gt;everybody talking on something else&lt;br /&gt;leaf paper making kit&lt;br /&gt;a large screen&lt;br /&gt; &lt;br /&gt;moviedome - and laptop with wireless&lt;br /&gt;forever commentary&lt;br /&gt;if you could once&lt;br /&gt;not&lt;br /&gt;wake up in&lt;br /&gt;this bed&lt;br /&gt;in which&lt;br /&gt;you went to sleep&lt;br /&gt; &lt;br /&gt;then these impressions might be able to amply impress....&lt;br /&gt; &lt;br /&gt;might go concrete on you...become shape....constitution....&lt;br /&gt; &lt;br /&gt;hi&lt;br /&gt;walkin down the street proud  without regard for the past whippinngngnngngdn,g alogn,...&lt;br /&gt;yr orbiting psychology&lt;br /&gt;becomes relevant in the narrative&lt;br /&gt;spheres you haunt under influence&lt;br /&gt; &lt;br /&gt;and a world is bound at all ends&lt;br /&gt;n vg there is no chance&lt;br /&gt; &lt;br /&gt;everything preordainedby a well time urination&lt;br /&gt; &lt;br /&gt;thats how cards meet&lt;br /&gt;if you can market to the peaks&lt;br /&gt; &lt;br /&gt;the target markets&lt;br /&gt;will fall in line&lt;br /&gt; &lt;br /&gt;show them things they thought theyd only imagined&lt;br /&gt;happening prosaically to those a station or two above&lt;br /&gt;it will selll&lt;br /&gt; &lt;br /&gt;and the culture might respond as well&lt;br /&gt;a true survey of their closed doors&lt;br /&gt; &lt;br /&gt;the politics&lt;br /&gt;the compositions&lt;br /&gt;the arrangements&lt;br /&gt; &lt;br /&gt;LIGHT MOVES!!!&lt;br /&gt;4 remarkable evenings in time&lt;br /&gt; &lt;br /&gt;understood as one evening&lt;br /&gt; &lt;br /&gt;picturemovie&lt;br /&gt; &lt;br /&gt;lightmoves&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;stories to tell tomorrow&lt;br /&gt;filmed actorz reality...?&lt;br /&gt; &lt;br /&gt;from where does memorable applaudable art generate?&lt;br /&gt;little marge mcgruder, product of incest&lt;br /&gt;Characters speak in their particular handwriting - speech bubbling&lt;br /&gt;Filming as drawing or painting&lt;br /&gt;Materialist camera explores realist panorama&lt;br /&gt;Jonestown on wheelz&lt;br /&gt;&lt;br /&gt;media setup for my pedagogy&lt;br /&gt; &lt;br /&gt;contending with concepts of history&lt;br /&gt;deconstructing history&lt;br /&gt;what does it tell us?&lt;br /&gt; &lt;br /&gt;can't be abortive blank stared wanks&lt;br /&gt;ala barrett (and those were studio art jrs and srs)&lt;br /&gt;that anything no matter how horrible&lt;br /&gt;can competently persuasively be&lt;br /&gt;GLOSSED OVER&lt;br /&gt; &lt;br /&gt;slumdog&lt;br /&gt;stumbleblock&lt;br /&gt;rhetorical strategies are stumped&lt;br /&gt; &lt;br /&gt;the taste&lt;br /&gt;of&lt;br /&gt;corona cerveza&lt;br /&gt; &lt;br /&gt;how to say it?&lt;br /&gt; &lt;br /&gt;at allll.....&lt;br /&gt;mbien hi&lt;br /&gt; &lt;br /&gt;will not subject itself to any rubric&lt;br /&gt;or standardized preordained gauntlet of orthodoxy to&lt;br /&gt;understand institutionally the experience&lt;br /&gt;the experience is anew everytime&lt;br /&gt;a virginbirth&lt;br /&gt;roaring through its own alien grounds&lt;br /&gt;rules anew&lt;br /&gt;it will control&lt;br /&gt;and dictate&lt;br /&gt;impossible&lt;br /&gt;to take away a tangible&lt;br /&gt;sense of something...&lt;br /&gt;its only that night's calamity&lt;br /&gt;size and shape amorphous&lt;br /&gt; &lt;br /&gt;tissues which might ordinarily have fuctioned in a connective capacity are nil void&lt;br /&gt;but discovered nonetheless....&lt;br /&gt;FILMING SCREENS&lt;br /&gt; &lt;br /&gt;approaches of the filmed screen&lt;br /&gt; &lt;br /&gt;documentary&lt;br /&gt;using stock footage from GTA&lt;br /&gt; &lt;br /&gt;and the frying brain screen of shuffled text imgs on blogger&lt;br /&gt;the most confused spontaneous capturing&lt;br /&gt;of ideas and their tenor&lt;br /&gt;and the conditions under which they breed&lt;br /&gt; &lt;br /&gt;little advanced picture movies&lt;br /&gt; &lt;br /&gt;a strange collaboration...&lt;br /&gt;meaning retroactive sometimes.&lt;br /&gt;privilege&lt;br /&gt;returned&lt;br /&gt;to circumstances&lt;br /&gt;conditions under which&lt;br /&gt;revelation is beheld&lt;br /&gt;the flavor temperature&lt;br /&gt;a map of the brain waves&lt;br /&gt;the materialist survey&lt;br /&gt;of a drug overdose&lt;br /&gt;of a peripheral friend&lt;br /&gt;finding him in his same clothes&lt;br /&gt;once remarkable&lt;br /&gt;still remarkable of themselves&lt;br /&gt;a long survey&lt;br /&gt;uv this&lt;br /&gt;in LS&lt;br /&gt;two of us&lt;br /&gt;fire fires&lt;br /&gt; &lt;br /&gt;weve experienced the disconnect&lt;br /&gt; &lt;br /&gt;polite amiable transitions&lt;br /&gt;interrupted by bracing changes in tone and texture&lt;br /&gt;overorganization&lt;br /&gt;as a controlling stifling&lt;br /&gt;force&lt;br /&gt;ambien strips away&lt;br /&gt;peeling back a layer&lt;br /&gt;exposing traveller&lt;br /&gt;to chaotic confusion&lt;br /&gt;with meaning around every corner&lt;br /&gt; &lt;br /&gt;and a sense of connectedness that is in all reality,,,there...&lt;br /&gt;ordinary citizens&lt;br /&gt;peek in on&lt;br /&gt;departed esque intrique&lt;br /&gt; &lt;br /&gt;the negotiation&lt;br /&gt;deftly arranged window of time&lt;br /&gt;in which&lt;br /&gt;he could not be seen&lt;br /&gt; &lt;br /&gt;free agent&lt;br /&gt;operating at his own whimsy&lt;br /&gt; &lt;br /&gt;the constant burden sticking its knees into the proceedings&lt;br /&gt;that of some anonymous conference....we can escape it&lt;br /&gt;and follow our time where it wishes&lt;br /&gt;subjects on screen are almost static automatic&lt;br /&gt; &lt;br /&gt;realist camera swoops circles swirls around as it might the static frame - the stage&lt;br /&gt; &lt;br /&gt;the lens can get into any contour it pleases&lt;br /&gt;couples vocabulary&lt;br /&gt; &lt;br /&gt;different items to which he directed his unmediated attention&lt;br /&gt; &lt;br /&gt;components studied shaped formed&lt;br /&gt;to one day&lt;br /&gt;be piled atop of one another&lt;br /&gt;for an overform&lt;br /&gt;a domestic portrait&lt;br /&gt;or&lt;br /&gt;any portrait&lt;br /&gt;unbroken acrobatic camera takes&lt;br /&gt;of prepared material&lt;br /&gt;only briefly appending moments of the take&lt;br /&gt;to inject some temporal life&lt;br /&gt;and make precarious the tenous balances that connected one&lt;br /&gt;thing to the other&lt;br /&gt;sequence LONG TAKE&lt;br /&gt;bottom ender&lt;br /&gt;captured from contorted angle&lt;br /&gt;following a cameras DAYLIGHT duty capturing one angle&lt;br /&gt;this seems to be the CAMERA turned conveniently to capture an unremarkable composition as&lt;br /&gt;significant developments are made therein&lt;br /&gt;evolving perspective&lt;br /&gt;evolving interpretation&lt;br /&gt;a young boy in a ladys wig lost at space&lt;br /&gt;just curious&lt;br /&gt;how our blood&lt;br /&gt;sheds&lt;br /&gt;on&lt;br /&gt;this town&lt;br /&gt;fkin aliens at my feet&lt;br /&gt;and darkness&lt;br /&gt;beyond&lt;br /&gt; &lt;br /&gt;extinguished all the dmons&lt;br /&gt;jc&lt;br /&gt;Long descriptive collage - we are all alone&lt;br /&gt;Poetry written among ruins and horror - cryptopronunciation&lt;br /&gt;How long it takes an entire history to be forgotten - memorys shelflife&lt;br /&gt;Girls counter tx - wall shadowed - events formalistically redigested&lt;br /&gt;Grief process film spins into incoherence and esthetic confvsion turmoil&lt;br /&gt;In room of curios meaningful xchangez were stifled&lt;br /&gt;assess old video&lt;br /&gt;organize&lt;br /&gt;&lt;br /&gt;bring video and hw to sisco&lt;br /&gt;also photograph relentlessly&lt;br /&gt;assess attic space&lt;br /&gt;&lt;br /&gt;read&lt;br /&gt;read newspaper&lt;br /&gt;fill the time&lt;br /&gt;&lt;br /&gt;procure&lt;br /&gt;tp&lt;br /&gt;light bulbs&lt;br /&gt;remote for dvd player&lt;br /&gt;only one other soul had ever been invited (or had inclusion forced upon them) and this is Winda.&lt;br /&gt;to create a vast media empire&lt;br /&gt;how to organize it&lt;br /&gt;protect it..&lt;br /&gt;craig mt&lt;br /&gt;temporary structure tests&lt;br /&gt;&lt;br /&gt;naturally the first will be merely six squares of drywall affixed into a cube&lt;br /&gt;railroad spikes will be spiked into the four corners&lt;br /&gt;and perhaps a middle spike as well&lt;br /&gt;train a camera on it...&lt;br /&gt;live in it...&lt;br /&gt;science....&lt;br /&gt;begin transport of pics from stefanies computer to yours&lt;br /&gt;moving backwards in time...&lt;br /&gt;practice, design, and theory&lt;br /&gt;of PictureMovie Processing&lt;br /&gt;&lt;br /&gt;strategies for narrative creation&lt;br /&gt;conditions under which to process&lt;br /&gt;temperature&lt;br /&gt;orientation&lt;br /&gt;arrangement&lt;br /&gt;&lt;br /&gt;all toward the higher&lt;br /&gt;magnifying glass&lt;br /&gt;&lt;br /&gt;1 pt font library&lt;br /&gt;peter greenaway - the moab story&lt;br /&gt;anthology of globe covering journalism&lt;br /&gt;all written from a desk in ny&lt;br /&gt;ed ruscha 26 gasstations&lt;br /&gt;chester himes&lt;br /&gt;rage in harlem&lt;br /&gt;for love of imabelle&lt;br /&gt; &lt;br /&gt;peter linebaugh&lt;br /&gt;a peoples history of the classroom&lt;br /&gt; &lt;br /&gt;california newsreel&lt;br /&gt; &lt;br /&gt;the big sellout&lt;br /&gt; &lt;br /&gt;the new media literacy handbook&lt;br /&gt;william godwin&lt;br /&gt;no hero of mine&lt;br /&gt;max stirner&lt;br /&gt;the ego and its own&lt;br /&gt;benjamin tucker&lt;br /&gt; &lt;br /&gt;Recollection used books&lt;br /&gt;james koehnline&lt;br /&gt; &lt;br /&gt;ishiguro&lt;br /&gt; &lt;br /&gt;james broughton - coming unbuttoned&lt;br /&gt; &lt;br /&gt;hi, mom&lt;br /&gt; &lt;br /&gt;boudu saved from drowning&lt;br /&gt; &lt;br /&gt;scarlett empress - von sternberg&lt;br /&gt; &lt;br /&gt;elephant man&lt;br /&gt; &lt;br /&gt;the last laugh&lt;br /&gt; &lt;br /&gt;dressed to kill&lt;br /&gt; &lt;br /&gt;bunuel&lt;br /&gt; &lt;br /&gt;panther panchali&lt;br /&gt; &lt;br /&gt;dog day afternoon&lt;br /&gt; &lt;br /&gt;dreyer - joan of arc&lt;br /&gt; &lt;br /&gt;panic - duvivier&lt;br /&gt; &lt;br /&gt;antigone - greece&lt;br /&gt; &lt;br /&gt;jean cocteau&lt;br /&gt; &lt;br /&gt;Ritwik Ghatak - cloud capped star&lt;br /&gt; &lt;br /&gt;the sound of hulots car - expectancy - rosenbaum&lt;br /&gt; &lt;br /&gt;mikey and nicky&lt;br /&gt; &lt;br /&gt;Jean Grémillon&lt;br /&gt; &lt;br /&gt;jean vigo&lt;br /&gt;spunk.org&lt;br /&gt;&lt;br /&gt;akiba, bolo bolo by p.m.&lt;br /&gt;archive all media&lt;br /&gt;organize all cpu docs&lt;br /&gt;scan all&lt;br /&gt;file&lt;br /&gt;transfer Azureus Downloads from Laptop to PC - burn&lt;br /&gt;print shit everyday from Computer Labs&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;day 1 - movie: My Crasy Life, Jean-Pierre Gorin, 1992&lt;br /&gt;           book: Gone to Croatan, Swann's Way,&lt;br /&gt;           album Anthology of Dutch Tape Music Vol 1 1955-1966&lt;br /&gt;                   2) Hateworthy Fucker - Torturing Nurse&lt;br /&gt;clean apartment in pieces&lt;br /&gt;&lt;br /&gt;organize and archive all media&lt;br /&gt;&lt;br /&gt;scans&lt;br /&gt;azureus&lt;br /&gt;home video&lt;br /&gt;etc...&lt;br /&gt;&lt;br /&gt;make a catalogue of every tangible item in yr apartment&lt;br /&gt;state its worth and value&lt;br /&gt;find a structure and organization&lt;br /&gt;bluestone water&lt;br /&gt;blue vitriol to feign blindness&lt;br /&gt;as a beggar&lt;br /&gt;John Brunner's novel The Sheep Look Up&lt;br /&gt; &lt;br /&gt;ran prieur&lt;br /&gt; &lt;br /&gt;phillip k dick&lt;br /&gt;cultivate&lt;br /&gt;zillionaire blues&lt;br /&gt;come in confused conflated waves&lt;br /&gt;from top and bottom&lt;br /&gt;and televiston screen - automatic&lt;br /&gt;&lt;br /&gt;draws the circle&lt;br /&gt;&lt;br /&gt;that could be touched&lt;br /&gt;must appear at least&lt;br /&gt;that the proper channels were traveled en route&lt;br /&gt;to it&lt;br /&gt;looking back - all the psych will check out&lt;br /&gt;&lt;br /&gt;but the strategy of inquiry is indeed virginal&lt;br /&gt;&lt;br /&gt;untested unstoppable&lt;br /&gt;Various poles met under confused magnets&lt;br /&gt;faust&lt;br /&gt;henry cow&lt;br /&gt;skullflower&lt;br /&gt;recommended records - uk&lt;br /&gt;tangerine dream&lt;br /&gt;landing&lt;br /&gt;riley - the last camel in paris&lt;br /&gt;mother mallard's portable masterpiece companyj&lt;br /&gt;image compositing&lt;br /&gt;&lt;br /&gt;different dimensions&lt;br /&gt;lit as though part of a different image&lt;br /&gt;to reverse videotape the press junket&lt;br /&gt;&lt;br /&gt;re-spin as it were&lt;br /&gt;&lt;br /&gt;stories of heroes from their youth&lt;br /&gt;&lt;br /&gt;find that access into relevant material...when the emotion smarts and stings...and how...its good real&lt;br /&gt;like the tvs web is telling you what to do&lt;br /&gt;prescribing behavior&lt;br /&gt;&lt;br /&gt;nonnegotiable divide&lt;br /&gt;various cameras distributed through main veins of a celebration&lt;br /&gt;&lt;br /&gt;have them always running...&lt;br /&gt;&lt;br /&gt;assemble afterwards...&lt;br /&gt;&lt;br /&gt;even provide various cues (ignorable) to the future users&lt;br /&gt;fragrancing your books&lt;br /&gt;&lt;br /&gt;make them smell&lt;br /&gt;textured screening environments&lt;br /&gt;candles etc&lt;br /&gt;&lt;br /&gt;textured environments&lt;br /&gt;&lt;br /&gt;textured images&lt;br /&gt;different ways of traveling the image&lt;br /&gt;up to down etc&lt;br /&gt;&lt;br /&gt;different perspectives avail themselves&lt;br /&gt;a confused chronology&lt;br /&gt;&lt;br /&gt;characters never find a center because we are incapable of taking a valid measure as certain aspects are forever obscure half consummated.&lt;br /&gt;large photo mosaics&lt;br /&gt;for animation&lt;br /&gt;kapuscinski, ryszard&lt;br /&gt;&lt;br /&gt;wg sebald&lt;br /&gt;&lt;br /&gt;millennium film journal&lt;br /&gt;&lt;br /&gt;george landow&lt;br /&gt;&lt;br /&gt;Pre-Raphaelite Brotherhood&lt;br /&gt;From Wikipedia, the free encyclopedia&lt;br /&gt;Jump to: navigation, search&lt;br /&gt;Persephone, by Dante Gabriel Rossetti.&lt;br /&gt;&lt;br /&gt;The Pre-Raphaelite Brotherhood (also known as the Pre-Raphaelites) was a group of English painters, poets, and critics, founded in 1848 by Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, John Everett Millais, Frederic George Stephens, Thomas Woolner and William Holman Hunt.&lt;br /&gt;&lt;br /&gt;The group's intention was to reform art by rejecting what they considered to be the mechanistic approach first adopted by the Mannerist artists who succeeded Raphael and Michelangelo. They believed that the Classical poses and elegant compositions of Raphael in particular had been a corrupting influence on the academic teaching of art. Hence the name "Pre-Raphaelite". In particular, they objected to the influence of Sir Joshua Reynolds, the founder of the English Royal Academy of Arts. They called him "Sir Sloshua", believing that his broad technique was a sloppy and formulaic form of academic Mannerism. In contrast, they wanted to return to the abundant detail, intense colours, and complex compositions of Quattrocento Italian and Flemish art.&lt;br /&gt;&lt;br /&gt;The Pre-Raphaelites have been considered the first avant-garde movement in art, though they have also been denied that status, because they continued to accept both the concepts of history painting and of mimesis, or imitation of nature, as central to the purpose of art. However, the Pre-Raphaelites undoubtedly defined themselves as a reform-movement, created a distinct name for their form of art, and published a periodical, The Germ, to promote their ideas. Their debates were recorded in the Pre-Raphaelite Journal.&lt;br /&gt;modern composition&lt;br /&gt; &lt;br /&gt;harvey pekar libretto&lt;br /&gt; &lt;br /&gt;item&lt;br /&gt;baker hotel imagery of stefs&lt;br /&gt; &lt;br /&gt;a certain anxiety&lt;br /&gt;about geographical exactitude&lt;br /&gt;which side of the fence&lt;br /&gt; &lt;br /&gt;where the garden grew fun&lt;br /&gt; &lt;br /&gt;proust&lt;br /&gt;a movie with only one presence&lt;br /&gt;and a bunch of voices&lt;br /&gt;Diesel trucks  roar outside a bar&lt;br /&gt;composite&lt;br /&gt;&lt;br /&gt;superimposition&lt;br /&gt;dimensions of a panorama&lt;br /&gt;as details emerge&lt;br /&gt;&lt;br /&gt;scratch acid&lt;br /&gt;a confusing torrent of static images&lt;br /&gt;a frantic mosic&lt;br /&gt;put to film&lt;br /&gt;&lt;br /&gt;collecting images&lt;br /&gt;strange how the visuals&lt;br /&gt;seem to chase the audio&lt;br /&gt;often getting lost&lt;br /&gt;and plodding along in a lost, abandoned sentiment&lt;br /&gt;trapped in time&lt;br /&gt;alost&lt;br /&gt;kurt cobains psychology organized verbally&lt;br /&gt;what are his concerns&lt;br /&gt;how does he think&lt;br /&gt;&lt;br /&gt;how do the external factors manifest themselves internally?&lt;br /&gt;a polluted sound design&lt;br /&gt;&lt;br /&gt;sequences that are sound directed&lt;br /&gt;oriented around auditory phenomena&lt;br /&gt;Pursued by a vivid textured image&lt;br /&gt;&lt;br /&gt;Any free dom you can imagine is void&lt;br /&gt;We could lord over time n space coloring it bathtub discourses of the other evening&lt;br /&gt;Their confused zealotry found expression in all manner of human behavior&lt;br /&gt;Are you familiar with the work of Steven Shaviro, who uses Deleuze and Guattari's work to discuss cinema (and the rest of life) in a late-capitalist framework?&lt;br /&gt;audio and visual out of sync&lt;br /&gt;missed connections&lt;br /&gt;images float, defy gravity&lt;br /&gt;we realize the eyes are peering from behind barbed wire&lt;br /&gt;the search for redundant images&lt;br /&gt;the excision &lt;br /&gt;the spoken explanation of points of view&lt;br /&gt;&lt;br /&gt;different visual / cultural / social / analytical perspectives&lt;br /&gt;&lt;br /&gt;verbalized over imagery&lt;br /&gt;the picture was reflecting him&lt;br /&gt;technological anxieties&lt;br /&gt;&lt;br /&gt;proximity to it&lt;br /&gt;&lt;br /&gt;understanding thru it&lt;br /&gt;&lt;br /&gt;is it ever close enought&lt;br /&gt;&lt;br /&gt;to elucidate point?&lt;br /&gt;&lt;br /&gt;to create a malleable content&lt;br /&gt;which can be traded at empty bar dialogues&lt;br /&gt;Sky and reflection in same image&lt;br /&gt;&lt;br /&gt;he sat there&lt;br /&gt;he advanced the wheel with his foot along the back of teh loveseat&lt;br /&gt;as though all his ideas and assertions now expected reprise&lt;br /&gt;he was responsible for them...&lt;br /&gt;&lt;br /&gt;careening off the shower curtain and over banking off the black drapes which separated his friend from his lower income neigbors adjacent&lt;br /&gt;Is research guts&lt;br /&gt;&lt;br /&gt;robotic camera&lt;br /&gt; &lt;br /&gt;picturemovie rig&lt;br /&gt;for controlled environment&lt;br /&gt; &lt;br /&gt;new battery for Xti&lt;br /&gt; &lt;br /&gt;his cache&lt;br /&gt;tape recorder&lt;br /&gt;xti&lt;br /&gt;hv20&lt;br /&gt;pens&lt;br /&gt;pencils&lt;br /&gt;paper&lt;br /&gt;disney cam (find usb)&lt;br /&gt;sansa mp3 player&lt;br /&gt; &lt;br /&gt;fix computer&lt;br /&gt;run vegas&lt;br /&gt; &lt;br /&gt;new external drive&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;trunk clean&lt;br /&gt; &lt;br /&gt;closet clean&lt;br /&gt; &lt;br /&gt;childhoods rear end&lt;br /&gt; &lt;br /&gt;dietary regime&lt;br /&gt; &lt;br /&gt;create bags for purposes&lt;br /&gt; &lt;br /&gt;rig up special bag&lt;br /&gt;the bag was alive&lt;br /&gt; &lt;br /&gt;candles&lt;br /&gt;incense&lt;br /&gt;tea&lt;br /&gt; &lt;br /&gt;pedagogy&lt;br /&gt;(application)&lt;br /&gt; &lt;br /&gt;painting&lt;br /&gt;philip best&lt;br /&gt;&lt;br /&gt;raymond pettibon&lt;br /&gt;collage room arrangements&lt;br /&gt;mosaic&lt;br /&gt;&lt;br /&gt;clean up e drive&lt;br /&gt;empty camera&lt;br /&gt;get tapes&lt;br /&gt;batteries&lt;br /&gt;scan&lt;br /&gt;color bridge&lt;br /&gt;hanged angle&lt;br /&gt;digital color patch dissolve&lt;br /&gt;creating multple dimensions within the frame&lt;br /&gt;resolume?&lt;br /&gt;re con stitute&lt;br /&gt;parents old business docs&lt;br /&gt;family history&lt;br /&gt;the perfect equation&lt;br /&gt;a time lapse&lt;br /&gt;which shows TRUE&lt;br /&gt;&lt;br /&gt;where are your grandparents?&lt;br /&gt;in a cemetery in tennessee.&lt;br /&gt;the analysis of old fotos&lt;br /&gt;subject to reconstitution --&lt;br /&gt;details&lt;br /&gt;&lt;br /&gt;a la letter to jane&lt;br /&gt;how is it godard had done everything already?&lt;br /&gt;document of physicality&lt;br /&gt;study in perspectives&lt;br /&gt;&lt;br /&gt;impossible perspectives&lt;br /&gt;the impossible perspective&lt;br /&gt;&lt;br /&gt;academic painting theory running parallel&lt;br /&gt;eassemble images by breaking into components&lt;br /&gt;and frittering with contrast, etc...&lt;br /&gt;&lt;br /&gt;-----&lt;br /&gt;&lt;br /&gt;out of focus backgrounds for panoramas&lt;br /&gt;&lt;br /&gt;-----&lt;br /&gt;&lt;br /&gt;cut outs over painted backgrounds&lt;br /&gt;&lt;br /&gt;--&lt;br /&gt;&lt;br /&gt;timelapse stomach sag&lt;br /&gt;&lt;br /&gt;---&lt;br /&gt;timelapse shave&lt;br /&gt;collisions of various physical media&lt;br /&gt;&lt;br /&gt;imprints&lt;br /&gt;crotch of the americas&lt;br /&gt;rhetorical strategy - white elephant v termite&lt;br /&gt;&lt;br /&gt;an interesting exposition of this strategy and the confusion it engenders (invites?) can be seen in prolific old man eastwood's 2008 output...Lavish period piece Changeling v. Minor, dingy Gran Torino&lt;br /&gt;having taken up the vogue issue of the day&lt;br /&gt;had gotten smiles from noone&lt;br /&gt;it was void&lt;br /&gt;aerial geography&lt;br /&gt;&lt;br /&gt;how something locates itself&lt;br /&gt;going backwards to reason the parameters of its searchexpedition&lt;br /&gt;using details from original sized images&lt;br /&gt;textures&lt;br /&gt;dynamic kinetic documents of process struggle&lt;br /&gt;arbitrarily placed FRAMELINES on overflowing panorama&lt;br /&gt;restraint&lt;br /&gt;surveillance flat compositions&lt;br /&gt;of real life&lt;br /&gt;to aesthetically evaluate&lt;br /&gt;which will yield of course to personal inquiry&lt;br /&gt;why do i talk like that?&lt;br /&gt;do i stand like that?&lt;br /&gt;etc...&lt;br /&gt;digging forever deeper into the textural deep of reconstituted images&lt;br /&gt;they never die&lt;br /&gt;and always beget perspective heretofore unknown&lt;br /&gt;a static camera&lt;br /&gt;as protagonist&lt;br /&gt;guides you around the content of his computer&lt;br /&gt;static frame hold on monitor&lt;br /&gt;only the sound of navigation&lt;br /&gt;and recollection and analysis&lt;br /&gt;and interpretation forced&lt;br /&gt;camera views rapid scan through&lt;br /&gt;my pictures creates sixfold kineticism&lt;br /&gt;and awkward tour through photographic memory&lt;br /&gt;things turned terminal&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-1848822128576231718?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1848822128576231718'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1848822128576231718'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/things-turned-terminal.html' title='Things Turned Terminal'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-6861286566270496233</id><published>2009-03-16T22:44:00.000-07:00</published><updated>2009-03-16T22:46:52.909-07:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Xexb5Teznpg/Sb85Op8ywRI/AAAAAAAAANk/Df0P_RRpqlA/s1600-h/ok301157.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 400px; height: 227px;" src="http://2.bp.blogspot.com/_Xexb5Teznpg/Sb85Op8ywRI/AAAAAAAAANk/Df0P_RRpqlA/s400/ok301157.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5314029009262264594" /&gt;&lt;/a&gt;&lt;br /&gt;different sized images&lt;br /&gt;picturemovied on top of each other&lt;br /&gt;kinetic&lt;br /&gt;&lt;br /&gt;where the picturemovies exist&lt;br /&gt;and why&lt;br /&gt;within a narrative&lt;br /&gt;the arms and legs, which as yet have not been described were&lt;br /&gt;he proper lighting environment for picturemovies&lt;br /&gt;&lt;br /&gt;a working space - a homemade platform&lt;br /&gt;which stabilizes and normalizes the respective fields of view&lt;br /&gt;a looping panorama&lt;br /&gt;characters walking back and forth doing&lt;br /&gt;almost the same things but one long take&lt;br /&gt;illuminating discrepancies&lt;br /&gt;&lt;br /&gt;while the camera moves every which way&lt;br /&gt;over under sideways around through&lt;br /&gt;at certain points the camera&lt;br /&gt;will circle&lt;br /&gt;or follow&lt;br /&gt;a particular character&lt;br /&gt;&lt;br /&gt;before panning across 1 dimensional bg&lt;br /&gt;traditional moving portraiture&lt;br /&gt;with no dialogue&lt;br /&gt;&lt;br /&gt;just action, function, automation&lt;br /&gt;famous speeches reread&lt;br /&gt;visually altered context&lt;br /&gt;histrionics&lt;br /&gt;how to logically and novelly extend the practice&lt;br /&gt;of the picture movie&lt;br /&gt;&lt;br /&gt;into arenas of Soviet Constructivist Montage Theory&lt;br /&gt;he consulted the dictionary&lt;br /&gt;to ensure he had said it the best way&lt;br /&gt;&lt;br /&gt;he sought the affections of&lt;br /&gt;so he...&lt;br /&gt;he reproduced the municipal map&lt;br /&gt;discreetly 100 times&lt;br /&gt;everytime he ventured&lt;br /&gt;he'd notate his route and paste it to the wall&lt;br /&gt;as though he were suddenly seeing through everything&lt;br /&gt;measuring them unfit, dumb&lt;br /&gt;all the things to which he wanted to return&lt;br /&gt;they buzzed and collided in his head&lt;br /&gt;had he known them&lt;br /&gt;would he&lt;br /&gt;ever?&lt;br /&gt;he would often get on the floor and&lt;br /&gt;look at things from down there&lt;br /&gt;He followed thru unknown conduits&lt;br /&gt;&lt;br /&gt;a person ordinary by any measure of description&lt;br /&gt;but possessed of an oversized longing&lt;br /&gt;and asymmetrical eyes&lt;br /&gt;the same image repeated&lt;br /&gt;creating a fluidity&lt;br /&gt;or pulsing effect&lt;br /&gt;&lt;br /&gt;for use in critical, non narrative, postmodern, documentary work&lt;br /&gt;&lt;br /&gt;a reconsideration of Chris Maclaine's The End&lt;br /&gt;his designs were a trap&lt;br /&gt;&lt;br /&gt;bobbys complex anagrams were then integrated into his symbology&lt;br /&gt;that they could covertly embed revolutionary imagery within&lt;br /&gt;otherwise innocuous, prosaic, even dull mass&lt;br /&gt;secrets&lt;br /&gt;self-destructive theatre&lt;br /&gt;&lt;br /&gt;viewing extras on ambien&lt;br /&gt;&lt;br /&gt;the faceplate on which the precious information is couched&lt;br /&gt;it comes to an almond that can be retroactively be constituted&lt;br /&gt;&lt;br /&gt;that it was in there all along  and couldve been used all along&lt;br /&gt;and it wont make sense when ya see em doin it&lt;br /&gt;&lt;br /&gt;it will communicate&lt;br /&gt;sometime&lt;br /&gt;will resonate&lt;br /&gt;&lt;br /&gt;what theyve constructed at rx whims&lt;br /&gt;&lt;br /&gt;cameras on ambien&lt;br /&gt;that the sleeping lens reflects the other&lt;br /&gt;there is something there&lt;br /&gt;&lt;br /&gt;lost all control or facility with time and its passing durations&lt;br /&gt;rig'd reflective domes&lt;br /&gt;&lt;br /&gt;much passes and reorientates&lt;br /&gt;before us&lt;br /&gt;where did i put that camera&lt;br /&gt;&lt;br /&gt;the homo in gervais&lt;br /&gt;James Castle was a deaf man born at the turn of the 20th century on a farm in Idaho. He refused to learn to read, write or sign, but he made lots of art. The work I'd seen previously were "drawings" of banal farm scenes — a barn with a fence, a shed with a chair — made out of soot and spit. This show, a retrospective, shows that he made a lot more than that, in a variety of styles and mediums. As with the Gee's Bend crew, one can't help but be shocked at the uncanny parallels to works by Warhol, Ruscha and a whole mess of others. Once again one wonders if those parallels make Castle's work more incredible. Once again it would be hard to deny that those parallels are probably why his work is being shown here in a giant art museum.&lt;br /&gt;warsaw university library&lt;br /&gt;a towering composition&lt;br /&gt;bobbing&lt;br /&gt;but keeping perspective privilege on a subject&lt;br /&gt;&lt;br /&gt;vegas strip&lt;br /&gt;pioneer histories&lt;br /&gt;Doubts about reverence for knowledge - prewrite&lt;br /&gt;&lt;br /&gt;If they could imagegod maybe they could imagine a place of forgiveness&lt;br /&gt;what was it that had them all sold out?&lt;br /&gt;&lt;br /&gt;into another large, crowded room&lt;br /&gt;&lt;br /&gt;they traveled fragrant corridors, moving staircases,&lt;br /&gt;&lt;br /&gt;the billionaire thought about the words...moving in time&lt;br /&gt;story of Ana and Gore&lt;br /&gt;beside a casino&lt;br /&gt;and peripheral that&lt;br /&gt;a revolution&lt;br /&gt;nestled precariously&lt;br /&gt;atop...&lt;br /&gt;Mod tractor war - happy not happy&lt;br /&gt;Only the tires r vulnerable&lt;br /&gt;A whole sensation sensitive&lt;br /&gt;&lt;br /&gt;A cultures conscience at the laundries&lt;br /&gt;&lt;br /&gt;Who provide the food - how was the space secured&lt;br /&gt;The clothes that covered them were drawn from one of three places&lt;br /&gt;A photographer - portraits of happy cosmopolitan families round xmas - warm&lt;br /&gt;Could you debase it?&lt;br /&gt;Walter benjamin n public&lt;br /&gt;&lt;br /&gt;Melodramatic xmas carols in mall w crowd roar followed by vandal roar&lt;br /&gt;His public experiment&lt;br /&gt;They touched it&lt;br /&gt;What music does to you&lt;br /&gt;&lt;br /&gt;how it effected them...&lt;br /&gt;&lt;br /&gt;what others around had said about it&lt;br /&gt;&lt;br /&gt;or how theyd contributed whether they knew it or not&lt;br /&gt;&lt;br /&gt;a small town all opened&lt;br /&gt;&lt;br /&gt;took juvenile snaps&lt;br /&gt;emphasizing wonder&lt;br /&gt;there was this machine at this place&lt;br /&gt;and you could only load one image at a time&lt;br /&gt;and the stories they told&lt;br /&gt;new intermediate methods of assembly&lt;br /&gt;new juxtapositions&lt;br /&gt;new vocab&lt;br /&gt;new space&lt;br /&gt;new ideas&lt;br /&gt;he tried to photograph the camera&lt;br /&gt;goal&lt;br /&gt;&lt;br /&gt;not to fall into&lt;br /&gt;or sell out into&lt;br /&gt;the mechanism&lt;br /&gt;too deeply&lt;br /&gt;\&lt;br /&gt;enough&lt;br /&gt;Dynamic traveling theatre&lt;br /&gt;Pink the color of flesh&lt;br /&gt;Pain the only analog&lt;br /&gt;&lt;br /&gt;A swallow of swallowed swallowing dark&lt;br /&gt;&lt;br /&gt;Eyes absent x - the haunt followed them from miami cincinnati&lt;br /&gt;&lt;br /&gt;Hard to determine the aspect of his travels he liked the best&lt;br /&gt;A narrator thats never sure&lt;br /&gt;Waitstaff discussed scraps&lt;br /&gt;Countryz geographical catalog - one could account for all its moodz&lt;br /&gt;I was just made fun of in pointyshoe'd deutsch - ink on fingers - blind of panorama - europes photographing selves n front of founta&lt;br /&gt;Embracing one another n flickering multicolored light&lt;br /&gt;He loved it when every thing was included - he teared up&lt;br /&gt;swirling camera experiments&lt;br /&gt; &lt;br /&gt;improve with camera&lt;br /&gt; &lt;br /&gt;photo textual collages&lt;br /&gt; &lt;br /&gt;create dimension&lt;br /&gt;integrate&lt;br /&gt;text narrative&lt;br /&gt;sound tests&lt;br /&gt;images&lt;br /&gt;picturemovies&lt;br /&gt;imagecollages&lt;br /&gt;rephotographing photographs&lt;br /&gt; &lt;br /&gt;where camera goes during transitions&lt;br /&gt;Circle narrative - cam rotates 4 hemispheres- process - occasionally depart into insight cu of created animation - pixar&lt;br /&gt;Recreated graffiti scenes w expository narrative - urban panorama&lt;br /&gt;That which mobilizes rival cultures - japsongz&lt;br /&gt;Presenting lonely classic filmz in primetime - creating communities marketz&lt;br /&gt;Split middlewise - casualty everyone&lt;br /&gt;Nfl observed organism fantasy&lt;br /&gt;Enough $ to do thingz@&lt;br /&gt;Bjeanz cut off fastidiously at the knee w ankle cons y matching white sox&lt;br /&gt;&lt;br /&gt;shapes desperate tentacles made&lt;br /&gt;a lot about emasculation&lt;br /&gt; &lt;br /&gt;how we respond to its colors and images&lt;br /&gt;love among machines song&lt;br /&gt; &lt;br /&gt;parables&lt;br /&gt; &lt;br /&gt;a form to which everything returns&lt;br /&gt;the form&lt;br /&gt; &lt;br /&gt;a pile&lt;br /&gt;symbols laid waste&lt;br /&gt;that their own creations might harbor affections for one another&lt;br /&gt;worlds created therein&lt;br /&gt;new feelings&lt;br /&gt;ends gesturing failure&lt;br /&gt;a gulf unbridgeable&lt;br /&gt;camera rotating device&lt;br /&gt;la region centrale&lt;br /&gt;camera that zooms into different aspects of a frame erratically&lt;br /&gt; A thing for with to poke and a thing to be poked&lt;br /&gt;Seamless integration of 2 video sources&lt;br /&gt;Zoom into tv images at 8 fps including own redigested imageries - redid&lt;br /&gt;&lt;br /&gt;A wet rail&lt;br /&gt;Post virtue&lt;br /&gt;He cursed the boys and they reciprocated.&lt;br /&gt;&lt;br /&gt;Cut out photos part of larger dimensional image&lt;br /&gt;spied in various shades of criminality&lt;br /&gt; &lt;br /&gt;like a cutout folk hero, advancing, pausing&lt;br /&gt;sometimes leadings, other times following seemingly&lt;br /&gt;Opened up and revealed&lt;br /&gt;Baths make her peace&lt;br /&gt;Following a murder - poorly timed delivery of expensive giftz&lt;br /&gt;Moving bacjwards and forwards in the moment picturemovie&lt;br /&gt;Criminal zigzagz  in the nite&lt;br /&gt;using rudimentary technologies destroy landmarks&lt;br /&gt; the trembling screen&lt;br /&gt;write/find monologues to be read over picturemovies&lt;br /&gt;that the screen trembles is a good thing&lt;br /&gt;Love Among Machines Song&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Tour-orists! the flyer trumpeted with an inset image of two large Americans wearing vacant stares and oversized sunglassees, mushroom clouds reflecting back. Emmanuel enclosed the creature within the paper, folding it around the amorphous frame, it gently writhing. He pinched the tops of the oversized leaflet where they met between his index finger and his thumb and carried it, paper bulging, around the field--displaying it. Once the hiatus ended, Emmanuel had trouble finding a volunteer from the largely female specatatorship willing to take over responsibility while he again mounted Sherlock to resume the war. Many younger brothers insisted it was a job they could handle, but being fully acquainted with the violent whimsy and undignified (irrational) science of boys, Emmanuel declined. He peeled open the paper and looked long at his new ridemate: four broken legs (much to small for its chassis,) a face without recognizable orientation, bared but innocuous teeth, and a long, thin tail knotted upon itself many times in nightmares. Depositing the creature of uncertain origin or destination into his toolbag, Emmanuel stepped aboard Sherlock, his confused mass of rusted engine parts painted matte-black and entered the pit. Visible, colored by a mixed media of dying sunlight and automobile headlights were six modified tractors of varied shape and size roving the gently declining plain.&lt;br /&gt;&lt;br /&gt;Theirs was a novel art and they plied it with devotion. In its infancy it was merely a forceful demonstration of mechanical prowess and supreme resourcefulness; violent destruction brought the masses and along with it the boys' most targeted demographic--un-pregnant girls. They were surprisingly receptive to Tha MuthaFuckin' Forcefield's make-believe culture and were further influenced by Lawton's penchant for promotion and rhetoric.&lt;br /&gt;&lt;br /&gt;lawton strikes at the heart of the town's booming development and promotes ThaMuthafuckin forcefield&lt;br /&gt;&lt;br /&gt;Lawton was the poet laureate of the roper scene. He could peer into dark expanses and find things invisible to the others.&lt;br /&gt;&lt;br /&gt;He was the son of the only man assassinated in an election for the hearts of a population of less than three thousand souls. This statistic, of course, was not on the books as an obstinate recording body, sympathetic with his father's assassin refused to acknowledge meatloaf's malfeasance. Henry Lawton, one night in late October visited with a family of supporters was later found in a stranger's car&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;in a place where the earth gave nothing&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;.&lt;br /&gt;&lt;br /&gt;their figures when juxtaposed in the field of battle&lt;br /&gt;&lt;br /&gt;their lenses became mirrors&lt;br /&gt;&lt;br /&gt;when in the middle they met&lt;br /&gt;he was comic in his oatmeal trousers and confused hair&lt;br /&gt;in hotel bar&lt;br /&gt;his harmless - easy pursuit of leisure was challenged&lt;br /&gt;entire narrative of awkwardly printed fotos&lt;br /&gt;resulting in animation&lt;br /&gt;kinetic fluid painting details&lt;br /&gt;controlling everyday light sources&lt;br /&gt;reigning them in&lt;br /&gt;amera follows abigail's father going silly on drugs as though attached at waist and viewing up&lt;br /&gt;cant come at it (approach it) as part of a larger cohesive whole&lt;br /&gt;each sequence - usually series of images must be conceptualized individually&lt;br /&gt;and larger meaning must be inscribed later&lt;br /&gt;not in the outset&lt;br /&gt;creates a more organic, honest work&lt;br /&gt;&lt;br /&gt;mixed media video presentation&lt;br /&gt;videogame based on adderall mazes&lt;br /&gt;scan collages&lt;br /&gt;&lt;br /&gt;its like a camera&lt;br /&gt;&lt;br /&gt;with a flat gravity orientation&lt;br /&gt;or something&lt;br /&gt;1941 that was 19 yrs before 1960&lt;br /&gt; &lt;br /&gt;he would fall deep into history sometimes&lt;br /&gt;N between worldz he saw a roving shape he liked&lt;br /&gt;From wide 2 narrow&lt;br /&gt;2 be totally portable&lt;br /&gt;recreating historical scenes&lt;br /&gt;with VLC splitscreens&lt;br /&gt;symmetry&lt;br /&gt;performance&lt;br /&gt;historical narrative&lt;br /&gt;cattledrive&lt;br /&gt;3 men&lt;br /&gt;CUs of me&lt;br /&gt;4th screen is dynamic&lt;br /&gt;sound design&lt;br /&gt;peter laughner&lt;br /&gt;rocket from the tombs&lt;br /&gt;The Feeling Mucus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Hilton Laszlo once spent two weeks in a media environment of his own design. It was the winter and he'd returned from another terminal semester at university and now freed of the silent judgment of his roommate, he was able finally to pursue his art. But his art was organization. His room at home was a scrapheap of disorganized documents, hand-written notes, line-drawings ripped from long-dead elementary school notebooks, old advertisements (taken from a found pile of Look! Magazines in the attic) painted and mutilated, xerox'd bullet-point concepts with notes written upon them in various colors of ink, xerox'd again and stapled to half-completed, abandoned television sitcom manuscripts--these festered in large storage-bins labeled "Please, Mom--Don't Touch!" He had thirteen four-by-four memopads, most of them comprised of three different generations of notes per (front and back) page, distinguishable only by ever narrowing margins; often he had only the development of his own handwriting with which to negotiate the conceptual differentiations of the text. Curious, industrious eyes would be privy to a fascinating survey of technological developments in word processing throughout the decade previous. His computer (affixed to a jib-arm which could be rotated for access from any strange corner of the room he felt necessary for working) had reached its critical mass; a precarious combination of home video, Word documents, and PDF scans--many of them duplicates, triplicates, or quadruplicates of Hilton's cognitive rumblings whose originals were likely filed away haphazardly underneath his twin-size futon.&lt;br /&gt;&lt;br /&gt;In addition to the task of reigning in the mess waiting for him in his room was the task of organizing that semester's additions--he'd had to pay for an additional Amtrak seat for his suitcase swollen with significant notes and objects. They were mostly Spanish language fluency activities with the answer blanks (and everything else) filled with illegible notes and drawings.&lt;br /&gt;&lt;br /&gt;And waiting for him outside his door when he arrived was a sensitive materials shipment; two paperboard containers loaded with implements for his mediaworld. At the beginning of the semester, Hilton had promptly returned all of his school texts and with the net payment of 475 dollars had purchased from the University surplus a cache of various technologies, from practical to extravagant: two discarded overhead projectors ($26), a media projector ($120, all sales final--he tried to haggle), a virtual wall of fluorescent banklights ($18), three journalist's analog tape recorders with cassette tapes ($30), a magnifying glass lot, in different grades and sizes ($48) four black surge protectors ($33), a three-foot ceramic flamenco dancing lady hollowed out and filled with strobing LED lights ($6) and a collection of odds and ends he felt would secure him a happy, safe passage on his Christmas break inquiry.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In between worlds, he spotted a roving shape he liked.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Feeling Mucus&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;comic in his oatmeal trousers and confused hair&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;failed attempts at soundproofing his room&lt;br /&gt;&lt;br /&gt;thanksgiving&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;an analog solution&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;magnifying glass&lt;br /&gt;&lt;br /&gt;his materials&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;his organizational patterns&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;a survey of panoramas&lt;br /&gt;&lt;br /&gt;their very definitions changed&lt;br /&gt;Perception of time elapsing - represents a process&lt;br /&gt;gf and bf hum and tune of pursuit&lt;br /&gt;&lt;br /&gt;dadada&lt;br /&gt;&lt;br /&gt;dadadada&lt;br /&gt;google maps aerial view&lt;br /&gt;nearly turned upside down&lt;br /&gt;&lt;br /&gt;see aerial view of stanford campus on wikipedia&lt;br /&gt;an accounting for the time taken to write and edit a story&lt;br /&gt;notated in step with the narrative&lt;br /&gt;and ultimately&lt;br /&gt;committing larceny&lt;br /&gt;he let his eyes lose focus&lt;br /&gt;a canera that can crawl around into anything&lt;br /&gt;&lt;br /&gt;see las vegas footage entirely&lt;br /&gt;nightclad brigand&lt;br /&gt;&lt;br /&gt;brigands&lt;br /&gt;TELLING THE STORY OF AN OLD WESTERN MOVIE inside a movie&lt;br /&gt;to another character&lt;br /&gt;&lt;br /&gt;steadicam picture movie&lt;br /&gt;the introduction of extravagant effects in The Tempest&lt;br /&gt;actually alleviates the viewer's challenge toward imagination (use for imagination)&lt;br /&gt;&lt;br /&gt;imagination is interiority&lt;br /&gt;&lt;br /&gt;imagination is a persons creative resource&lt;br /&gt;employed toward problem solving, diversion&lt;br /&gt;&lt;br /&gt;going beyond the senses-- however remaining consistent with reality&lt;br /&gt;&lt;br /&gt;find imagination which transcends the narrow thresholds of belief which govern reality&lt;br /&gt;&lt;br /&gt;in MSND, all decide the events of the previous night were imagined, as in a dream&lt;br /&gt;Windows of the bus didnt provide that angle&lt;br /&gt;That no one could know&lt;br /&gt;Etymology of the term cs&lt;br /&gt;Argument over it&lt;br /&gt;&lt;br /&gt;Its not a joke you can tell anyone&lt;br /&gt;Slept thru thf morning u could tell by his snoring&lt;br /&gt;Sprawling documemt of tws cold broken&lt;br /&gt;Complex cooqdimauion  of digitz&lt;br /&gt;No ebsy place&lt;br /&gt;Fat girl w cig maker bathroom impossible&lt;br /&gt;Seen to craw5 out of face&lt;br /&gt;&lt;br /&gt;Faded from thà worst map ever&lt;br /&gt;&lt;br /&gt;Endvring crushed&lt;br /&gt;Uld sis wired n&lt;br /&gt;Ben p8 uv larger&lt;br /&gt; Attacked by garment hallelujah!&lt;br /&gt;Best sportsbbr w view of ti&lt;br /&gt;scarfmittensblousething&lt;br /&gt;as though he were already speaking from beyond&lt;br /&gt;under such a perversely layered sky, he thought&lt;br /&gt;moments - passed - past&lt;br /&gt;fast times without editing&lt;br /&gt;all the connective tissue&lt;br /&gt;if it had been made like elephant&lt;br /&gt;Collaborative institutional memory&lt;br /&gt;Outside the water garden where regularly people thronged to take in the show, Ana&lt;br /&gt;Not 2 bad&lt;br /&gt;projected on incongruous space&lt;br /&gt;Twas merely a geodesic monkey bar&lt;br /&gt;Different vis aspects - a new front&lt;br /&gt;comics&lt;br /&gt;storyboard construction&lt;br /&gt;with certain concerns / responsibilites&lt;br /&gt;on roadtrip&lt;br /&gt;footage runs parallel w animation process work&lt;br /&gt;dim reflections&lt;br /&gt;Vocal narratives environment - ie hip hop&lt;br /&gt;Documented interactive book reading&lt;br /&gt;A break the mechanism&lt;br /&gt;travel the globe&lt;br /&gt;through time&lt;br /&gt;through context&lt;br /&gt;through method&lt;br /&gt;through style&lt;br /&gt;two people interrogating a conversation as they're having it&lt;br /&gt;One that produces a logical linearity&lt;br /&gt;enormous photographs&lt;br /&gt;camera moving around on them&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-6861286566270496233?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6861286566270496233'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/6861286566270496233'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/different-sized-images-picturemovied-on.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Xexb5Teznpg/Sb85Op8ywRI/AAAAAAAAANk/Df0P_RRpqlA/s72-c/ok301157.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-3906948642655599748</id><published>2009-03-16T19:22:00.000-07:00</published><updated>2009-03-16T19:23:18.438-07:00</updated><title type='text'>11/12 - 12/1 (ish)?</title><content type='html'>viewership semi-active usually accompanies a lack of energy&lt;br /&gt;a desire merely to be entertained&lt;br /&gt;or at least satisfied along conventional lines&lt;br /&gt;not to be challenged&lt;br /&gt;a comfortable place to sit&lt;br /&gt;the kids making noise outside the window in the alley&lt;br /&gt;using the camera to look&lt;br /&gt;to explore&lt;br /&gt;thinking in images&lt;br /&gt;materialist surveys&lt;br /&gt;structural&lt;br /&gt;19th century ivy league speechwriting&lt;br /&gt;The Meaning of Everything: The Story of the Oxford English Dictionary [BARGAIN PRICE] (Hardcover)&lt;br /&gt;&lt;br /&gt;12.   by Simon Winchester (Author)&lt;br /&gt;&lt;br /&gt;13.                Infotopia: How Many Minds Produce Knowledge (Paperback)&lt;br /&gt;&lt;br /&gt;14.   by Cass R. Sunstein (Author)&lt;br /&gt;&lt;br /&gt;lawrence lessig&lt;br /&gt;&lt;br /&gt;To assemble drives into resolved càusal bodies  - make them beyond circumstance's influence&lt;br /&gt;drawing in dust and sand&lt;br /&gt;mud&lt;br /&gt;preserved&lt;br /&gt;&lt;br /&gt;bound multimedia presentation&lt;br /&gt;&lt;br /&gt;begin execution&lt;br /&gt;everything&lt;br /&gt;unpurpose'd&lt;br /&gt;something reunderstood&lt;br /&gt;reconstituted as object / product&lt;br /&gt;&lt;br /&gt;genius wrought out&lt;br /&gt;&lt;br /&gt;the man was too&lt;br /&gt;&lt;br /&gt;suddenly an artist&lt;br /&gt;leaves of grass - esque&lt;br /&gt;ever ongoing work&lt;br /&gt;ever expanding&lt;br /&gt;&lt;br /&gt;the title (heading) interchangeable with the maker&lt;br /&gt;inserts of note overwritten xeroxes&lt;br /&gt;of early drafts of manual for quiet living&lt;br /&gt;interspersed throughout&lt;br /&gt;the cinematic representation&lt;br /&gt;of everyday&lt;br /&gt;&lt;br /&gt;how it moves sounds&lt;br /&gt;its rhythms&lt;br /&gt;&lt;br /&gt;like crawling backwards and forwards scientifically to spell Ryth....rhtym...rhythm&lt;br /&gt;how books are bound&lt;br /&gt;fits and starts&lt;br /&gt;&lt;br /&gt;wrongheaded approaches to information collection&lt;br /&gt;and presentation and execution&lt;br /&gt;&lt;br /&gt;are me&lt;br /&gt;&lt;br /&gt;oy&lt;br /&gt;toward mania&lt;br /&gt;&lt;br /&gt;cu of letters typed  i l e f t t h e m t h a t d ay a t t h e b e a c h&lt;br /&gt;toilet collage&lt;br /&gt;Wall of fragrance - mimic structure of newspaper - this is a newspaper&lt;br /&gt;Discretion and concealment value the thing&lt;br /&gt;His ambitions became mature and ridiculous&lt;br /&gt;Strategies for looking at and understanding disorganization - a book txtd&lt;br /&gt;&lt;br /&gt;Cant publicly protest for discreet complex goals&lt;br /&gt;renaissance lit professor&lt;br /&gt;writes own verse&lt;br /&gt;students must coax out legitimate work for his own&lt;br /&gt;he spent a few days reestablishing&lt;br /&gt;&lt;br /&gt;calling old friends to make sure they were still alive&lt;br /&gt;a day many years ago when he'd been psychic&lt;br /&gt;9/11&lt;br /&gt;he alone was subject nor spectator&lt;br /&gt;to history&lt;br /&gt;a giant poster with every idea on it&lt;br /&gt;in medium size&lt;br /&gt;tacked to the ceiling&lt;br /&gt;a periscope-magnifying glass&lt;br /&gt;homemade&lt;br /&gt;for looking at idea collage&lt;br /&gt;responsibility untaken&lt;br /&gt;she could tend the fire&lt;br /&gt;he would think and rest&lt;br /&gt;out on a peak&lt;br /&gt;overlooking a void&lt;br /&gt;beyond that--itself an impossible task---&lt;br /&gt;the gallery roared&lt;br /&gt;approval&lt;br /&gt;dissent&lt;br /&gt;understanding&lt;br /&gt;vegas&lt;br /&gt;the illusion of being self-maintained&lt;br /&gt;automatic&lt;br /&gt;zora neale hurston's folk tales of the south&lt;br /&gt;&lt;br /&gt;fishing blues radio on pandora&lt;br /&gt;what __vague noun, verb, adjective___ does&lt;br /&gt; &lt;br /&gt;what love does&lt;br /&gt;what fear does&lt;br /&gt;what cold does&lt;br /&gt;The Robbers (German: Die Räuber) was the first drama by German playwright Friedrich Schiller. The play was published in 1781 and premiered on January 13, 1782 in Mannheim, Germany. It was written towards the end of the German Romanticist Sturm und Drang ("Storm and Stress") movement and has been considered by many critics, such as Peter Brooks, to have influenced the development of European melodrama.[1] The play astounded its Mannheim audience and made Schiller an overnight sensation. It later became the basis for Verdi's opera of the same name, I masnadieri.&lt;br /&gt; &lt;br /&gt;walter benjamin&lt;br /&gt; &lt;br /&gt;you follow the train as long as stamina will honor...&lt;br /&gt;the search for a stabilizing force&lt;br /&gt;which centers and then focuses&lt;br /&gt;you are already open&lt;br /&gt;fill self&lt;br /&gt; &lt;br /&gt;a wideopen alaska day&lt;br /&gt;corners of rooptops to sky seemed a possible journey&lt;br /&gt;not victimized by its ease but gracious in its gifts&lt;br /&gt;Utopia: Thomas More&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;how to live&lt;br /&gt;livescribe&lt;br /&gt; &lt;br /&gt;like christmas time&lt;br /&gt;when people drugs and all manner of things&lt;br /&gt;crawl out of corners and avail themselves&lt;br /&gt;a boundless physical and temporal space in which to work&lt;br /&gt;and perfect&lt;br /&gt;and make sense&lt;br /&gt;&lt;br /&gt;[mined during viewing of true life and imagining the labor that contributes to what to me is nothing more than an hour of mindless joy&lt;br /&gt;measuring their times against one another&lt;br /&gt;every departure a blessing&lt;br /&gt;signposts&lt;br /&gt;benchmarks&lt;br /&gt;in prison&lt;br /&gt;you feel very organized&lt;br /&gt;approaching his scroll&lt;br /&gt;in a neckpillow&lt;br /&gt;bound precariously in place with tensed shoulderblades&lt;br /&gt;he found the transitional frangrance (bedroom to lavatory) warm and suggestive&lt;br /&gt;guiding him to the consummate stage&lt;br /&gt;he made an executive decision&lt;br /&gt;the air was unique&lt;br /&gt;new&lt;br /&gt;of special privilege&lt;br /&gt;he would honor it&lt;br /&gt;it would reciprocate&lt;br /&gt;&lt;br /&gt;of special character and orientation&lt;br /&gt;unprecedented access&lt;br /&gt;&lt;br /&gt;he would pursue it&lt;br /&gt;&lt;br /&gt;they would too...the psychologists&lt;br /&gt;&lt;br /&gt;rendering any potential academic survey impossible&lt;br /&gt;the brain people&lt;br /&gt;are over&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;its tuesday&lt;br /&gt;dea's tale&lt;br /&gt;&lt;br /&gt;narrative of an idea in search of articulation&lt;br /&gt;the urban jungle&lt;br /&gt;&lt;br /&gt;he meets and charms a pen&lt;br /&gt;&lt;br /&gt;language is all that divides them&lt;br /&gt;&lt;br /&gt;so they&lt;br /&gt;together&lt;br /&gt;&lt;br /&gt;create it&lt;br /&gt;ebooks are not a future&lt;br /&gt;ideas leash'd&lt;br /&gt;conscious effort to stand unaffected&lt;br /&gt;&lt;br /&gt;and next&lt;br /&gt;&lt;br /&gt;to ignore entirely&lt;br /&gt;a gangland epic&lt;br /&gt;&lt;br /&gt;how theyre absolved&lt;br /&gt;&lt;br /&gt;the names faces attitudes they cultivate&lt;br /&gt;and embrace&lt;br /&gt;&lt;br /&gt;the vacuum of the culture&lt;br /&gt;against the vacuum of marginal hood existence&lt;br /&gt;the guns violence&lt;br /&gt;intensity&lt;br /&gt;ability to traffic wisely&lt;br /&gt;be ahead&lt;br /&gt;and understand the dynamics&lt;br /&gt;he would review the list&lt;br /&gt;to determine which gifts he hadn't received&lt;br /&gt;xtreme depth of field&lt;br /&gt;of spaces&lt;br /&gt;potential seemingly limitless&lt;br /&gt;of picturemovie&lt;br /&gt;aluminum foil painted&lt;br /&gt;and glued&lt;br /&gt;panorama collage&lt;br /&gt;draft new txt collages&lt;br /&gt;for method application'&lt;br /&gt;employ pictorial focal points&lt;br /&gt;arrange in various configurations&lt;br /&gt;scancollages&lt;br /&gt;in text panoramas&lt;br /&gt;smells like kissing&lt;br /&gt;who let them on the boat?&lt;br /&gt;&lt;br /&gt;--dangerous moral conservatives&lt;br /&gt;&lt;br /&gt;employed with grace&lt;br /&gt;the hollow expanses&lt;br /&gt;that are home&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;....who let them on the boat&lt;br /&gt;&lt;br /&gt;chopping up the roving blue sky that&lt;br /&gt;should be the backdrop for my flight to freedom&lt;br /&gt;its where yer head goes&lt;br /&gt;Bakersfield - some dusty dusted plateau nowhere middle&lt;br /&gt;To identify where it came from&lt;br /&gt;as valid a concern as a controlled environment&lt;br /&gt;on animation simulation is&lt;br /&gt; &lt;br /&gt;also to be considered is a moving camera and its ability&lt;br /&gt;to transform the static&lt;br /&gt; &lt;br /&gt;and also the union of moving pictures and video&lt;br /&gt; &lt;br /&gt;and also the magic of static image and video&lt;br /&gt;webcam&lt;br /&gt;for further deconstruction&lt;br /&gt;Libraries in my time&lt;br /&gt;Had a way of selling himself out -of puncturing mystique&lt;br /&gt;&lt;br /&gt;He would sing the music as though carried away - dichotomy of fast and slow songs - character of the bar -&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Asynchronous audio slightly  over video&lt;br /&gt;A stable of methods to be deployed as necessary&lt;br /&gt;&lt;br /&gt;Uneducated handsz&lt;br /&gt;the electric buzz from an adjacent tv on&lt;br /&gt;Inviting correspondence&lt;br /&gt;&lt;br /&gt;That you might kick it - euer changing modes of address - model&lt;br /&gt;&lt;br /&gt;Urban cycling nightmares  - never seen anyone ride like that!&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-3906948642655599748?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3906948642655599748'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3906948642655599748'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/03/1112-121-ish.html' title='11/12 - 12/1 (ish)?'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-8773815980181360449</id><published>2009-02-03T14:52:00.001-08:00</published><updated>2009-02-03T14:52:55.610-08:00</updated><title type='text'></title><content type='html'>&lt;object width="400" height="228"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=3071381&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=01AAEA&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=3071381&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=01AAEA&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="228"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/3071381"&gt;PictureMovie 8&lt;/a&gt; from &lt;a href="http://vimeo.com/user301005"&gt;jc shumate&lt;/a&gt; on &lt;a href="http://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-8773815980181360449?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8773815980181360449'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8773815980181360449'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/02/picturemovie-8-from-jc-shumate-on-vimeo.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-759848737221366890</id><published>2009-01-23T20:04:00.001-08:00</published><updated>2009-01-23T20:04:55.058-08:00</updated><title type='text'></title><content type='html'>&lt;object width="400" height="261"&gt;&lt;param name="allowfullscreen" value="true" /&gt;&lt;param name="allowscriptaccess" value="always" /&gt;&lt;param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=2930169&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=01AAEA&amp;amp;fullscreen=1" /&gt;&lt;embed src="http://vimeo.com/moogaloop.swf?clip_id=2930169&amp;amp;server=vimeo.com&amp;amp;show_title=1&amp;amp;show_byline=1&amp;amp;show_portrait=0&amp;amp;color=01AAEA&amp;amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="400" height="261"&gt;&lt;/embed&gt;&lt;/object&gt;&lt;br /&gt;&lt;a href="http://vimeo.com/"&gt;PictureMovie 7 -&lt;/a&gt; from &lt;a href="http://vimeo.com/user301005"&gt;jc shumate&lt;/a&gt; on &lt;a href="http://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-759848737221366890?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/759848737221366890'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/759848737221366890'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2009/01/picturemovie-7-from-jc-shumate-on-vimeo.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-7913355686371300512</id><published>2008-12-23T00:17:00.000-08:00</published><updated>2008-12-23T00:19:06.047-08:00</updated><title type='text'>An effort to (again) preserve memory -</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://2.bp.blogspot.com/_Xexb5Teznpg/SVCevsNtCeI/AAAAAAAAANM/UUpx6nb1qqw/s1600-h/sans_soleil+copia2.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 353px; height: 400px;" src="http://2.bp.blogspot.com/_Xexb5Teznpg/SVCevsNtCeI/AAAAAAAAANM/UUpx6nb1qqw/s400/sans_soleil+copia2.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5282896905065269730" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SVCevctHLrI/AAAAAAAAANE/oX87xvl0LGM/s1600-h/milestones.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 267px; height: 400px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SVCevctHLrI/AAAAAAAAANE/oX87xvl0LGM/s400/milestones.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5282896900902039218" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SVCevV8_ufI/AAAAAAAAAM8/5i06WEhRK54/s1600-h/killingbookie.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 200px; height: 300px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SVCevV8_ufI/AAAAAAAAAM8/5i06WEhRK54/s400/killingbookie.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5282896899089611250" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;All amazing and grammar-expanding.  and shit.&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-7913355686371300512?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7913355686371300512'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7913355686371300512'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/12/effort-to-again-preserve-memory.html' title='An effort to (again) preserve memory -'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Xexb5Teznpg/SVCevsNtCeI/AAAAAAAAANM/UUpx6nb1qqw/s72-c/sans_soleil+copia2.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4724476988327267560</id><published>2008-12-09T14:19:00.000-08:00</published><updated>2008-12-09T14:21:43.422-08:00</updated><title type='text'></title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_Xexb5Teznpg/ST7vZa9vCcI/AAAAAAAAAM0/PRruq24X0Z8/s1600-h/Notes158.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 292px; height: 400px;" src="http://1.bp.blogspot.com/_Xexb5Teznpg/ST7vZa9vCcI/AAAAAAAAAM0/PRruq24X0Z8/s400/Notes158.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5277919033338825154" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/ST7vZF5K3rI/AAAAAAAAAMs/42FI6PPzC1Q/s1600-h/Notes235.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;width: 291px; height: 400px;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/ST7vZF5K3rI/AAAAAAAAAMs/42FI6PPzC1Q/s400/Notes235.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5277919027682533042" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4724476988327267560?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4724476988327267560'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4724476988327267560'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/12/blog-post.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Xexb5Teznpg/ST7vZa9vCcI/AAAAAAAAAM0/PRruq24X0Z8/s72-c/Notes158.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-3500014939852594871</id><published>2008-10-31T09:22:00.000-07:00</published><updated>2008-10-31T09:23:59.736-07:00</updated><title type='text'>cutandpaste pieces - new dissemination - new narrative</title><content type='html'>reconstitute narrative via word program&lt;br /&gt;scrolling through different font sizes&lt;br /&gt;intermixed with other text&lt;br /&gt;and action! &lt;br /&gt;Stands illumined surrounded by an audience of specters specific&lt;br /&gt;Exempt language when necessary ?&lt;br /&gt;from cumbersome responsibility of presence A tidal force accountable to nothing witness and testimony &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Art history frames thru midwestern couch - pictures cut pieces&lt;br /&gt;&lt;br /&gt;circular interview doc&lt;br /&gt; &lt;br /&gt;between seeing critically and seeing&lt;br /&gt; &lt;br /&gt;layered video installation collage&lt;br /&gt;&lt;br /&gt;Complexity of multidimensiomal relationships&lt;br /&gt;The surplus of energy found expression in the frail onlookers sending them to the ground every manner of abrasion&lt;br /&gt;Aimless walk paranoia guilt excusable violence&lt;br /&gt;Dialogue solely imagery&lt;br /&gt;sound of breathing unleashed hysterics&lt;br /&gt;&lt;br /&gt;a far away baby&lt;br /&gt;i have trouble with the years&lt;br /&gt;synesthesia, in which stimulation of one sensory pathway leads to automatic, involuntary experiences in a second sensory pathway.&lt;br /&gt;&lt;br /&gt;i.e. visual stimulation leads a person to experience auditory stimulus&lt;br /&gt;&lt;br /&gt;Synesthesia runs in families but its mode of inheritance is yet to be determined.  Synthesia can also result from stroke, drug use, or during temporal lobe epilepsy&lt;br /&gt;&lt;br /&gt;Simple Parietal Seizure is one in which one of the temporal lobes (side of the brain) is affected but the person does not loose consciousness, may only have feeling of déjà vu, slight amnesia or synesthia&lt;br /&gt;&lt;br /&gt;The reported range of people who experience synesthesia is vast, ranging from  1 and 23 or 1 and 1000 people – varying in range, type and intensity. &lt;br /&gt;&lt;br /&gt;There are questions if synesthesia is really perceived by the affected person as a "second" sense (resulting from actual stimulation of a secondary sensory pathway) or if the sensation is merely a byproduct of memory.&lt;br /&gt;&lt;br /&gt;          (ex: you listened to a song and were looking at something red, the next time you hear the song you "see" red – but you don't actually "see"  it, that is your visual sensory pathway is not activated, you simply remember a previous experience. )&lt;br /&gt;&lt;br /&gt;There is a study that use the Stroop test (say the color when the word 'blue' is written in red) that tests grapheme synesthia – it seems to indicate that the phenomenia is real   &lt;br /&gt;&lt;br /&gt;grapheme-color synesthesia, in which letters or numbers (collectively called "graphemes") are highlighted with particular colors (Brian Man)&lt;br /&gt;&lt;br /&gt;The ventrolateral nucleus is a structure deep in the brain – when damaged (i.e. by a stroke) the area reorganizes itself in an attempt to preserve sensory processing – this seems to show that synesthesia may be caused by a "cross-wiring" of sensory circuits deep within the brain (esp. subcortically – deep in brain)&lt;br /&gt;&lt;br /&gt;altered connections in the thalamus that help in processing sensory information when normal processing pathways are impaired&lt;br /&gt;&lt;br /&gt;jigsaw puzzles – make them&lt;br /&gt;&lt;br /&gt;his struggles to create there, the faces in the windows to which there was connected a certain ambivalent&lt;br /&gt;&lt;br /&gt;"I think it will pass soon," he said.&lt;br /&gt;She considered it in black&lt;br /&gt;&lt;br /&gt;Legion of Doom (hacking)&lt;br /&gt;&lt;br /&gt;oliver herford&lt;br /&gt;&lt;br /&gt;this giddy globe&lt;br /&gt;&lt;br /&gt;entire texts composed largely of quotes and attributions&lt;br /&gt;&lt;br /&gt;video memoirs&lt;br /&gt;VO over home movies repurposing them&lt;br /&gt;&lt;br /&gt;repurposing old video journalism&lt;br /&gt;bolstering color&lt;br /&gt;&lt;br /&gt;forces of destruction&lt;br /&gt;&lt;br /&gt;following, sometimes leading&lt;br /&gt;lit in shapes like a folk hero&lt;br /&gt;&lt;br /&gt;N thingz&lt;br /&gt;N soon he feltit&lt;br /&gt;&lt;br /&gt;Blakholez!  1994!&lt;br /&gt;A suryez uv that years thingz&lt;br /&gt;&lt;br /&gt;Picaresque n other worlds unexplored&lt;br /&gt;$ endurance&lt;br /&gt;&lt;br /&gt;talking to pictures&lt;br /&gt;alonelyuniverse&lt;br /&gt;rudolf Steiner&lt;br /&gt;Clarify position&lt;br /&gt;Billionaire learns panflute - feels - hard 4 easy easy 4 hard approaches  approacher&lt;br /&gt;Yr old stomach&lt;br /&gt;Eyes made narrow&lt;br /&gt;It was the third time shed met her biological ma - the first time she hadnt know&lt;br /&gt;Reflection of people on brio patio in widescreen tv – perspective&lt;br /&gt;&lt;br /&gt;Kingofslaves&lt;br /&gt;he colored in the lines&lt;br /&gt;character sitting in media environment with various platforms on which to place the camera and explore things&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;lots of opportunities to create tie-in merch&lt;br /&gt;&lt;br /&gt;lots of tvs, texts, projectors, calculator, notebooks&lt;br /&gt;&lt;br /&gt;-one take&lt;br /&gt;billionaire acquaints himself with the flora and fauna&lt;br /&gt;named trees&lt;br /&gt;could see stories in the pastorals&lt;br /&gt;billionaire plays categorygames&lt;br /&gt;&lt;br /&gt;A1 A2...&lt;br /&gt;A1aac8&lt;br /&gt;&lt;br /&gt;he lost his way&lt;br /&gt;and tried to crawl back out&lt;br /&gt;&lt;br /&gt;you know the way back&lt;br /&gt;From oddz n endz&lt;br /&gt;They separate us from our ideas so our ideas wont estrange us from ond another&lt;br /&gt;Its a misguiding nurturing&lt;br /&gt;&lt;br /&gt;for the moment, he put away his concerns with salmon populations&lt;br /&gt;art will no longer be served to a large, hungry public&lt;br /&gt;its for you, your friends, family and strange targeted corners of the internet.&lt;br /&gt;an obsession with media, its application, its meaning, its aesthetics,&lt;br /&gt;critical visual studies&lt;br /&gt;but which find practical outlets&lt;br /&gt;practical applications&lt;br /&gt;in progressive community organized forums&lt;br /&gt;to further efforts to inform, excite, and mobilize the world&lt;br /&gt;&lt;br /&gt;telling real stories&lt;br /&gt;soliciting approval&lt;br /&gt;&lt;br /&gt;finding conflict in contexts which transcend linearity&lt;br /&gt;&lt;br /&gt;all media&lt;br /&gt;mediums - channels, modes of expression&lt;br /&gt;which by their very character&lt;br /&gt;&lt;br /&gt;report on the conditions of their creation&lt;br /&gt;and those which it informs and creates&lt;br /&gt;like color&lt;br /&gt;broken, angled&lt;br /&gt;broken over surfaces&lt;br /&gt;&lt;br /&gt;grotesqueries&lt;br /&gt;&lt;br /&gt;poems that are cartoons&lt;br /&gt;the collusion of media approaches that contribute to an elevated consciousness&lt;br /&gt;and ideas too  - collision?&lt;br /&gt;&lt;br /&gt;ambien deconstructs things held in culture as solvent&lt;br /&gt;and breaks them into transcendent pieces...it finds THEM in teh dark&lt;br /&gt;&lt;br /&gt;technology tries to wrestle it down off tarmac&lt;br /&gt;changes context&lt;br /&gt;\make silly duck o authority&lt;br /&gt;and rules&lt;br /&gt;and institutions&lt;br /&gt;exposes the fallacy&lt;br /&gt;brought the sun for three summers&lt;br /&gt;&lt;br /&gt;illuminate various portions of the screen&lt;br /&gt;&lt;br /&gt;rendered environments&lt;br /&gt;&lt;br /&gt;construct in textured layers&lt;br /&gt;take apart&lt;br /&gt;what remains, something&lt;br /&gt;had he continued his mural he might have drawn the same pitiful line drawing with handcuffs and a jumpsuit on or delivering a lethal dose of heroin...&lt;br /&gt;&lt;br /&gt;which was narrow&lt;br /&gt;&lt;br /&gt;his young son had come and was dancing spastically on the concrete slabs&lt;br /&gt;of things navigating the pipes, finding their way here...&lt;br /&gt;&lt;br /&gt;the spider smiled&lt;br /&gt;it has to be arduous inconsistent&lt;br /&gt;incessantly preoccupied by quotidian floaters&lt;br /&gt;at the peril of violating the delicate balance of life&lt;br /&gt;things bouncing up against one another&lt;br /&gt;narrative though is bigger than any of them&lt;br /&gt;and will find its way through the sewage garden&lt;br /&gt;&lt;br /&gt;undisrupted cognition&lt;br /&gt;the writers opinion of his subject&lt;br /&gt;everything&lt;br /&gt;narrative approaches must be foregrounded&lt;br /&gt;ideas too&lt;br /&gt;estranged from all else&lt;br /&gt;he had abandoned&lt;br /&gt;forgotten&lt;br /&gt;he was now in communication with some other body&lt;br /&gt;&lt;br /&gt;he felt most confused alone&lt;br /&gt;&lt;br /&gt;he had a predilection for self-portraiture&lt;br /&gt;&lt;br /&gt;key strokes&lt;br /&gt;where things get confused&lt;br /&gt;&lt;br /&gt;organization arrangement&lt;br /&gt;the collision of temporal with&lt;br /&gt;that which transcended its margins&lt;br /&gt;&lt;br /&gt;i am embedded within a narrative&lt;br /&gt;ideas work this way too&lt;br /&gt;the dedication of now&lt;br /&gt;is the imagination&lt;br /&gt;&lt;br /&gt;reportage is different&lt;br /&gt;already written&lt;br /&gt;abuses of bureaucracy&lt;br /&gt;&lt;br /&gt;nonlinear struggles&lt;br /&gt;most of what one does is informed&lt;br /&gt;by a tacitly adhered to syntaxless wisdom&lt;br /&gt;rattling around the interior&lt;br /&gt;&lt;br /&gt;a specific voice&lt;br /&gt;&lt;br /&gt;the proper tense&lt;br /&gt;&lt;br /&gt;tact, authority&lt;br /&gt;to respect ideas&lt;br /&gt;&lt;br /&gt;typing the wrong word&lt;br /&gt;An appropriate mechanism only channel to intensity to justify means&lt;br /&gt;he sought that precision everywhere&lt;br /&gt;in all media&lt;br /&gt;all modes of expression&lt;br /&gt;&lt;br /&gt;giving way to mania&lt;br /&gt;field recording&lt;br /&gt;tape collage&lt;br /&gt;soundmontage&lt;br /&gt;&lt;br /&gt;the depiction of places, situations, contexts, historical&lt;br /&gt;Problem of perspective relative to understanding and community&lt;br /&gt;Visual perceptual concepts in theoretical cognitive spheres&lt;br /&gt;mpossible to rationalize behavior&lt;br /&gt;Diagrammatic maps of concepts and relationships&lt;br /&gt;&lt;br /&gt;Conflict!&lt;br /&gt;Cognitive environments&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sewing paper to fabric and other materials&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-3500014939852594871?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3500014939852594871'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3500014939852594871'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/10/cutandpaste-pieces-new-dissemination.html' title='cutandpaste pieces - new dissemination - new narrative'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4427918842433458870</id><published>2008-10-13T17:21:00.000-07:00</published><updated>2008-10-13T20:58:24.496-07:00</updated><title type='text'>The last bit o' honey</title><content type='html'>&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnK5be5fI/AAAAAAAAAIY/vt0djoke0vE/s1600-h/img001.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnK5be5fI/AAAAAAAAAIY/vt0djoke0vE/s400/img001.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256799364472301042" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_Xexb5Teznpg/SPPnK6LXCeI/AAAAAAAAAIg/CQo6tItl2ZA/s1600-h/img002.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;" src="http://4.bp.blogspot.com/_Xexb5Teznpg/SPPnK6LXCeI/AAAAAAAAAIg/CQo6tItl2ZA/s400/img002.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256799364673112546" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnLNTFaxI/AAAAAAAAAIo/-rIBqG5uvuw/s1600-h/img003.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnLNTFaxI/AAAAAAAAAIo/-rIBqG5uvuw/s400/img003.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256799369805785874" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnLdfwRiI/AAAAAAAAAIw/PKuTObTFL_c/s1600-h/img004.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnLdfwRiI/AAAAAAAAAIw/PKuTObTFL_c/s400/img004.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256799374153893410" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnLZN49UI/AAAAAAAAAI4/zNjbBj1Ncss/s1600-h/img005.jpg"&gt;&lt;img style="cursor:pointer; cursor:hand;" src="http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnLZN49UI/AAAAAAAAAI4/zNjbBj1Ncss/s400/img005.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5256799373005223234" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4427918842433458870?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4427918842433458870'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4427918842433458870'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/10/blog-post.html' title='The last bit o&apos; honey'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Xexb5Teznpg/SPPnK5be5fI/AAAAAAAAAIY/vt0djoke0vE/s72-c/img001.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-2226120842658762259</id><published>2008-10-09T10:15:00.000-07:00</published><updated>2008-10-09T10:16:12.530-07:00</updated><title type='text'>sumambientxts 10.6-7-8</title><content type='html'>Why when u can just pretend to be asleep&lt;br /&gt;A secure immoveable cubbyhole&lt;br /&gt;Find means in art through humans and toward honesty or at least a happy pursuit&lt;br /&gt;Ps get published public or otherwise create pay n part 4 grad school and academically excel&lt;br /&gt;Plan teach two yrs achieve fluency  in spanish or french or german plus culture and relocate&lt;br /&gt;Recording yr nwn rcores&lt;br /&gt;A full dedication of senses&lt;br /&gt;Watched the light play off the surfaces&lt;br /&gt;Create own language&lt;br /&gt;Secret cameras&lt;br /&gt;sell what i can&lt;br /&gt;write earth returned its color&lt;br /&gt;and&lt;br /&gt;the feeling mucus&lt;br /&gt;scan all notes&lt;br /&gt;fix CPU&lt;br /&gt;ul all media&lt;br /&gt;stretch&lt;br /&gt;newspaper&lt;br /&gt;storage space&lt;br /&gt;ss #&lt;br /&gt;grad school&lt;br /&gt;portfolio&lt;br /&gt;text with occasional notes&lt;br /&gt;where slightly amended language once sat&lt;br /&gt;&lt;br /&gt;amendments beyond revision&lt;br /&gt;never too focus-unearthing&lt;br /&gt;flora/fauna guide&lt;br /&gt;troubling probe of subject proximity to camera&lt;br /&gt;distant close&lt;br /&gt; &lt;br /&gt;subject character to subject&lt;br /&gt;gruel&lt;br /&gt;roughly captured images of an otherwise static performance piece&lt;br /&gt;visual stress test&lt;br /&gt;nosology&lt;br /&gt;classification of diseases&lt;br /&gt;Paimt mea picture of Saturday&lt;br /&gt;If u confused everything&lt;br /&gt;Sòund img clumsy sharpness temporalawry&lt;br /&gt;Previous vs - man drives his car at nite on ambien  @   real wrld&lt;br /&gt;AgenTz n space n futbol it keepz bleeding churning a little buzz eternal  found in between again is it a static tenable there isit?&lt;br /&gt;Static tremble&lt;br /&gt;That that wasntisnt that far from alwayz  4 real&lt;br /&gt;Cognizant sensation accord record access jrnl&lt;br /&gt;That sharpness that could continue aplombin that approach that certain regard cannes cancered -! Txtpoetry  a system at whimsy&lt;br /&gt;126 78    69&lt;br /&gt;Dont tell me what yer doin do what i tell you&lt;br /&gt;It is an invented culture legitimized by&lt;br /&gt;All the little big halfknowns&lt;br /&gt;Small eyes e yes&lt;br /&gt;Yknow wut balz&lt;br /&gt;It looked like the man on the can was talking to him&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-2226120842658762259?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2226120842658762259'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/2226120842658762259'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/10/sumambientxts-106-7-8.html' title='sumambientxts 10.6-7-8'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4827270611481137105</id><published>2008-10-02T16:49:00.001-07:00</published><updated>2008-10-02T16:49:59.629-07:00</updated><title type='text'>10.2</title><content type='html'>he formation of langauage&lt;br /&gt; &lt;br /&gt;a new language&lt;br /&gt; &lt;br /&gt;new words&lt;br /&gt;W left hand there was an easy rhythm rhyming&lt;br /&gt;In between was simulated - and then - all was text&lt;br /&gt;Committed to not that - anti that&lt;br /&gt;&lt;br /&gt;Half known&lt;br /&gt;&lt;br /&gt;well composed silhouettes&lt;br /&gt;full of content&lt;br /&gt;&lt;br /&gt;evoc&lt;br /&gt;ative&lt;br /&gt;questions to her "profoundness" fell unfielded&lt;br /&gt;&lt;br /&gt;until someone could find the right path&lt;br /&gt;a floordrawing&lt;br /&gt;ever evolving&lt;br /&gt;watch your step&lt;br /&gt;&lt;br /&gt;layers of thematic content&lt;br /&gt;a map of town&lt;br /&gt;dying scribbles&lt;br /&gt;it was a surprisingly good sandwich&lt;br /&gt;to divine a true mathematical equation to determine "true" media exposure&lt;br /&gt;to determine exactly the factors that influence a consumers choice&lt;br /&gt;and other ephemera to be resolved elsewhere&lt;br /&gt;to be the object of deep space&lt;br /&gt;she had fasted&lt;br /&gt;she had created--at the hazard of new ideas, of reason, she had committed herself to an absence of intrusion&lt;br /&gt;that perhaps the entire overarching narrative of the world outside had ended or never existed&lt;br /&gt;she had dedicated herself to her present objectives--simple, small, profound&lt;br /&gt; &lt;br /&gt;she drank it down&lt;br /&gt;for which the entire earth lusts&lt;br /&gt;(l)ong unhinged unfurling internarratives&lt;br /&gt;never fully addressed&lt;br /&gt;&lt;br /&gt;somewhere in deep carolina&lt;br /&gt;she was writing about herself in third person&lt;br /&gt;sitcom camera arrangments&lt;br /&gt;&lt;br /&gt;a play infront of a canvass&lt;br /&gt;&lt;br /&gt;projecting images onto&lt;br /&gt;a projector&lt;br /&gt;a wall of projectors&lt;br /&gt;the camera is the narrator&lt;br /&gt;narrative cognition - the idea that in creating a barebones narrative- a cognitive grid that its easier to imprint a new "idea" upon, making it easier to remember ideas because they have a fully-formed environment to sustain them&lt;br /&gt;small pointy teeth&lt;br /&gt;guilt ridden ex footballer goes to vegas to get a true measure of the financial damage he wrought in his star-studded career&lt;br /&gt;linebacker shouldered lady mannish girl slipping in heels in a vegas casino tossing a cup of chips into suspended animation  forever&lt;br /&gt;everything animate&lt;br /&gt;view was obstructed&lt;br /&gt;his hair was blown upon - changes in hair follicle pa&lt;br /&gt;tterns are recognized&lt;br /&gt;a bookmark for all the things i despise&lt;br /&gt;stable of ideas was violated&lt;br /&gt;making friends with the motionless and silent figures on the racks&lt;br /&gt;scan all text&lt;br /&gt;organize into epic sprawler&lt;br /&gt;&lt;br /&gt;fixed focal length&lt;br /&gt;camera swivels around up and down following subject&lt;br /&gt;create a rig to achieve this&lt;br /&gt;cameraphone&lt;br /&gt;pictures&lt;br /&gt;digital video&lt;br /&gt;animation&lt;br /&gt;creative writing&lt;br /&gt;rebel pix&lt;br /&gt;photoshop extant photos&lt;br /&gt;the thing in his throat was life&lt;br /&gt;of its own&lt;br /&gt;it had sensation&lt;br /&gt;as sure as the drugs through her veins&lt;br /&gt;&lt;br /&gt;when the cyclist died&lt;br /&gt;they went through his saddle bags&lt;br /&gt;there were pictures&lt;br /&gt;&lt;br /&gt;a story in stories&lt;br /&gt;&lt;br /&gt;the family portrait as organized&lt;br /&gt;a camera with homemade foreground mounts dynamic&lt;br /&gt;&lt;br /&gt;uniform frames through which to view multiple environments&lt;br /&gt;his terrible aspect&lt;br /&gt; &lt;br /&gt;thy sad aspect&lt;br /&gt; &lt;br /&gt;fires afire&lt;br /&gt;buring themselves&lt;br /&gt; &lt;br /&gt;a seer in new haunt&lt;br /&gt; &lt;br /&gt;bad news breaking over us all&lt;br /&gt; &lt;br /&gt;the coarse avenues, besmirched by&lt;br /&gt; &lt;br /&gt;horace o certainly i wont deny that this discussion takes place within a dynamic system&lt;br /&gt;but i think&lt;br /&gt; &lt;br /&gt;their ideas only make connections within their system, supposedly a reflection of sociocultural climates but in fact merely a system of echoes until momentum fades and ideas perish&lt;br /&gt;vid and virgil&lt;br /&gt;I see a future as a pop singer ' the beauty of personal experience – its immediacy, consequences, solitude, memory, handstands&lt;br /&gt;The sun had been replaced by the neon blitz - what color do they make? A sequence in real time - a cancered  satellite dish&lt;br /&gt;memoirs of montparnasse&lt;br /&gt;glassco&lt;br /&gt; &lt;br /&gt;new york t&lt;br /&gt;he struggle to enlarge concepts to find meaning&lt;br /&gt;when perhaps we should be reductive in our inquiries and methods&lt;br /&gt; &lt;br /&gt;form v content review books classics&lt;br /&gt;jean painleve&lt;br /&gt;science is fiction&lt;br /&gt;trevor paglen&lt;br /&gt;althussen&lt;br /&gt;jacques ranciere&lt;br /&gt;wexner center for the arts&lt;br /&gt;artnet&lt;br /&gt;esthetic politics&lt;br /&gt;art spieglemann&lt;br /&gt;alfred kubin&lt;br /&gt;the other side&lt;br /&gt;project gutenberg&lt;br /&gt;apartheid&lt;br /&gt;&lt;br /&gt;perceptual games with monitor resolution&lt;br /&gt;viewed at different angles&lt;br /&gt;&lt;br /&gt;perpetual motion machine&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4827270611481137105?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4827270611481137105'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4827270611481137105'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/10/102.html' title='10.2'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-3218749957671547347</id><published>2008-09-23T12:51:00.000-07:00</published><updated>2008-09-23T12:52:41.772-07:00</updated><title type='text'></title><content type='html'>kramer&lt;br /&gt;burnett&lt;br /&gt;eustache&lt;br /&gt;wiseman&lt;br /&gt;jost&lt;br /&gt;gillian armstrong&lt;br /&gt;mike leigh&lt;br /&gt;luc mollet&lt;br /&gt;pialat&lt;br /&gt;garrel&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;Samizdat (Russian: самиздат) was the clandestine copying and&lt;br /&gt;distribution of government-suppressed literature or other media in&lt;br /&gt;Soviet-bloc countries. Copies were made a few at a time, and those who&lt;br /&gt;received a copy would be expected to make more copies. This was often&lt;br /&gt;done by handwriting or typing.&lt;br /&gt;&lt;br /&gt;This grassroots practice to evade officially imposed censorship was&lt;br /&gt;fraught with danger as harsh punishments were meted out to people&lt;br /&gt;caught possessing or copying censored materials.&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Vladimir Bukovsky defined it as follows: "I myself create it, edit it,&lt;br /&gt;censor it, publish it, distribute it, and [may] get imprisoned for&lt;br /&gt;it."[1]&lt;br /&gt;&lt;br /&gt;monte hellman&lt;br /&gt;&lt;br /&gt;crimewave&lt;br /&gt;&lt;br /&gt;raimi&lt;br /&gt;&lt;br /&gt;willeford&lt;br /&gt;&lt;br /&gt;theres lasagna in the fridge...it's vegan&lt;br /&gt;&lt;br /&gt;following breakup - they walk to the dumpster, where it ends.&lt;br /&gt;&lt;br /&gt;an alienating love story.&lt;br /&gt;&lt;br /&gt;a film with the commentary track as part of its narrative architecture&lt;br /&gt;&lt;br /&gt;Evil comes suddenly and absolutely &lt;br /&gt;Everything is in your head - psychology and attrition&lt;br /&gt;Culture of one is best - civilization of one indivisible y indestructible&lt;br /&gt;layers and layers of narrative convolution&lt;br /&gt;&lt;br /&gt;culminating NOT in the truth, but another series of convolutions&lt;br /&gt;&lt;br /&gt;and narrative possibilities&lt;br /&gt;&lt;br /&gt;a message left on voicemail is exposition&lt;br /&gt;&lt;br /&gt;over a cavalcade of images&lt;br /&gt;&lt;br /&gt;we can analyze merely form&lt;br /&gt;&lt;br /&gt;or what the form implies contentually&lt;br /&gt;&lt;br /&gt;or the explicit content&lt;br /&gt;&lt;br /&gt;no one knew who the fuck went home with who&lt;br /&gt;&lt;br /&gt;she doesnt know who to fuck&lt;br /&gt;&lt;br /&gt;a consistent vocabulary&lt;br /&gt;&lt;br /&gt;cant be quantified&lt;br /&gt;&lt;br /&gt;it exists to justify itself&lt;br /&gt;&lt;br /&gt;getty images&lt;br /&gt;&lt;br /&gt;multimedia&lt;br /&gt;graphic novels&lt;br /&gt;experimental short fiction&lt;br /&gt;enmeshed with video&lt;br /&gt;grey lodge&lt;br /&gt;everything.&lt;br /&gt;sleep.&lt;br /&gt;i stumbled around the internet&lt;br /&gt;on a particular train&lt;br /&gt;a couple of vaguely related articles&lt;br /&gt;suddenly&lt;br /&gt;ubuweb&lt;br /&gt;and&lt;br /&gt;greylodge&lt;br /&gt;==the culmination (spookily) of it all.&lt;br /&gt;&lt;br /&gt;existence is futile&lt;br /&gt;    * bolex&lt;br /&gt;    * illuminatus&lt;br /&gt;    * pan flute - the quills&lt;br /&gt;    * harry everett smith&lt;br /&gt;    * henry thomas - fishing blues&lt;br /&gt;    * me up over the mountains against the steam hammer - john henry&lt;br /&gt;    * paul bunyan and babe created MN lakes&lt;br /&gt;&lt;br /&gt;# Gargantua and Pantagruel&lt;br /&gt;# crowley - moonchild&lt;br /&gt;# early hollywood silent westerns&lt;br /&gt;# read under the volcano companions - note significances&lt;br /&gt;# read 150 pgs a day&lt;br /&gt;# lists of everything crucial - an ever-evolving canon&lt;br /&gt;# clean everything&lt;br /&gt;# run always&lt;br /&gt;# eat good&lt;br /&gt;# dont spend money&lt;br /&gt;# archive footage&lt;br /&gt;# write&lt;br /&gt;# listen to more music&lt;br /&gt;# torrent&lt;br /&gt;# upload&lt;br /&gt;# scan library book pages&lt;br /&gt;# i can see in my neigbors windows&lt;br /&gt;# a idea for a story - a story of ideas - the story of ideas&lt;br /&gt;# narratives are inevitable and immortal&lt;br /&gt;# pink suitcase&lt;br /&gt;# tacitus - historian of the roman empire&lt;br /&gt;# zen buddhism&lt;br /&gt;# thelema&lt;br /&gt;# meditation&lt;br /&gt;# yoga&lt;br /&gt;#&lt;br /&gt;# Bobby Beausoleil Ordo Templi Orientis&lt;br /&gt;# the ramrodder -&lt;br /&gt;# catherine share&lt;br /&gt;# spahn ranch&lt;br /&gt;# me and squeaky&lt;br /&gt;# i found john denvers head&lt;br /&gt;# a museum of photographs, letters, papers, notes, phone numbers&lt;br /&gt;# resume curriculum vitæ&lt;br /&gt;# macarthur fellow - genius grant&lt;br /&gt;# desire is the opposite of peace - desire for peace&lt;br /&gt;# tape recorder collage&lt;br /&gt;# his neck rocked funny in his collar. he looked blynsted.&lt;br /&gt;# biography&lt;br /&gt;# clifford irving&lt;br /&gt;&lt;br /&gt;student of&lt;br /&gt;&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;  &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;    * information sciences&lt;br /&gt;    * internet&lt;br /&gt;    * website&lt;br /&gt;    * foundation&lt;br /&gt;    * scanning entire books into computer - posting to internet&lt;br /&gt;    * filing cabinet&lt;br /&gt;    * original sources&lt;br /&gt;    * zines&lt;br /&gt;    * collector&lt;br /&gt;    * how many ways can ya put it&lt;br /&gt;    * how many places can you put it&lt;br /&gt;    * scanning technology&lt;br /&gt;    * elibrary&lt;br /&gt;    * the poor young man wished to scan his kitchen, his sentra, his dinner, his girlfriend, himself&lt;br /&gt;    * throwing it shamelessly into the future&lt;br /&gt;&lt;br /&gt;I can argue myself into defense of under and overstatement&lt;br /&gt;    * ibsprojector&lt;br /&gt;    * media library (of my own)&lt;br /&gt;    * ink cartridges&lt;br /&gt;    * photo paper&lt;br /&gt;    * label maker&lt;br /&gt;    * organize computer&lt;br /&gt;    * room&lt;br /&gt;    * archive all cameras and images&lt;br /&gt;    * physical&lt;br /&gt;    * detox&lt;br /&gt;    * master cleanse&lt;br /&gt;    * flaubert&lt;br /&gt;    * a void&lt;br /&gt;    * gadsby&lt;br /&gt;    * perec&lt;br /&gt;    * constrained writing&lt;br /&gt;    * oulipo&lt;br /&gt;    * drawing and poem from girl: "this is what i think you look like. this is what i wish you looked like.&lt;br /&gt;    * old video technology&lt;br /&gt;    * health&lt;br /&gt;    * diet&lt;br /&gt;    * yoga&lt;br /&gt;    * zen buddhism&lt;br /&gt;    * a series of patterns, i understand that&lt;br /&gt;    * mega-realism, interspersed with scenes in exotic, or at least dynamic locations.&lt;br /&gt;Photographing mirror images - recon stitùte&lt;br /&gt;Measuring the angle - do the math&lt;br /&gt;&lt;br /&gt;Aware of proximity 2 camera&lt;br /&gt;george meredith - the egoist&lt;br /&gt;&lt;br /&gt;celine&lt;br /&gt;&lt;br /&gt;vollman&lt;br /&gt;&lt;br /&gt;malraux&lt;br /&gt;&lt;br /&gt;the logging of every idea, no matter how obvious and elementary, or abstract and advanced&lt;br /&gt;&lt;br /&gt;the impulses of right now, so people can know how it was and how it is&lt;br /&gt;&lt;br /&gt;army of shadows&lt;br /&gt;&lt;br /&gt;monty python&lt;br /&gt;&lt;br /&gt;ulysses gaze&lt;br /&gt;&lt;br /&gt;uzak&lt;br /&gt;&lt;br /&gt;nuri bilge ceylan&lt;br /&gt;&lt;br /&gt;bela tarr&lt;br /&gt;&lt;br /&gt;tarkovsky&lt;br /&gt;&lt;br /&gt;Oneiric (film theory)&lt;br /&gt;&lt;br /&gt;the color of pomegranates&lt;br /&gt;&lt;br /&gt;s ray&lt;br /&gt;&lt;br /&gt;man ray&lt;br /&gt;&lt;br /&gt;paul leni&lt;br /&gt;&lt;br /&gt;cries and whispers&lt;br /&gt;&lt;br /&gt;spirit of the beehive&lt;br /&gt;&lt;br /&gt;agnes varda&lt;br /&gt;&lt;br /&gt;resnais&lt;br /&gt;&lt;br /&gt;rohmer&lt;br /&gt;&lt;br /&gt;rivette&lt;br /&gt;&lt;br /&gt;amos vogel&lt;br /&gt;&lt;br /&gt;breillat&lt;br /&gt;&lt;br /&gt;claire denis&lt;br /&gt;&lt;br /&gt;pola x&lt;br /&gt;&lt;br /&gt;1) Jack Chambers -- The Hart of London (1970)&lt;br /&gt;&lt;br /&gt;2) Philip S. Solomon -- The Secret Garden (1988)&lt;br /&gt;&lt;br /&gt;3) José Val del Omar -- Fuego en Castilla (Tactilvisión del páramo del espanto) (1960)&lt;br /&gt;&lt;br /&gt;4) Jean-Daniel Pollet -- Méditerranée (1963)&lt;br /&gt;&lt;br /&gt;5) Philippe Garrel -- Hautes solitudes, Les (1974)&lt;br /&gt;&lt;br /&gt;6) Stephen Dwoskin -- Dyn Amo (1972)&lt;br /&gt;&lt;br /&gt;7) Marie Menken -- Moonplay (1962)&lt;br /&gt;&lt;br /&gt;8) Eve Sussman -- 89 Seconds at Alcázar (2004)&lt;br /&gt;&lt;br /&gt;9) Patrick Bokanowski -- Ange, L' (1982)&lt;br /&gt;&lt;br /&gt;10) Yevgeni Bauer -- Umirayushchii Lebed (1917) &lt;br /&gt;&lt;br /&gt;bruce nauman&lt;br /&gt;&lt;br /&gt;meredith monk&lt;br /&gt;&lt;br /&gt;steve reich - pendulum music&lt;br /&gt;&lt;br /&gt;ubu aspen&lt;br /&gt;&lt;br /&gt;projecting through glass (colored)&lt;br /&gt;&lt;br /&gt;a lady surrenders john m stahl&lt;br /&gt;&lt;br /&gt;arthur machen&lt;br /&gt;&lt;br /&gt;ernie gehr&lt;br /&gt;&lt;br /&gt;dvd recorder - vcr ripping&lt;br /&gt;&lt;br /&gt;dvd recorder&lt;br /&gt;video card that allows VHS Import&lt;br /&gt;quad core processor&lt;br /&gt;160 gb portable hard drive&lt;br /&gt;Adobe PDF program&lt;br /&gt;wide angle lens&lt;br /&gt;lens cleaner&lt;br /&gt;head cleaner&lt;br /&gt;lights&lt;br /&gt;rode video mic&lt;br /&gt;160 gb video ipod classic&lt;br /&gt;torrent FAQ&lt;br /&gt;azureus&lt;br /&gt;why am i cut off at 4 ul?&lt;br /&gt;dr - physical / ibs&lt;br /&gt;exercise&lt;br /&gt;no money&lt;br /&gt;pescatarian&lt;br /&gt;&lt;br /&gt;media projector&lt;br /&gt;laptop&lt;br /&gt;cables&lt;br /&gt;dvd rs&lt;br /&gt;connect to tv&lt;br /&gt;school&lt;br /&gt;spanish&lt;br /&gt;&lt;br /&gt;adam curtis&lt;br /&gt;jorgen leth&lt;br /&gt;&lt;br /&gt;cull through entirety of notes in binder, pockets, etc...&lt;br /&gt;anthology film of all stuff.&lt;br /&gt;http://www.avantgardeproject.org/archive.htm&lt;br /&gt;&lt;br /&gt;parajanov&lt;br /&gt;&lt;br /&gt;learn computers&lt;br /&gt;&lt;br /&gt;rss&lt;br /&gt;&lt;br /&gt;video podcasting&lt;br /&gt;comes home immediately turns on tv&lt;br /&gt;&lt;br /&gt;process of having life documented...repeating actions once twice...different angles&lt;br /&gt;&lt;br /&gt;HARSH realism v light realism - formal distinctions&lt;br /&gt;&lt;br /&gt;stufff&lt;br /&gt;Reply to all&lt;br /&gt;Forward&lt;br /&gt;Reply by chat&lt;br /&gt;Filter messages like this&lt;br /&gt;Print&lt;br /&gt;Add to Contacts list&lt;br /&gt;Delete this message&lt;br /&gt;Report phishing&lt;br /&gt;Report not phishing&lt;br /&gt;Show original&lt;br /&gt;Show in fixed width font&lt;br /&gt;Show in variable width font&lt;br /&gt;Message text garbled?&lt;br /&gt;Why is this spam/nonspam?&lt;br /&gt;jc shumate&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;show details Feb 20&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;Reply&lt;br /&gt; &lt;br /&gt; &lt;br /&gt;&lt;br /&gt;comparing translations&lt;br /&gt;&lt;br /&gt;scanning magazines uploading seeding&lt;br /&gt;&lt;br /&gt;all the fun in the world w/ photoshop&lt;br /&gt;possible revenue from selling reproductions of painted images - framed for offices and lobbies.&lt;br /&gt;&lt;br /&gt;Rss feed&lt;br /&gt;web hosting&lt;br /&gt;elusivelucidity.blogspot.com&lt;br /&gt;fred camper&lt;br /&gt;&lt;br /&gt;Maurice Lemaître,&lt;br /&gt;&lt;br /&gt;brian frye&lt;br /&gt;&lt;br /&gt;ernie gehr&lt;br /&gt;&lt;br /&gt;fredcamper.com&lt;br /&gt;&lt;br /&gt;the total catalogue of absolute debauchery.&lt;br /&gt;&lt;br /&gt;cuz u dont know anything&lt;br /&gt;&lt;br /&gt;make value of everything that you already have&lt;br /&gt;inventory&lt;br /&gt;list of potentialities&lt;br /&gt;&lt;br /&gt;portable scanner.&lt;br /&gt;digital notepad.&lt;br /&gt;photo books.&lt;br /&gt;attire hung over furnishings&lt;br /&gt;the lonely pockets&lt;br /&gt;forlorn stitches&lt;br /&gt;me in my room&lt;br /&gt;my books&lt;br /&gt;my radio&lt;br /&gt;&lt;br /&gt;im interested lately in erasure-- a removal of people and things&lt;br /&gt;&lt;br /&gt;evil comes suddenly / absolutely - things go this way and then that way - when and where do they stop?&lt;br /&gt;&lt;br /&gt;the animation of everything&lt;br /&gt;&lt;br /&gt;COUSIN ROBERTA&lt;br /&gt;everybody has something completely different for dinner&lt;br /&gt;(tape recorder)&lt;br /&gt;&lt;br /&gt;endless melodrama unfolding out my window nitely in starlight&lt;br /&gt;&lt;br /&gt;images in straight lines from binding of books&lt;br /&gt;&lt;br /&gt;-as though the landscape itself were approaching fastly&lt;br /&gt;&lt;br /&gt;disappearances swallowed by the tide &lt;br /&gt;they drew their futures in the sand&lt;br /&gt;the empty streets were long&lt;br /&gt;the long streets were empty&lt;br /&gt;exterminate rational thought&lt;br /&gt;reject any notion which might represent some sort of universality or familiarity&lt;br /&gt;halycon days&lt;br /&gt;the failure of the body - saved by language&lt;br /&gt;&lt;br /&gt;each image was to come by way of cannonfire, sequentially or insequentially (to be reassembled into the "most logical" narrative-- that was his idea)&lt;br /&gt;&lt;br /&gt;superpunctuation&lt;br /&gt;see prior email&lt;br /&gt;&lt;br /&gt;heinous torture of a criminal&lt;br /&gt;&lt;br /&gt;squirt me outta the tube and onto the brush&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;emule&lt;br /&gt;dimeadozen&lt;br /&gt;&lt;br /&gt;films without families&lt;br /&gt;http://www.maplin.co.uk/Module.aspx?ModuleNo=221816&amp;&amp;source=14&amp;doy=9m1 - hard drive media player&lt;br /&gt;&lt;br /&gt;vhs to dvd converter&lt;br /&gt;&lt;br /&gt;freakyflicks&lt;br /&gt;&lt;br /&gt;belmondodo&lt;br /&gt;cinema&lt;br /&gt;&lt;br /&gt;http://freakyflicks.proboards54.com/&lt;br /&gt;&lt;br /&gt;http://filmsbeyondamerica.blogspot.com/&lt;br /&gt;&lt;br /&gt;people closing windows...figures...shadows...&lt;br /&gt;&lt;br /&gt;the neighbors.&lt;br /&gt;&lt;br /&gt;writing on oneself and others&lt;br /&gt;&lt;br /&gt;any more valium and your mother will grow another head and it will tell her to stop giving you money&lt;br /&gt;&lt;br /&gt;a little boat adrift off stomach island&lt;br /&gt;&lt;br /&gt;picture movie&lt;br /&gt;image text&lt;br /&gt;scratch tapestries&lt;br /&gt;&lt;br /&gt;panels of dynamic color and shape&lt;br /&gt;&lt;br /&gt;triptych images creating scope from three 4:3s&lt;br /&gt;&lt;br /&gt;layer different sounds over familiar&lt;br /&gt;or atleast&lt;br /&gt;preexisting songs.&lt;br /&gt;&lt;br /&gt;frantic physical struggle juxtaposed against larger struggles&lt;br /&gt;&lt;br /&gt;despair&lt;br /&gt;&lt;br /&gt;trouble&lt;br /&gt;&lt;br /&gt;Marketplace - bad news response hostil&lt;br /&gt;&lt;br /&gt;Unable to competently connection oneself to làrger body&lt;br /&gt;&lt;br /&gt;Create a situation where growth is possible&lt;br /&gt;&lt;br /&gt;they warmed themselves in the exhaust of a bus&lt;br /&gt;&lt;br /&gt;fireworks or nothing&lt;br /&gt;somewhere in between&lt;br /&gt;&lt;br /&gt;the death of life&lt;br /&gt;&lt;br /&gt;my two best friends are strangers&lt;br /&gt;posing for a picture together.&lt;br /&gt;&lt;br /&gt;whoever created life created death&lt;br /&gt;&lt;br /&gt;merely text presented as typed with one hand on a keyboard&lt;br /&gt;&lt;br /&gt;place to explore hate, love, violence, genius and all other alien life&lt;br /&gt;&lt;br /&gt;oncrete representation limits canvas&lt;br /&gt;    grappling with gulf between cinematically "invented"&lt;br /&gt;   &lt;br /&gt;    forced perspective: ford and steinbeck's canvass&lt;br /&gt;&lt;br /&gt;    The Grapes of Wrath is an American institution-- both the pride of our letters and our cinema.  The appearance of Twentieth-Century Fox's film adaptation of the book nary a year after its publishing resulted hastily in an uneasy assimilation of two visions&lt;br /&gt;&lt;br /&gt;    Following the unprecedented success of The Grapes of Wrath's success, power-producer Darryl F. Zanuck gobbled up the rights to Steinbeck's novel, hoping to capitalize on the shockwaves it sent throughout the nation. &lt;br /&gt;&lt;br /&gt;    A narrative novel presents information in such a manner as to compel the viewer to&lt;br /&gt;&lt;br /&gt;    Deep-focus photography pioneer Gregg Toland's work in The Grapes of Wrath is crucial to the film's function.  Each meticulously composed frame demands of a viewer the utmost diligence-- it becomes more difficult often to determine what visually is supposed to occupy a viewer's attention.  At the same&lt;br /&gt;&lt;br /&gt;a story told in every way imaginable - stage, screen, paper, oral&lt;br /&gt;&lt;br /&gt;marking seven different pages at once&lt;br /&gt;&lt;br /&gt;businesspeople set up a gaming system in their office and had fun&lt;br /&gt;&lt;br /&gt;If art exists to stimulate, intellectual inferiority as a result of the assumption that people are either too lazy or uneducated to read the cinema is eager to cash in/ or explore the popular ideas if ideas are good, they deserve a cinematic representation what do the ideas look like on camera, with light on them, do they show faults? money/ exposure what did the cinema hope to profit? is that what it was after?&lt;br /&gt;&lt;br /&gt; &lt;br /&gt;&lt;br /&gt;The quest for structural integrity within an image&lt;br /&gt;&lt;br /&gt;he had lost touch with everyone&lt;br /&gt;he spent a few days trying to track them down&lt;br /&gt; &lt;br /&gt;before he died, he actually thought.  band a part&lt;br /&gt;&lt;br /&gt;They are told they are happy  atree that is higher than the rèst&lt;br /&gt;&lt;br /&gt;rabelais&lt;br /&gt;hypoborea&lt;br /&gt;oscar wilde danger of art as looking glass...cracked mirror&lt;br /&gt;typewriter&lt;br /&gt;samuel roth pornographer published bootleg Ulysses&lt;br /&gt;Inherently academic, supremely narcissistic inscribed upon it is an exacting brand of psychological inquiry&lt;br /&gt;my head it simply (swirls)&lt;br /&gt;your head it simply&lt;br /&gt;creates riddles not consummated for hundreds of pages, requires ultra posthuman retention, most of them serve as psychological glimpses anywho&lt;br /&gt;marion, bloom represents nature itself, the antithesis of art gilbert, pg 29-31&lt;br /&gt;optically arrange the nitesky demise of airbuses, likewise making longjest of circling trappists absconded underarms which credit of lunar rejection, tempest swells up into the aqua&lt;br /&gt;curse approaching cars for approaching&lt;br /&gt;alost in the woods&lt;br /&gt;a camera strolls alone in the cultural deep&lt;br /&gt;the wilderness&lt;br /&gt;wide lenses that capture the entire face of a three-story building, and the street and the sky.  keeping all of that at a central focal point, giving one the sensation of being grounded AND aloft&lt;br /&gt;or&lt;br /&gt;break up shot arrangements so that they easily transition between levels&lt;br /&gt;:&lt;br /&gt;lady on the street&lt;br /&gt;a man&lt;br /&gt;"wanna come up?"&lt;br /&gt;cut to&lt;br /&gt;the roof (an instant later)&lt;br /&gt;making average people read prose&lt;br /&gt;flesh out their own experiences throughout duration of "cold" reading&lt;br /&gt;large color panels&lt;br /&gt;color dominated frames&lt;br /&gt;OVERHEAD a man runs smackdab into his captors&lt;br /&gt;triptych&lt;br /&gt;TITLE CARD - cut directly to full frame-mobile camera&lt;br /&gt;camera rotates around character&lt;br /&gt;sparce dialogue- one character perception to another&lt;br /&gt;art paper&lt;br /&gt;houdining around&lt;br /&gt;holding breath underwater&lt;br /&gt;guts champion sells piece of crag for dope&lt;br /&gt;in historical pieces, historically accurate music and motif to run instride with the present or vice versa&lt;br /&gt;swinburn&lt;br /&gt;pater&lt;br /&gt;wilde&lt;br /&gt;imagetexts&lt;br /&gt;finally emerges more crooked and shapeless than ever&lt;br /&gt;implied narrator&lt;br /&gt;how it finally wound up at the bottom of the river&lt;br /&gt;potato=moly&lt;br /&gt;defer to brilliance&lt;br /&gt;joyce's responsibility to his own created reality&lt;br /&gt;by conforming to this reality, the reader is gratified&lt;br /&gt;in brazil they clear cut the equivalent of 5 midwestern states&lt;br /&gt;enough coal for 500 years, lignite coal in TX blended with anthracite from CO&lt;br /&gt;everything that happened in town that nite - the bar was open, etc...&lt;br /&gt;photograph in every possible way&lt;br /&gt;organizing desktop with handwriting, accessing programs from rendered dry erase board&lt;br /&gt;desert vermin&lt;br /&gt;don van vliet&lt;br /&gt;electricity underground&lt;br /&gt;schopenhauer&lt;br /&gt;earth tests&lt;br /&gt;soil plays&lt;br /&gt;reducing moving image to stills or develop / find software that captures millions of frames to be painted via photoshop&lt;br /&gt;garbage tangled in cliffside&lt;br /&gt;growing things&lt;br /&gt;relationships + information created solely by a CPU, the computer has a theory&lt;br /&gt;author of earth&lt;br /&gt;often experimental film is merely a product of underdeveloped sensibilities&lt;br /&gt;a narrative elliptical film about rocks&lt;br /&gt;a man alone on the horizon&lt;br /&gt;the verbal description of films&lt;br /&gt;recreate from what's around&lt;br /&gt;he saw her&lt;br /&gt;and his reflection&lt;br /&gt;he turned back to find a mother wiping slop from a babys mouth&lt;br /&gt;pure form of carbon&lt;br /&gt;dont look in the oven&lt;br /&gt;all the senses&lt;br /&gt;mesothelioma - asbestos cancer&lt;br /&gt;dysentery, awful body failures, dysfunctional anatomy&lt;br /&gt;its being first rendered as you encounter it&lt;br /&gt;language that is familiar immediately recognizable&lt;br /&gt;electric generator&lt;br /&gt;series of well rendered panoramas&lt;br /&gt;telling stories a letter or word at a time using security cameras&lt;br /&gt;looking for evidence to suppport a particular theory&lt;br /&gt;bleeding shoes prison labor&lt;br /&gt;sandbags peeking tragically out of the water&lt;br /&gt;the earth is trembling&lt;br /&gt;psychogeography&lt;br /&gt;in this way esthetic organization in the natural human way&lt;br /&gt;layers of heads out of focus&lt;br /&gt;when to be sincere&lt;br /&gt;deranged free agent&lt;br /&gt;body of ideas adrift without relationship to reality&lt;br /&gt;completely dismantle the meaning&lt;br /&gt;i think he got a lobotomy&lt;br /&gt;decaying evolution&lt;br /&gt;which event do you feel?&lt;br /&gt;when it smiled, its face closed&lt;br /&gt;everything is always on display everywhere&lt;br /&gt;various dimensions&lt;br /&gt;flat structure&lt;br /&gt;reflection&lt;br /&gt;shadow beyond it&lt;br /&gt;map of veins&lt;br /&gt;map of time&lt;br /&gt;story in only exposed text&lt;br /&gt;synesthetic breakdown&lt;br /&gt;i like to write with pencils&lt;br /&gt;it becomes invisible difficult to reproduce&lt;br /&gt;changing tense&lt;br /&gt;graphite on gloss&lt;br /&gt;sideways portrait&lt;br /&gt;victim / aggressor&lt;br /&gt;sullen looking waste that spelled my name&lt;br /&gt;a voice: masculine female or effiminate male: i cant tell&lt;br /&gt;approaches of personal generation&lt;br /&gt;an anecdote which digs a little at what the heck ulysses is while also serving as a demonstration for conjuring some kind of accessibility in the face of so much fuzz&lt;br /&gt;how does a machine know what its doing?&lt;br /&gt;jupiter ate his servants&lt;br /&gt;touch my hubris&lt;br /&gt;it was all handwritten in the dark&lt;br /&gt;how much information can you process?  read like you're learning&lt;br /&gt;card counting&lt;br /&gt;writing in the dark&lt;br /&gt;consciousness in space&lt;br /&gt;trapped in outerspace&lt;br /&gt;life underground&lt;br /&gt;panspermia&lt;br /&gt;two separate hemispheres&lt;br /&gt;they are bisected&lt;br /&gt;the sound recording mechanism&lt;br /&gt;not fixed+mechanical, human, organic&lt;br /&gt;in orbit around the camera&lt;br /&gt;sunspots&lt;br /&gt;computer divorced from meaning&lt;br /&gt;i prefer clumps of strangers&lt;br /&gt;cut to native image&lt;br /&gt;notecard quilt&lt;br /&gt;product of tunnelvision&lt;br /&gt;clock drive centers things in eyepiece offsets rotation of the earth&lt;br /&gt;zenith - point of overhead&lt;br /&gt;parabolic mirror&lt;br /&gt;rgb chromatic&lt;br /&gt;its got color and pictures underneath it&lt;br /&gt;apogee - furthest&lt;br /&gt;perigee - closest&lt;br /&gt;node - intersection of 2 pts&lt;br /&gt;colonization of mars&lt;br /&gt;our trajectory was opposite that of the singing birds - a text written to someone&lt;br /&gt;vesicular - spongy texture&lt;br /&gt;drawing with names&lt;br /&gt;a series of images in personal context collage&lt;br /&gt;&lt;br /&gt;Subject 2 yr own psychology&lt;br /&gt; &lt;br /&gt;archives&lt;br /&gt;national park artist-in-residence&lt;br /&gt;volunteer&lt;br /&gt;mapmaking&lt;br /&gt;&lt;br /&gt;The place where no one responds 2 songs tha8 arent sung&lt;br /&gt;&lt;br /&gt;removing song and warm showers....&lt;br /&gt;&lt;br /&gt;hard scrabble.&lt;br /&gt;&lt;br /&gt;to approximate the experiences of those stronger&lt;br /&gt;who carved the land&lt;br /&gt;&lt;br /&gt;i will know.&lt;br /&gt;&lt;br /&gt;and to graduate from college.&lt;br /&gt;&lt;br /&gt;further restrictions to follow.&lt;br /&gt;&lt;br /&gt;history of trauma&lt;br /&gt;trauma of history&lt;br /&gt;&lt;br /&gt;decidely chaste not pursuing such a fascinating inversion and an opportunity to create information and ideas through linguistic tomfoolery and inversion&lt;br /&gt;&lt;br /&gt;history, the story, personal, global, created&lt;br /&gt;&lt;br /&gt;The slippery notion of authorship is perhaps dubiously attached to historical concerns in Under the Volcano.   For modern readers, historical associations in the novel are complicated by the considerable historical remove (over half a century) from which they observe the novel.  The Spanish Civil War, World War II, the collapse of imperial Britain--these historical phenomena are healed wounds and their historical shape is sketched almost definitively.   What then, does our own crooked memory have to say about&lt;br /&gt;&lt;br /&gt;The commitment of the faculty of human thought, rendered through language&lt;br /&gt;&lt;br /&gt;Disorganization of memory and space and history and politics as rendered by a singular artist using narrative as a glue.  &lt;br /&gt;so concerned with the mechanism that once i stop to explore meaning...it registers as a distraction...&lt;br /&gt;selfish isn't it...attempting to coax own personal meaning out of somebody else's book,,&lt;br /&gt;how they're organized and, occasionally, what they might mean&lt;br /&gt;p. 268&lt;br /&gt;the last thing he sees is Popo.&lt;br /&gt;repurposing UTV to be about what I want it to be about.&lt;br /&gt;the book proceeds seeming to have only a vague agenda&lt;br /&gt;inability to proceed academically, demands rather a stirring reflection&lt;br /&gt;Self sedater&lt;br /&gt;when evil creatures came&lt;br /&gt;it was no problem&lt;br /&gt;they all got tangled in powerlines&lt;br /&gt;electrocuted&lt;br /&gt;and died.&lt;br /&gt;&lt;br /&gt;i brought you a plant...&lt;br /&gt;&lt;br /&gt;i brought you an asian...&lt;br /&gt;&lt;br /&gt;drunk character dumps out the remainder of a beer,.&lt;br /&gt;&lt;br /&gt;drunk character dumps out the remainder of a beer,.&lt;br /&gt;adrift in esthetic fantasia&lt;br /&gt;&lt;br /&gt;pulls a garment out of the bed as he lays down to go to sleep&lt;br /&gt;&lt;br /&gt;reading from a book as he drives&lt;br /&gt;&lt;br /&gt;Creating ink&lt;br /&gt;&lt;br /&gt;from where the authority&lt;br /&gt;&lt;br /&gt;marco ferreri&lt;br /&gt;&lt;br /&gt;subsidies encourage purchase of particular items&lt;br /&gt;&lt;br /&gt;people on sunday&lt;br /&gt;8 1/2&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-3218749957671547347?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3218749957671547347'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3218749957671547347'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/09/kramer-burnett-eustache-wiseman-jost.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4529201996536992535</id><published>2008-09-11T23:58:00.001-07:00</published><updated>2008-09-11T23:58:29.035-07:00</updated><title type='text'>a few notes</title><content type='html'>pictures posted to the drapes&lt;br /&gt;descriptions&lt;br /&gt;intro..&lt;br /&gt;a balcony overlooking the decimated village&lt;br /&gt;the flag&lt;br /&gt;did you guys kill him?&lt;br /&gt;things you aren't prepared for&lt;br /&gt;dual narrative&lt;br /&gt;amniotic fluid&lt;br /&gt;inscriptions on everything&lt;br /&gt;aesthetic fantasia&lt;br /&gt;their own crude cruel constructions&lt;br /&gt;rooms where they might gather&lt;br /&gt;what is history projected on?&lt;br /&gt;who created life...created death&lt;br /&gt;i suspect he rents three different rooms&lt;br /&gt;the technolgical transformation of the image&lt;br /&gt;so perfectly anonymous&lt;br /&gt;obscuring my pock in time&lt;br /&gt;the remove (reactionary) from history / knowledge&lt;br /&gt;account of people deprived of knowledge&lt;br /&gt;she knew their handwriting&lt;br /&gt;i wanted to help them make a movie about themselves&lt;br /&gt;desertology&lt;br /&gt;giving words &lt;br /&gt;-to phenomena gives birth to death&lt;br /&gt;organized information&lt;br /&gt;scenes depicted as if being created with scissors, paint, light, at an artists easel&lt;br /&gt;quantumfuckingleap&lt;br /&gt;dawn dawns&lt;br /&gt;the longstreets were empty&lt;br /&gt;Lake Mead&lt;br /&gt;aprochryphal&lt;br /&gt;objective documentary footage glimpsed through a subjective lens&lt;br /&gt;the shapes their mudtracks made&lt;br /&gt;a sunblind oddbird&lt;br /&gt;romance blossoms in claustrophobia of bathroom&lt;br /&gt;in from the storm, the long unsmiling man unsmiled&lt;br /&gt;in the reflection, the city&lt;br /&gt;a secondary characters account of protagonist&lt;br /&gt;sturdy spectator relationship&lt;br /&gt;voice matched not the appearance&lt;br /&gt;secret knowledge&lt;br /&gt;manufactured brilliance, a put-on&lt;br /&gt;space between ideas and knowledge&lt;br /&gt;he began writing songs&lt;br /&gt;the stranger paused reverently&lt;br /&gt;honoring my past victory&lt;br /&gt;every branch incapacitated by overspent meaning&lt;br /&gt;we even invented a government&lt;br /&gt;in france, a french major&lt;br /&gt;i realized i knew more than i thought&lt;br /&gt;throwing a rock off the same dim cliff, hoping it will fall up&lt;br /&gt;his parents escaped the burning city -- and brought him with them&lt;br /&gt;wanna walk in the garbage?&lt;br /&gt;there'd been a festival some time ago&lt;br /&gt;now it was barren, silent, and lightless&lt;br /&gt;contorted just so, the pain was so acute, she'd vomit&lt;br /&gt;if every idea was yours, where everything is true&lt;br /&gt;that's where she exits the narrative&lt;br /&gt;pictures of people writing&lt;br /&gt;how we did what we did&lt;br /&gt;different colors, orientatons, directions, shapes&lt;br /&gt;i love you&lt;br /&gt;he loves her&lt;br /&gt;just scabs in the earth&lt;br /&gt;the body's memory&lt;br /&gt;i was intentionally tardy so as to permit myself time for a solitary walk through the woods to the silo&lt;br /&gt;the girl walked backwards&lt;br /&gt;kids bouncing around, "where ya gonna drink that at?"&lt;br /&gt;i was shorty, mf&lt;br /&gt;he felt the mattress and pillows with the back of his hand checking for tears&lt;br /&gt;it was tuesday and they were counting money&lt;br /&gt;he had a reverence for the bills&lt;br /&gt;room w/ bodies devoid of faces&lt;br /&gt;sound/image splintered layers&lt;br /&gt;from a confusion of limbs, divinest sense she is but a wafer of my power&lt;br /&gt;the expression of an age in her angles&lt;br /&gt;noise of a construction site&lt;br /&gt;didnt know names of plants or geography&lt;br /&gt;necessary to adequately reflect the concerns of youth...which are...&lt;br /&gt;necessary to place speaker and understand proximity to panorama&lt;br /&gt;meaning is derived solely from organizational components&lt;br /&gt;the entire world is hung upon the survival of each instant, the instant's portrayal the survival&lt;br /&gt;it cant exist outside of me...what's the use?&lt;br /&gt;investigating a murder en route to affair&lt;br /&gt;regardless..she enjoyed it&lt;br /&gt;owes a lot to the past&lt;br /&gt;energy is mediated&lt;br /&gt;sisters in the mink&lt;br /&gt;room full of dead veterans...who could do this?&lt;br /&gt;a boy and a girl chart a map&lt;br /&gt;faux journalism&lt;br /&gt;protagonist disappears, a new one&lt;br /&gt;collective essay&lt;br /&gt;she did.  she didnt.&lt;br /&gt;they talked about it over the scabs of greasy balloons on the gym floor&lt;br /&gt;it was large empty hollow the colored lights were an afterthought, they looked like cancer&lt;br /&gt;teh air had been sucked out of the room&lt;br /&gt;washateria romance&lt;br /&gt;and old man and his clothes &lt;br /&gt;and her clothes&lt;br /&gt;all tells of the season told&lt;br /&gt;bloom&lt;br /&gt;from imported blossom&lt;br /&gt;the refuse of a moment&lt;br /&gt;a day&lt;br /&gt;a trip&lt;br /&gt;an era&lt;br /&gt;a life ?&lt;br /&gt;he falls into a random fight out of the public eye&lt;br /&gt;really even the thematic one&lt;br /&gt;holes from where we left time&lt;br /&gt;girl in the stands&lt;br /&gt;notes&lt;br /&gt;i dont dream&lt;br /&gt;-cross examination&lt;br /&gt;-she doesnt dream&lt;br /&gt;im hungry&lt;br /&gt;shes hungry&lt;br /&gt;sprang wild from an idling bus&lt;br /&gt;series of well painted static&lt;br /&gt;i wrote a story&lt;br /&gt;its about las vegas&lt;br /&gt;the town was empty which was of course&lt;br /&gt;story of their meeting in verse&lt;br /&gt;we found water&lt;br /&gt;pictures of people writing&lt;br /&gt;dramatic asides that work&lt;br /&gt;a kidnapping&lt;br /&gt;the city is wide open&lt;br /&gt;its the opportunity&lt;br /&gt;barkboat&lt;br /&gt;shape takes time- not only to traverse but awaiting its very completion&lt;br /&gt;happiness to your sheets&lt;br /&gt;love has turned him the wrong side out&lt;br /&gt;dramatic simplicity gives rise to thematic complexity&lt;br /&gt;grow fair against the sun&lt;br /&gt;together in song&lt;br /&gt;at the spectacle&lt;br /&gt;this is my favorite part&lt;br /&gt;sometimes it becomes virtue&lt;br /&gt;ordinary at the cusp of forever&lt;br /&gt;swimming entrails are of it&lt;br /&gt;as at the ass of discovery&lt;br /&gt;there are no schools for it&lt;br /&gt;he had giant teeth &lt;br /&gt;fourteen heads&lt;br /&gt;infinite strenght&lt;br /&gt;-loads guns sells drugs&lt;br /&gt;unsuccessful cesarean on a cow&lt;br /&gt;we can go to walmart and buy anything we want&lt;br /&gt;a new grammar&lt;br /&gt;a new structure&lt;br /&gt;the place where men become monsters&lt;br /&gt;killing mom and spawn&lt;br /&gt;breaking the freckle&lt;br /&gt;dull crunch&lt;br /&gt;he could tell which driver it was merely by the jerky constitution of the bus&lt;br /&gt;the mexicans in mexico&lt;br /&gt;she drew blood&lt;br /&gt;ima check on my brownies&lt;br /&gt;lame&lt;br /&gt;tormented by these questions to no one&lt;br /&gt;a slideshow&lt;br /&gt;he makes a movie&lt;br /&gt;a murder happened here&lt;br /&gt;in the land of monsters become men&lt;br /&gt;lock HE and SHE in a room with a dying stranger&lt;br /&gt;congregation of spirits however mortal and fallible&lt;br /&gt;looking very close to the cam but not quite&lt;br /&gt;following camera around&lt;br /&gt;i have to talk about her cancer&lt;br /&gt;he saw a roving shape he like--he imagined it in orbit&lt;br /&gt;their attire bore codes of a specific designation...things were now in confusion...and identities were mistaken with grave consequences&lt;br /&gt;approaches to american narrative&lt;br /&gt;there are many ways i could tell the story&lt;br /&gt;covering eyes in horror with dollar bills&lt;br /&gt;surreal scenes in vegas slo-motion&lt;br /&gt;hes finishing a meal&lt;br /&gt;father decides at 50 to become an actor&lt;br /&gt;the tv is making noise&lt;br /&gt;the computer is sick&lt;br /&gt;discovered a propensity for self-portraiture&lt;br /&gt;still images interrupt cinematic space as theyre created&lt;br /&gt;toolbox tangled up in last nites party&lt;br /&gt;chaplinesque cleaning of future home&lt;br /&gt;how does the refrigerator work?&lt;br /&gt;quiet,dead,whispered histories&lt;br /&gt;finally emerges more crooked and shapeless than ever&lt;br /&gt;perverse landforms&lt;br /&gt;history &lt;br /&gt;as a long time ago&lt;br /&gt;he learned to build buildings&lt;br /&gt;author of earth&lt;br /&gt;know what mesothelioma is?&lt;br /&gt;from asbestos.&lt;br /&gt;that's right&lt;br /&gt;dont look in the oven&lt;br /&gt;her cook does the washing and the food tastes of soap&lt;br /&gt;cousin roberta drinks her perfume&lt;br /&gt;everybody eats something completely different for dinner&lt;br /&gt;she was not completely unaware of the strange steel creatures crawling into the sky&lt;br /&gt;and playing funny with the horizon&lt;br /&gt;she didnt want to live in such cruel shadows&lt;br /&gt;colorness&lt;br /&gt;surveys of the sun&lt;br /&gt;along the same side of the hwy as he was headed&lt;br /&gt;working here &lt;br /&gt;forever adrift -- didnt realize her station would become static&lt;br /&gt;you&lt;br /&gt;the camera is the narrator&lt;br /&gt;new logic- making previously difficult things incredibly obvious&lt;br /&gt;debunking previous systems of belief&lt;br /&gt;if you believe this....you believe that&lt;br /&gt;is reinterpretation derivative&lt;br /&gt;flipping through the considerable asian television block and picking his nose&lt;br /&gt;its hibernating&lt;br /&gt;i might freak out!&lt;br /&gt;go there with you&lt;br /&gt;sit there with ya&lt;br /&gt;talk to ya honestly&lt;br /&gt;i completely enunciated without affect&lt;br /&gt;so im absolutely clear&lt;br /&gt;easily get distracted by the towering neon structures and walk right into traffic&lt;br /&gt;somebody who can make sense of a whole mess of money&lt;br /&gt;who can possibly diagnose it?&gt;&lt;br /&gt;to live virtually alone in a giant tower&lt;br /&gt;that sits empty save for you&lt;br /&gt;have they already done it or are they saving it for later&lt;br /&gt;the smoke is clearing&lt;br /&gt;the absurd route you take to get home&lt;br /&gt;i couldnt take a picture i dont even know what it looks like&lt;br /&gt;it is ridiculous.&lt;br /&gt;it it ridiculous question mark&lt;br /&gt;it is ridiculous exclamation point&lt;br /&gt;it is ridiculous comma&lt;br /&gt;it is ridiculous semi colon&lt;br /&gt;a whole world of people elsewhre&lt;br /&gt;you forget how the ideas are supposed to work together&lt;br /&gt;various avenues in which to mio&lt;br /&gt;you see towering godlike reflections&lt;br /&gt;you dont know where you are&lt;br /&gt;and everything is everywhere&lt;br /&gt;wildly decorated clown looking noshalant on an esclator&lt;br /&gt;protagonist a blurry figure in the background of somebodys elses photo&lt;br /&gt;group portrait&lt;br /&gt;not pictured&lt;br /&gt;who are their models?&lt;br /&gt;maybe its nothing &lt;br /&gt;or something less significant&lt;br /&gt;forced perspective&lt;br /&gt;some people&lt;br /&gt;they just eat it&lt;br /&gt;its in the punch&lt;br /&gt;perish in the fury of tangled anecdotes&lt;br /&gt;she was certainly challenging my very notions of responsibility&lt;br /&gt;a drunker person on the strip...which she never encountered&lt;br /&gt;you repeatedly hear your name whispered by the towering buildings on either side of you&lt;br /&gt;seriously man who the fuck gonna pick yall bitch asses up thats my question&lt;br /&gt;down the strip gabbing into a little machine in her hand&lt;br /&gt;discretions her goal&lt;br /&gt;where the christ do the porn peddlers sleep&lt;br /&gt;where reality has ceased to be&lt;br /&gt;stare at the past and its song history&lt;br /&gt;in the present that is helpless&lt;br /&gt;a woman without a drink&lt;br /&gt;making jasmine tea with hot bath water&lt;br /&gt;i dont have access to that psychology&lt;br /&gt;i cant remember it...i DONT know&lt;br /&gt;my own friend - i keep myself company&lt;br /&gt;the lights they grow bright and explode&lt;br /&gt;all it is dim&lt;br /&gt;the city it crumbles&lt;br /&gt;the desert it becomes&lt;br /&gt;each casino grows another casino&lt;br /&gt;he did it for cash and created something beautiful&lt;br /&gt;see man that psychology&lt;br /&gt;i dont know where i was or what i was&lt;br /&gt;smell is tangled&lt;br /&gt;the long rays of the sun&lt;br /&gt;he also thought she looked good naked&lt;br /&gt;main character befriends a turtle&lt;br /&gt;absoluteness&lt;br /&gt;there is no redemption&lt;br /&gt;the object is violence&lt;br /&gt;a girl is a girl is a girl is a girl&lt;br /&gt;finding the corpse of an enormous fucking bird&lt;br /&gt;serious fucking wingspan&lt;br /&gt;obscuring the &lt;br /&gt;i wanted to help them make a movie about themselves&lt;br /&gt;it didnt come from the bedrock&lt;br /&gt;words are names the names we have for things&lt;br /&gt;somebody somewhere was inordianately sad&lt;br /&gt;because she was inordinately happy&lt;br /&gt;she owns this valley&lt;br /&gt;gotta get there make the peace&lt;br /&gt;keep the peace i seldom see him&lt;br /&gt;activated all the alarms spreading the police very thin&lt;br /&gt;poisoning the water&lt;br /&gt;remove the cast of a film from the carcass of a mythic creature&lt;br /&gt;songs from burning orphanage&lt;br /&gt;forging history of the future with a paintbrush&lt;br /&gt;never f&lt;br /&gt;the fuckings the least interesting part&lt;br /&gt;i dont know to what exten i agree with that but as a cinematic dictate&lt;br /&gt;it is for the moment under advisement&lt;br /&gt;something unreal like a robbery or a murder&lt;br /&gt;i want to rein in that entire vague universe&lt;br /&gt;designs are at present shapeless&lt;br /&gt;remakes of commercials&lt;br /&gt;and other inane entertainements&lt;br /&gt;the way they age&lt;br /&gt;image of steeped tea&lt;br /&gt;the odd situation of the previous tenants&lt;br /&gt;let me buy you a suitcase&lt;br /&gt;not much of an explorer or adventurer&lt;br /&gt;wife and kids and mortgage&lt;br /&gt;became infatuated with his handwriting more than what he was writing&lt;br /&gt;awareness of craft&lt;br /&gt;the complexity of funny violence&lt;br /&gt;yachts gross wealth new ways of seeing&lt;br /&gt;caught a sideways reflection&lt;br /&gt;2 million in his satchel&lt;br /&gt;wanted to make an offer&lt;br /&gt;huffed it from el paso&lt;br /&gt;youve created tawdry melodrama out of people and events which mean very much to me&lt;br /&gt;wooden city&lt;br /&gt;overflow&lt;br /&gt;disturbing cables&lt;br /&gt;a vague hell&lt;br /&gt;how to arrange the family in a portrait&lt;br /&gt;so damaging, traumatizing, and foul&lt;br /&gt;it didnt even occupy the space one would expect&lt;br /&gt;its shape changed&lt;br /&gt;became a silent and noxious void&lt;br /&gt;aesthetic concerns tangled with moral global personal concerns&lt;br /&gt;place where they become one haunted portrait&lt;br /&gt;editing experiements&lt;br /&gt;new portrait of family&lt;br /&gt;the first sound &lt;br /&gt;the first image&lt;br /&gt;from where did the images originate&lt;br /&gt;it reaches anywhere and everywhere&lt;br /&gt;the design of his bedspread&lt;br /&gt;reflections in mirrors&lt;br /&gt;information multiplies&lt;br /&gt;a bunch of kids count syllables with hands under chins&lt;br /&gt;tendency to recount stories or elucidate ideas through drawings and diagrams&lt;br /&gt;robot narrator; im goin to leave you now&lt;br /&gt;you smell like the pool&lt;br /&gt;ideas lost forever&lt;br /&gt;were they exterminated or stolen&lt;br /&gt;he was sure hed written it down before&lt;br /&gt;it was his story&lt;br /&gt;he rifled through the swollen pockets of his blazer&lt;br /&gt;for what?&lt;br /&gt;he didnt know&lt;br /&gt;the anthem of a new race&lt;br /&gt;jump higher run faster&lt;br /&gt;his parents experiments with eugenics&lt;br /&gt;w every glance she changed&lt;br /&gt;what did she represent?&lt;br /&gt;i cant spell anymore&lt;br /&gt;hip hop squabble considered against the backdrop of apocalyptic rubble&lt;br /&gt;guts champion sells piece of crag for dope&lt;br /&gt;document entirely static portrait of a hotel lobby&lt;br /&gt;as drugs through his sisters veins, a molotov cocktail soars through the air&lt;br /&gt;i let my eyes lose focus&lt;br /&gt;he tightened his laces&lt;br /&gt;lobotomized&lt;br /&gt;you know ive seen all of this before&lt;br /&gt;i just wanna crawl into the tv and strangle them&lt;br /&gt;decaying garden&lt;br /&gt;a new form&lt;br /&gt;names that perished&lt;br /&gt;the sun is sick of entertaining us&lt;br /&gt;responsibility perished&lt;br /&gt;out of focus pictures of the eiffel tower&lt;br /&gt;broke with a burning stomach&lt;br /&gt;my girlfriends in an asylum&lt;br /&gt;he had written quite a good email&lt;br /&gt;he was pleased&lt;br /&gt;graphomania&lt;br /&gt;guy goes through girls purse in her company&lt;br /&gt;fishing for pharmaceuticals&lt;br /&gt;feels crude like it was dug out of the ground&lt;br /&gt;something sweet and swollen&lt;br /&gt;it melted into a dance party&lt;br /&gt;you, subject of dreams&lt;br /&gt;overtures of doom&lt;br /&gt;those are my lines to draw&lt;br /&gt;their writing a language for self preservation&lt;br /&gt;but&lt;br /&gt;they havent learned it yet&lt;br /&gt;mr beans and rice&lt;br /&gt;fuck you time&lt;br /&gt;i began to wonder if there were actually eyes beneath the mirrorshades&lt;br /&gt;a story / movie where everyone touches everyone&lt;br /&gt;how it finally wound up at the bottom of a river&lt;br /&gt;the river had a dream&lt;br /&gt;map of veins&lt;br /&gt;map of time&lt;br /&gt;noisy wings sprang about her feet&lt;br /&gt;a hawk soared above, microscopic and shapeless&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4529201996536992535?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' 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of psychological inquiry&lt;br /&gt;my head it simply (swirls)&lt;br /&gt;your head it simply&lt;br /&gt;creates riddles not consummated for hundreds of pages, requires ultra posthuman retention, most of them serve as psychological glimpses anywho&lt;br /&gt;marion, bloom represents nature itself, the antithesis of art gilbert, pg 29-31&lt;br /&gt;optically arrange the nitesky demise of airbuses, likewise making longjest of circling trappists absconded underarms which credit of lunar rejection, tempest swells up into the aqua&lt;br /&gt;curse approaching cars for approaching&lt;br /&gt;alost in the woods&lt;br /&gt;a camera strolls alone in the cultural deep&lt;br /&gt;the wilderness&lt;br /&gt;wide lenses that capture the entire face of a three-story building, and the street and the sky.  keeping all of that at a central focal point, giving one the sensation of being grounded AND aloft&lt;br /&gt;or&lt;br /&gt;break up shot arrangements so that they easily transition between levels&lt;br /&gt;:&lt;br /&gt;lady on the street&lt;br /&gt;a man&lt;br /&gt;"wanna come up?"&lt;br /&gt;cut to&lt;br /&gt;the roof (an instant later)&lt;br /&gt;making average people read prose&lt;br /&gt;flesh out their own experiences throughout duration of "cold" reading&lt;br /&gt;large color panels&lt;br /&gt;color dominated frames&lt;br /&gt;OVERHEAD a man runs smackdab into his captors&lt;br /&gt;triptych&lt;br /&gt;TITLE CARD - cut directly to full frame-mobile camera&lt;br /&gt;camera rotates around character&lt;br /&gt;sparce dialogue- one character perception to another&lt;br /&gt;art paper&lt;br /&gt;houdining around&lt;br /&gt;holding breath underwater&lt;br /&gt;guts champion sells piece of crag for dope&lt;br /&gt;in historical pieces, historically accurate music and motif to run instride with the present or vice versa&lt;br /&gt;swinburn&lt;br /&gt;pater&lt;br /&gt;wilde&lt;br /&gt;imagetexts&lt;br /&gt;finally emerges more crooked and shapeless than ever&lt;br /&gt;implied narrator&lt;br /&gt;how it finally wound up at the bottom of the river&lt;br /&gt;potato=moly&lt;br /&gt;defer to brilliance&lt;br /&gt;joyce's responsibility to his own created reality&lt;br /&gt;by conforming to this reality, the reader is gratified&lt;br /&gt;in brazil they clear cut the equivalent of 5 midwestern states&lt;br /&gt;enough coal for 500 years, lignite coal in TX blended with anthracite from CO&lt;br /&gt;everything that happened in town that nite - the bar was open, etc...&lt;br /&gt;photograph in every possible way&lt;br /&gt;organizing desktop with handwriting, accessing programs from rendered dry erase board&lt;br /&gt;desert vermin&lt;br /&gt;don van vliet&lt;br /&gt;electricity underground&lt;br /&gt;schopenhauer&lt;br /&gt;earth tests&lt;br /&gt;soil plays&lt;br /&gt;reducing moving image to stills or develop / find software that captures millions of frames to be painted via photoshop&lt;br /&gt;garbage tangled in cliffside&lt;br /&gt;growing things&lt;br /&gt;relationships + information created solely by a CPU, the computer has a theory&lt;br /&gt;author of earth&lt;br /&gt;often experimental film is merely a product of underdeveloped sensibilities&lt;br /&gt;a narrative elliptical film about rocks&lt;br /&gt;a man alone on the horizon&lt;br /&gt;the verbal description of films&lt;br /&gt;recreate from what's around&lt;br /&gt;he saw her&lt;br /&gt;and his reflection&lt;br /&gt;he turned back to find a mother wiping slop from a babys mouth&lt;br /&gt;pure form of carbon&lt;br /&gt;dont look in the oven&lt;br /&gt;all the senses&lt;br /&gt;mesothelioma - asbestos cancer&lt;br /&gt;dysentery, awful body failures, dysfunctional anatomy&lt;br /&gt;its being first rendered as you encounter it&lt;br /&gt;language that is familiar immediately recognizable&lt;br /&gt;electric generator&lt;br /&gt;series of well rendered panoramas&lt;br /&gt;telling stories a letter or word at a time using security cameras&lt;br /&gt;looking for evidence to suppport a particular theory&lt;br /&gt;bleeding shoes prison labor&lt;br /&gt;sandbags peeking tragically out of the water&lt;br /&gt;the earth is trembling&lt;br /&gt;psychogeography&lt;br /&gt;in this way esthetic organization in the natural human way&lt;br /&gt;layers of heads out of focus&lt;br /&gt;when to be sincere&lt;br /&gt;deranged free agent&lt;br /&gt;body of ideas adrift without relationship to reality&lt;br /&gt;completely dismantle the meaning&lt;br /&gt;i think he got a lobotomy&lt;br /&gt;decaying evolution&lt;br /&gt;which event do you feel?&lt;br /&gt;when it smiled, its face closed&lt;br /&gt;everything is always on display everywhere&lt;br /&gt;various dimensions&lt;br /&gt;flat structure&lt;br /&gt;reflection&lt;br /&gt;shadow beyond it&lt;br /&gt;map of veins&lt;br /&gt;map of time&lt;br /&gt;story in only exposed text&lt;br /&gt;synesthetic breakdown&lt;br /&gt;i like to write with pencils&lt;br /&gt;it becomes invisible difficult to reproduce&lt;br /&gt;changing tense&lt;br /&gt;graphite on gloss&lt;br /&gt;sideways portrait&lt;br /&gt;victim / aggressor&lt;br /&gt;sullen looking waste that spelled my name&lt;br /&gt;a voice: masculine female or effiminate male: i cant tell&lt;br /&gt;approaches of personal generation&lt;br /&gt;an anecdote which digs a little at what the heck ulysses is while also serving as a demonstration for conjuring some kind of accessibility in the face of so much fuzz&lt;br /&gt;how does a machine know what its doing?&lt;br /&gt;jupiter ate his servants&lt;br /&gt;touch my hubris&lt;br /&gt;it was all handwritten in the dark&lt;br /&gt;how much information can you process?  read like you're learning&lt;br /&gt;card counting&lt;br /&gt;writing in the dark&lt;br /&gt;consciousness in space&lt;br /&gt;trapped in outerspace&lt;br /&gt;life underground&lt;br /&gt;panspermia&lt;br /&gt;two separate hemispheres&lt;br /&gt;they are bisected&lt;br /&gt;the sound recording mechanism&lt;br /&gt;not fixed+mechanical, human, organic&lt;br /&gt;in orbit around the camera&lt;br /&gt;sunspots&lt;br /&gt;computer divorced from meaning&lt;br /&gt;i prefer clumps of strangers&lt;br /&gt;cut to native image&lt;br /&gt;notecard quilt&lt;br /&gt;product of tunnelvision&lt;br /&gt;clock drive centers things in eyepiece offsets rotation of the earth&lt;br /&gt;zenith - point of overhead&lt;br /&gt;parabolic mirror&lt;br /&gt;rgb chromatic&lt;br /&gt;its got color and pictures underneath it&lt;br /&gt;apogee - furthest&lt;br /&gt;perigee - closest&lt;br /&gt;node - intersection of 2 pts&lt;br /&gt;colonization of mars&lt;br /&gt;our trajectory was opposite that of the singing birds - a text written to someone&lt;br /&gt;vesicular - spongy texture&lt;br /&gt;drawing with names&lt;br /&gt;a series of images in personal context collage&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4912902867148785476?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4912902867148785476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4912902867148785476'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/04/rabelais-hypoborea-oscar-wilde-danger.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-3792159703076568526</id><published>2008-04-16T00:06:00.001-07:00</published><updated>2008-04-16T00:07:28.633-07:00</updated><title type='text'>showconcepts</title><content type='html'>northsouthwesteast to quinoa heights&lt;br /&gt;&lt;br /&gt;retreat into manhood&lt;br /&gt;&lt;br /&gt;they dont know what is that they're doing alone in the dark at night in moonlight to other people in other areas for themselves anymore&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-3792159703076568526?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3792159703076568526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/3792159703076568526'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/04/showconcepts.html' title='showconcepts'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-1215793895735912312</id><published>2008-04-15T17:49:00.000-07:00</published><updated>2008-04-15T17:50:42.132-07:00</updated><title type='text'>Tape Recorder Transcript Folder C</title><content type='html'>is reinterpretation derivative?&lt;br /&gt;figuring out how many flags to place behind bobama as he apologizes for the words of someone he is supposed to place trust in&lt;br /&gt;a film in lv where you encounter ordinary people w/ ordinary concerns but they're discussing things of exterme complexity importance philsophical significance&lt;br /&gt;things that are hard to understand yet somehow approachable and accessible&lt;br /&gt;like christ marker was concerned perhaps asian television is watching us right back&lt;br /&gt;i myself got that exact feeling sitting in LV and surfing through the asian TV bloc and happened to be picking my nose&lt;br /&gt;its hibernating&lt;br /&gt;i might freak out&lt;br /&gt;go there with ya&lt;br /&gt;sit there with ya&lt;br /&gt;talk to you honestly&lt;br /&gt;maybe youll care&lt;br /&gt;trying even to say right now what i mean, completely enunciate it without affect make it completely clear, so you know that i mean it&lt;br /&gt;easily get distracted by the towers and walk right into traffic&lt;br /&gt;somebody who can make sense of a whole mess of money&lt;br /&gt;who can possible diagnose it?&lt;br /&gt;maybe every idea is possible through the thorough diagrammation of these ideas&lt;br /&gt;fully alone in a gigantic tower that sits empty and alone save for you&lt;br /&gt;have they already done it or are they saving it for later&lt;br /&gt;the smoke is clearing and the absurd route you have to take just to get back to your home on vacation&lt;br /&gt;i couldn't take a picture, i don't even know what it looks like...its ridiculous&lt;br /&gt;it is ridiculous (period)&lt;br /&gt;is it ridiculous (question mark)&lt;br /&gt;it is ridiculous (exclamation point)&lt;br /&gt;it is ridiculous (comma)&lt;br /&gt;it is ridiculous (semi colon)&lt;br /&gt;a whole world of people elsewhere&lt;br /&gt;they forget how the ideas are supposed to work together&lt;br /&gt;varuius avenues in which to milk the spoken punctuation gimmick, it is a gimmick after all&lt;br /&gt;you see towering godlike reflections and you dont know where you are because youre everywhere and everything is everywhere&lt;br /&gt;a wildly decorous clown standing around looking nonshalant on an escalator&lt;br /&gt;arrival by escalator&lt;br /&gt;zoom into the protagonist- a blurry figure in the background of somebody else's photgraph&lt;br /&gt;people in tropical exotic environment spend&lt;br /&gt;who are their models?&lt;br /&gt;who do they mold themselves after? couldnt be unique couldnt be an independent expression of character&lt;br /&gt;maybe its nothing or something less significant&lt;br /&gt;forced perspective&lt;br /&gt;43 crawling around the image ?&lt;br /&gt;some people they just eat it&lt;br /&gt;its in the punch&lt;br /&gt;46 - all these _____ people ?&lt;br /&gt;integrity&lt;br /&gt;perish in the fury of tangled anecdotes at a table&lt;br /&gt;all i haves my own experiences, cant measure it against anybody elses&lt;br /&gt;finally track down a party to be redeemed by angels merely to drag me down to that level&lt;br /&gt;certainly challenging down to the very foundation my notions of responsibility&lt;br /&gt;harrahs to palazzo searching for a drunker individual on the strip- one never presented itself&lt;br /&gt;repeatedly hear your name whispered by the towering buildings on either side of you&lt;br /&gt;seriously man who the fucks gonna pick yalls bitch asses up, thats my question&lt;br /&gt;im walking down the lv strip talking into a tape recorder, or yknow myself, am i one of those psychotics (question mark)&lt;br /&gt;walking down the strip gabbing like a goon into a little machine in my hand, my right hand&lt;br /&gt;cant decode what im saying but discretion is a goal&lt;br /&gt;where the christ do porn peddlers sleep?&lt;br /&gt;o im just some guy&lt;br /&gt;no your not&lt;br /&gt;60 field test audio recording of the vegas strip wed nite midnite&lt;br /&gt;reality has ceased to be albeit in an amended form&lt;br /&gt;62 field test - sounds of a loser&lt;br /&gt;story staring at the past and its song we call history and the history trapped in the present that can never be anything but...a narrative&lt;br /&gt;a woman without a drink&lt;br /&gt;making a jasmine tea w/ hot bath water&lt;br /&gt;66 field recording - beatles love lucy in the sky...etc&lt;br /&gt;i dont have access to that psychology&lt;br /&gt;i cant remember&lt;br /&gt;i dont know&lt;br /&gt;its like i was my own friend, i kept myself company&lt;br /&gt;the lights they go bright and explode all it is dim all it crumbles the desert it becomes&lt;br /&gt;each casino grows a casino and another and another...can you double down on mars? all casinos until you get to outer space&lt;br /&gt;did it for cash and then he created something beautiful&lt;br /&gt;see man i dont have access to that psychology, i dont know where it was or what it was or what i was thinking&lt;br /&gt;smell is tangled with other bullshit&lt;br /&gt;shape of his face would've made for one hell of amusement park attraction&lt;br /&gt;75 long - complex, chewy -- general description of a character???&lt;br /&gt;main character befriends a turtle or some other animal sweet&lt;br /&gt;absoluteness of the cinematic frame&lt;br /&gt;there is no redemption, narratively the victor must be your art&lt;br /&gt;77-80BLOOD MERIDIAN dust jacket scrawlings&lt;br /&gt;a girl is a girl is a girl is a girl&lt;br /&gt;82 noise field recording distorted laptop audio&lt;br /&gt;83 - same&lt;br /&gt;84 - same&lt;br /&gt;85 nothing&lt;br /&gt;86 nada&lt;br /&gt;finding the corpse of an enormous fucking bird - serious fucking wingspan&lt;br /&gt;obscuring view playing games with depth perception using various segments set at different lengths set at different parts from perspective tapestry of vagueness, obsurity&lt;br /&gt;i wanted to help them make a movie about themselves&lt;br /&gt;it didnt come from the bedrock&lt;br /&gt;91 spanish class field recording&lt;br /&gt;words are names the names we have for things&lt;br /&gt;man somebody somewhere must be super sad because im super fucking happy cause yknow thats how it works everytime you go to six flags somebody somewhere loses their job - Jack County BS Sesh&lt;br /&gt;94 bullshit danielle defrance&lt;br /&gt;95 justin and i around a fire BS&lt;br /&gt;96 she owns this valley&lt;br /&gt;man you get there and make friends and then make the peace and then keep the peace...i uh seldom see him&lt;br /&gt;actvating all the alarms in the area...spreading the police force very thin&lt;br /&gt;create a relationship not between man and woman, man and man, mother and daugher, father and son, boy and his dog, had to be something else&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-1215793895735912312?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1215793895735912312'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/1215793895735912312'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/04/tape-recorder-transcript-folder-c.html' title='Tape Recorder Transcript Folder C'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-4124611712522473411</id><published>2008-02-20T03:49:00.000-08:00</published><updated>2008-12-09T02:57:39.947-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://2.bp.blogspot.com/_Xexb5Teznpg/R7wUJXnq_qI/AAAAAAAAAHk/66W8krXc1CI/s1600-h/blurrysmoke.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5169028623506276002" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://2.bp.blogspot.com/_Xexb5Teznpg/R7wUJXnq_qI/AAAAAAAAAHk/66W8krXc1CI/s400/blurrysmoke.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/R7wUJnnq_rI/AAAAAAAAAHs/6kHDZpxB4TI/s1600-h/883205060209_0_BG.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5169028627801243314" style="FLOAT: left; MARGIN: 0px 10px 10px 0px; CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_Xexb5Teznpg/R7wUJnnq_rI/AAAAAAAAAHs/6kHDZpxB4TI/s400/883205060209_0_BG.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-4124611712522473411?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4124611712522473411'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/4124611712522473411'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/02/blog-post.html' title=''/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/_Xexb5Teznpg/R7wUJXnq_qI/AAAAAAAAAHk/66W8krXc1CI/s72-c/blurrysmoke.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-9093401505899590355</id><published>2008-02-20T03:38:00.000-08:00</published><updated>2008-12-09T02:57:40.288-08:00</updated><title type='text'>First paintings.</title><content type='html'>&lt;a href="http://1.bp.blogspot.com/_Xexb5Teznpg/R7wRXHnq_oI/AAAAAAAAAHU/kPjKxFsujbY/s1600-h/logss.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5169025561194593922" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_Xexb5Teznpg/R7wRXHnq_oI/AAAAAAAAAHU/kPjKxFsujbY/s400/logss.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/R7wRXnnq_pI/AAAAAAAAAHc/zWtCQsV09jc/s1600-h/grasss.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5169025569784528530" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_Xexb5Teznpg/R7wRXnnq_pI/AAAAAAAAAHc/zWtCQsV09jc/s400/grasss.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-9093401505899590355?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/9093401505899590355'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/9093401505899590355'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/02/first-paintings.html' title='First paintings.'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/_Xexb5Teznpg/R7wRXHnq_oI/AAAAAAAAAHU/kPjKxFsujbY/s72-c/logss.jpg' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-7114063090940490288</id><published>2008-01-30T08:35:00.000-08:00</published><updated>2008-12-09T02:57:41.455-08:00</updated><title type='text'>Foreign Language Lab Capture Ability!</title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/R6Cnkp7iqEI/AAAAAAAAAFE/75x9sxxQDZM/s1600-h/hh.bmp"&gt;&lt;img id="BLOGGER_PHOTO_ID_5161309421139306562" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_Xexb5Teznpg/R6Cnkp7iqEI/AAAAAAAAAFE/75x9sxxQDZM/s400/hh.bmp" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;a href="http://1.bp.blogspot.com/_Xexb5Teznpg/R6CnlJ7iqFI/AAAAAAAAAFM/cgNFIy199GQ/s1600-h/bitter.bmp"&gt;&lt;img id="BLOGGER_PHOTO_ID_5161309429729241170" style="CURSOR: hand" alt="" src="http://1.bp.blogspot.com/_Xexb5Teznpg/R6CnlJ7iqFI/AAAAAAAAAFM/cgNFIy199GQ/s400/bitter.bmp" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;From "Bitter Tears of Petra Von Kant."  1972, RWF&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-7114063090940490288?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7114063090940490288'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/7114063090940490288'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/01/foreign-language-lab-capture-ability.html' title='Foreign Language Lab Capture Ability!'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/_Xexb5Teznpg/R6Cnkp7iqEI/AAAAAAAAAFE/75x9sxxQDZM/s72-c/hh.bmp' height='72' width='72'/></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-8535316072457097487</id><published>2008-01-28T19:35:00.001-08:00</published><updated>2008-01-28T19:35:29.251-08:00</updated><title type='text'>2shared</title><content type='html'>&lt;a href="http://www.2shared.com/file/2779800/6049dc94/Vegas_Nevada-2008_01_24-14_22_25.html"&gt;http://www.2shared.com/file/2779800/6049dc94/Vegas_Nevada-2008_01_24-14_22_25.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;-initial uploader site experiment&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/7567910612662728693-8535316072457097487?l=stomachisland.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8535316072457097487'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/7567910612662728693/posts/default/8535316072457097487'/><link rel='alternate' type='text/html' href='http://stomachisland.blogspot.com/2008/01/2shared.html' title='2shared'/><author><name>jcshumate</name><uri>http://www.blogger.com/profile/13621069723118718070</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author></entry><entry><id>tag:blogger.com,1999:blog-7567910612662728693.post-9123237982269047602</id><published>2008-01-24T22:50:00.000-08:00</published><updated>2008-12-09T02:57:44.759-08:00</updated><title type='text'></title><content type='html'>&lt;a href="http://3.bp.blogspot.com/_Xexb5Teznpg/R5mGzZ7ipyI/AAAAAAAAACw/niSxEwhHgH4/s1600-h/img076.jpg"&gt;&lt;img id="BLOGGER_PHOTO_ID_5159303065821685538" style="CURSOR: hand" alt="" src="http://3.bp.blogspot.com/_Xexb5Teznpg/R5mGzZ7ipyI/AAAAAAAAACw/niSxEwhHgH4/s400/img076.jpg" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/trac
